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Harold B Segel

Biographic Data

ID1121618
NAMEHarold B Segel
GIVEN NAMESHarold B
FAMILY NAMESegel
SIGNATURESEGEL H B
AFFILIATIONSColumbia University
VERIFIEDNo
TOTAL WORKS39
TOTAL CITATIONS2
AUTHOR COUNT39
EDITOR COUNT0
FIRST PUBLICATION YEAR1958
LATEST PUBLICATION YEAR2003
H-INDEX1
  • The Columbia Guide to the Literatures of Eastern Europe Since 1945

    Harold B Segel•BOOK•The Columbia guide to the…•2003

    For nearly half a century, the Iron Curtain obscured from Western eyes a vital group of national and regional writers. Seen as a whole, the literatures of Eastern Europe during the second half of the twentieth century are extraordinarily rich, and in recent years many Eastern European novelists, poets, and playwrights have attracted wider attention and broader publication in the West. And yet no reference work, embracing all the countries of this…

  • Body Ascendant

    Robert C Holub, Harold B Segel•ARTICLE•The German Quarterly•2000

    Segel, Harold B. Body Ascendant: Modernism and the Physical Imperative. Baltimore: The Johns Hopkins UP, 1998. 282 pp. $35.95. In Body Ascendant Harold Segel proposes that we look at modernism as a disenchantment with intellectuality and the mind, and a fascination with the physical body. Segel finds evidence for this thesis in many realms, from the preoccupation with dance and pantomime to skeptical views on language and the popularity of sports…

  • The Death of Tarelkin and Other Plays

    Toni Hull, Alexander Sukhovo-Kobylin et al.•ARTICLE•The Slavic and East European…•1997

  • The Vienna Coffeehouse Wits, 1890-1938

    Howard Louthan, Harold B Segel et al.•ARTICLE•German Studies Review•1995

    This detailed study charts the uneven growth of the Austrian navy from its high point following Archduke Ferdinand Max's administration and the War of 1866 to its ultimate dissolution after World War 1. In following this development, Lawrence Sondhaus not only relates the operational aspects of the Habsburg navy but also traces the growth of popular navalism in Austria-Hungary, the role of naval expansion in stimulating industrial development, an…

  • Twentieth-Century Russian Drama

    Allison Comins-Richmond, Harold B Segel•ARTICLE•The Slavic and East European…•1995

  • The Adventures of Mr. Nicholas Wisdom

    Harold B Segel, Ignacy Krasicki et al.•ARTICLE•The Slavic and East European…•1994

  • National Theatre in Northern and Eastern Europe, 1746-1900

    Harold B Segel, Laurence Senelick•ARTICLE•The Slavic and East European…•1993

  • Russian Avant-Garde Stage Design Exhibit Travels in the U.S

    Harold B Segel•ARTICLE•Performing Arts Journal•1992

  • Caronte e Caterina

    Harold B Segel, N Marcialis•ARTICLE•The Russian Review•1991

  • Polish Sacred Philology in the Reformation and the Counter-Reformation

    Harold B Segel, David Frick et al.•ARTICLE•The Slavic and East European…•1990

  • Renaissance Culture in Poland

    Samuel Fiszman, Harold B Segel•ARTICLE•The Slavic and East European…•1990

  • Turn-of-the-Century Cabaret

    Marc Robinson, Harold B Segel•ARTICLE•Performing Arts Journal•1988

  • Turn-of-the-Century Cabaret

    Richard J Rundell, Harold B Segel•ARTICLE•German Studies Review•1988

    Traces the history of the European cabaret, discusses the types of entertainment that developed in cabarets, and explains their connection with avant-garde movements

