Patricia Fumerton
Biographic Data
| ID | 1122021 |
|---|---|
| NAME | Patricia Fumerton |
| GIVEN NAMES | Patricia |
| FAMILY NAME | Fumerton |
| SIGNATURE | FUMERTON P |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Remembering by Dismembering
The early modern center's (EMC's) english broadside ballad archive (EBBA), for instance, is dedicated to digitizing all surviving ballads printed in English, with priority given to black-letter broadsides printed in the broadside-ballad heyday of the seventeenth century. The digital archiving that is proceeding apace on a global basis expresses an age-old "human obsession," as Kevin Curran observes. Recognition of the dismembering practices of co…
Ballads and Broadsides in Britain, 1500–1800
Contents: Introduction: straws in the wind, Patricia Fumerton and Anita Guerrini Part I Re-Collecting and Re-Defining Ballads: Remembering by dismembering: databases, archiving, and the recollection of 17th-century broadside ballads, Patricia Fumerton 'The art of printing was fatal': print commerce and the idea of oral tradition in long 18th-century ballad discourse, Paula McDowell Child's ballads and the broadside conundrum, Mary Ellen Brown. Pa…
London Calling
London Calling! Lynn Botelho, Richard Connors, Tim Hitchcock, Ian W. Archer, Patricia Fumerton, and Paul Griffiths Paul Griffiths — Lost Londons: Change, Crime and Control in the Capital City, 1550-1660. Cambridge: Cambridge University Press, 2008. London, thou art of townes A per se.Soveraign of cities, semeliest in sight,Of high renoun, riches, and royaltie;Of lordis, barons, and many goodly knyght;Of most delectable lusty ladies brightOf famou…
Cultural Aesthetics
A brilliant postmodern critique of Renaissance subjectivity, Cultural Aesthetics explores the simultaneous formation and fragmentation of aristocratic selfhood in the late sixteenth and early seventeenth centuries. Patricia Fumerton situates the self within its sumptuous array of trivial arts-including the court literatures of chivalric romance, sonnet, and masque and the arts of architecture, miniature painting, stage design, and cuisine. Her in…
Unsettled
Patricia Fumerton avers that she began Unsettled as an act of "scholastic penance," but the result is a rewarding, even enjoyable, examination of the practices and perceptions of the working poor in early modern England.Focusing on the subsistence mobility of vagrants, itinerant laborers, and the housed poor, Fumerton outlines a fundamentally spacious subjectivity that may have been available to lower-order participants in an emerging fluid marke…
Not Home
Journal of Medieval and Early Modern Studies - Volume 32, Number 3, Fall 2002
Exchanging Gifts
"Secret" Arts
Research Article| July 01 1986 "Secret" Arts: Elizabethan Miniatures and Sonnets Patricia Fumerton Patricia Fumerton Search for other works by this author on: This Site PubMed Google Scholar Representations (1986) 15: 57–97. https://doi.org/10.2307/2928392 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citat…
Not Home
Journal of Medieval and Early Modern Studies - Volume 32, Number 3, Fall 2002
Exchanging Gifts
"Secret" Arts
Research Article| July 01 1986 "Secret" Arts: Elizabethan Miniatures and Sonnets Patricia Fumerton Patricia Fumerton Search for other works by this author on: This Site PubMed Google Scholar Representations (1986) 15: 57–97. https://doi.org/10.2307/2928392 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citat…
Not Home
Journal of Medieval and Early Modern Studies - Volume 32, Number 3, Fall 2002
Unsettled
Patricia Fumerton avers that she began Unsettled as an act of "scholastic penance," but the result is a rewarding, even enjoyable, examination of the practices and perceptions of the working poor in early modern England.Focusing on the subsistence mobility of vagrants, itinerant laborers, and the housed poor, Fumerton outlines a fundamentally spacious subjectivity that may have been available to lower-order participants in an emerging fluid marke…
Cultural Aesthetics
A brilliant postmodern critique of Renaissance subjectivity, Cultural Aesthetics explores the simultaneous formation and fragmentation of aristocratic selfhood in the late sixteenth and early seventeenth centuries. Patricia Fumerton situates the self within its sumptuous array of trivial arts-including the court literatures of chivalric romance, sonnet, and masque and the arts of architecture, miniature painting, stage design, and cuisine. Her in…
London Calling
London Calling! Lynn Botelho, Richard Connors, Tim Hitchcock, Ian W. Archer, Patricia Fumerton, and Paul Griffiths Paul Griffiths — Lost Londons: Change, Crime and Control in the Capital City, 1550-1660. Cambridge: Cambridge University Press, 2008. London, thou art of townes A per se.Soveraign of cities, semeliest in sight,Of high renoun, riches, and royaltie;Of lordis, barons, and many goodly knyght;Of most delectable lusty ladies brightOf famou…
Remembering by Dismembering
The early modern center's (EMC's) english broadside ballad archive (EBBA), for instance, is dedicated to digitizing all surviving ballads printed in English, with priority given to black-letter broadsides printed in the broadside-ballad heyday of the seventeenth century. The digital archiving that is proceeding apace on a global basis expresses an age-old "human obsession," as Kevin Curran observes. Recognition of the dismembering practices of co…
Ballads and Broadsides in Britain, 1500–1800
Contents: Introduction: straws in the wind, Patricia Fumerton and Anita Guerrini Part I Re-Collecting and Re-Defining Ballads: Remembering by dismembering: databases, archiving, and the recollection of 17th-century broadside ballads, Patricia Fumerton 'The art of printing was fatal': print commerce and the idea of oral tradition in long 18th-century ballad discourse, Paula McDowell Child's ballads and the broadside conundrum, Mary Ellen Brown. Pa…
Art (7 works) · History (7 works) · Literature (6 works) · History (4 works) · Poetry (4 works) · Ballad (3 works) · Historical Economic and Social Studies (3 works) · Literature: history, themes, analysis (3 works) · Sociology (3 works) · Aesthetics (2 works)