  • Gentlemen of a Company

    Open Access•Harold B Segel•ARTICLE•Renaissance Quarterly•1988

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Turn-of-the-Century Cabaret

    Andrew B Harris, Harold B Segel•ARTICLE•Theatre Journal•1988

  • Twentieth-Century Russian Drama

    Alan Smith, Alan Р Smith et al.•ARTICLE•The Slavic and East European…•1981

  • Twentieth-Century Russian Drama

    Zoya Yurieff, Harold B Segel•ARTICLE•The Russian Review•1981

  • Twentieth-Century Russian Drama

    Tom Ryan, Harold B Segel•ARTICLE•Performing Arts Journal•1980

  • Polish Romantic Drama

    Martin Esslin, Harold B Segel et al.•ARTICLE•Performing Arts Journal•1978

  • Polish Romantic Drama. Three Plays in English Translation

    David Welsh, Harold B Segel•ARTICLE•The Slavic and East European…•1978

  • Russian Literature in the Age of Catherine the Great

    Harold B Segel, Anthony Cross et al.•ARTICLE•The Russian Review•1978

  • Fin de siecle Cabaret

    Harold B Segel•ARTICLE•Performing Arts Journal•1977

    The Dada movement, which both anticipated and prepared the way for surrealism by a few years, saw the light of day in the Cabaret Voltaire in Zurich, Switzerland on February 2, 1916.1 The first program began, not surprisingly, with the Frenchman Alfred Jarry's irreverent, mocking farce Ubu Roi, a burlesque of Shakespeare's Macbeth written in the late 1880s as a puppet show, first staged in Paris in 1896, where it was the sensation of the season, …

  • The Baroque Poem

    Gerald Gillespie, Harold B Segel•ARTICLE•Modern Language Notes•1977

  • Le theatre juif sovietique pendant les Annees Vingt

    Harold B Segel, Béatrice Picon-Vallin et al.•ARTICLE•The Russian Review•1975

  • Baroque and Rococo in Eighteenth-Century Russian Literattrre

    Harold B Segel•ARTICLE•Canadian Slavonic Papers•1973

    Résumé/AbstractMaintenant que le mot Baroque est de plus en pllus accepté comme expression et comme idée par les érudits littéraires soviétiques aussi bien qu’occidentaux, la littérature russc du 17éme et du 18éme siécles se trouve être réexaminée du point de vue de l’esthétique baroque.Le classicisme russe est considéré à présent non pas seulement comme une entité homogéne mais aussi comme contenant des éléments plus compatibles avec le Baroque.…

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  • Sienkiewicz's First Translator, Jeremiah Curtin

    Open Access•Harold B Segel•ARTICLE•Slavic Review•1965•Cited by: 2

    Sienkiewicz himself visited America in 1876, in fact traveled extensively through the country and recorded his impressions at some length in his Listy z Ameryki (Letters from America), a large part of which was translated into English and published in 1959. Sienkiewicz's relations with Helena Modrzejewska (Modjeska) and her debut in the American theater at the time of his visit add to the interest of his sojourn in the United States. Another phas…

  • Ztota legenda . Jakub de Voragine , Janina Pleziowa , Marian Plezia

    Harold B Segel•ARTICLE•Speculum•1958

  • Censorship and Literature

    Harold B Segel•ARTICLE•The Slavic and East European…•1958

  • Mickiewicz and the West

    Harold B Segel, B R Bugelski•ARTICLE•The Slavic and East European…•1958

  • Pushkin's Bronze Horseman

    Harold B Segel, Waclaw Lednicki et al.•ARTICLE•The Slavic and East European…•1958

  • Foreigh Drama in Eighteenth Century Polish Dress

    Harold B Segel•ARTICLE•The Slavic and East European…•1959

  • Five Centuries of Polish Poetry, 1450-1950

    Harold B Segel, Jerzy Peterkiewicz et al.•ARTICLE•The Slavic and East European…•1961

  • The Kosciuszko Foundation Dictionary

    Harold B Segel, Kazimierz Bulas et al.•ARTICLE•The Slavic and East European…•1962

  • Zygmunt Krasiński, Romantic Universalist

    Harold B Segel, Waclaw Lednicki•ARTICLE•The Slavic and East European…•1965

  • Sienkiewicz's First Translator, Jeremiah Curtin

    Open Access•Harold B Segel•ARTICLE•Slavic Review•1965•Cited by: 2

    Sienkiewicz himself visited America in 1876, in fact traveled extensively through the country and recorded his impressions at some length in his Listy z Ameryki (Letters from America), a large part of which was translated into English and published in 1959. Sienkiewicz's relations with Helena Modrzejewska (Modjeska) and her debut in the American theater at the time of his visit add to the interest of his sojourn in the United States. Another phas…

  • Józef-Julian Sekowski

    Harold B Segel, Louis Pedrotti•ARTICLE•The Slavic and East European…•1966

  • Conrad's Polish Literary Background and Some Illustrations of the Influence of Polish Literature on His Work

    Harold B Segel, Andrzej Busza•ARTICLE•The Slavic and East European…•1968

  • Carmina. Dziela wszystkie

    Open Access•Harold B Segel•ARTICLE•Renaissance Quarterly•1968

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Major Comedies of Alexander Fredro

    David Welsh, Harold B Segel et al.•ARTICLE•The Slavic and East European…•1970

  • The Trilogy

    Spencer E Roberts, Alexander Sukhovo-Kobylin et al.•ARTICLE•The Slavic and East European…•1970

  • Baroque and Rococo in Eighteenth-Century Russian Literattrre

    Harold B Segel•ARTICLE•Canadian Slavonic Papers•1973

    Résumé/AbstractMaintenant que le mot Baroque est de plus en pllus accepté comme expression et comme idée par les érudits littéraires soviétiques aussi bien qu’occidentaux, la littérature russc du 17éme et du 18éme siécles se trouve être réexaminée du point de vue de l’esthétique baroque.Le classicisme russe est considéré à présent non pas seulement comme une entité homogéne mais aussi comme contenant des éléments plus compatibles avec le Baroque.…

  • Le theatre juif sovietique pendant les Annees Vingt

    Harold B Segel, Béatrice Picon-Vallin et al.•ARTICLE•The Russian Review•1975

  • Fin de siecle Cabaret

    Harold B Segel•ARTICLE•Performing Arts Journal•1977

    The Dada movement, which both anticipated and prepared the way for surrealism by a few years, saw the light of day in the Cabaret Voltaire in Zurich, Switzerland on February 2, 1916.1 The first program began, not surprisingly, with the Frenchman Alfred Jarry's irreverent, mocking farce Ubu Roi, a burlesque of Shakespeare's Macbeth written in the late 1880s as a puppet show, first staged in Paris in 1896, where it was the sensation of the season, …

  • The Baroque Poem

    Gerald Gillespie, Harold B Segel•ARTICLE•Modern Language Notes•1977

  • Polish Romantic Drama

    Martin Esslin, Harold B Segel et al.•ARTICLE•Performing Arts Journal•1978

  • Polish Romantic Drama. Three Plays in English Translation

    David Welsh, Harold B Segel•ARTICLE•The Slavic and East European…•1978

  • Russian Literature in the Age of Catherine the Great

    Harold B Segel, Anthony Cross et al.•ARTICLE•The Russian Review•1978

  • Twentieth-Century Russian Drama

    Tom Ryan, Harold B Segel•ARTICLE•Performing Arts Journal•1980

  • Twentieth-Century Russian Drama

    Alan Smith, Alan Р Smith et al.•ARTICLE•The Slavic and East European…•1981

  • Twentieth-Century Russian Drama

    Zoya Yurieff, Harold B Segel•ARTICLE•The Russian Review•1981

  • Turn-of-the-Century Cabaret

    Marc Robinson, Harold B Segel•ARTICLE•Performing Arts Journal•1988

Art (32 works) · History (27 works) · Literature (19 works) · Art history (10 works) · History (10 works) · Historical and Cultural Studies of Poland (8 works) · Drama (7 works) · Political science (7 works) · Humanities (6 works) · Philosophy (6 works)

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