Jane Prophet
Biographic Data
| ID | 1122641 |
|---|---|
| NAME | Jane Prophet |
| GIVEN NAMES | Jane |
| FAMILY NAME | Prophet |
| SIGNATURE | PROPHET J |
| AFFILIATIONS | University of Michigan |
| ORCID | 0000-0002-8422-3230 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
My more-than-human digital twin: Embodiment, feminist AI, and the struggle for representation
Artificial intelligence is an entangled, more-than-human relational network, shaping and being shaped by the societal, cultural, and political structures in which it is embedded. This paper explores the role of artists as critical practitioners engaging with AI, to examine how AI-generated self-representations materialise identity and reinforce or counter well-known AI biases in gender, race, and embodiment. Drawing on feminist technoscience – pa…
An Online Photovoice Study Designed by Researchers from Art and Social Work to Better Understand the Experience of Chronic Pain by Women of Color
In 1980s British feminist artist-photographer Jo Spence used phototherapy to challenge normative and medicalized constructions of the female cancer patient by documenting her illness and was then employed as a consultant by hospitals who, through her work, recognized the need to change physicians’ practices and attitudes, which objectified patients. Photovoice, a Community Based Participatory Design method where participants take photographs and …
Signs of Life – Hearts, Blood and our Breath: An artistic dialogue on embodiment and boundaries
In their piece ‘Signs of Life - Hearts, Blood and our Breath: An artistic dialogue on embodiment and boundaries’, the authors and interdisciplinary artists Jane Prophet and Tobias Klein discuss three recent collaborative artworks made with Victor Leung and contextualise those works by referencing their individual art practices. Sensemaking with the heart and blood is central to these kinetic installation artworks: ‘Blood work 1.0’, ‘Blood work 2.…
The state of immersive technology research: A literature analysis
Model Ideas: From Stem Cell Simulation to Floating Art Work
This paper discusses the role of models in the development of an interactive artwork made as the result of interdisciplinary collaboration. A variety of different types of model were used, each with different functions and status to the team
Perspectives on Aesthetic Computing
The authors present an introduction to the new interdisciplinary area of aesthetic computing and proceed to define this area with examples from each of their own disciplines, practices and research. While several decades of publication and work have resulted in significant advancements in art as implemented through technology, less emphasis has been placed on studying the converse issue of art's effect on computing, or “aesthetic computing.” The …
TechnoSphere: Real" Time, "Artificial" Life
This paper focuses on the real-time 3D version of the artificial-life art piece TechnoSphere, a collaborative project by the author, Mark Hurry and Gordon Selley. It begins by positioning TechnoSphere's simulated landscapes in relationship to the English landscape and its tradition in painting and problematizes ideas of "the natural." The TechnoSphere creatures are evaluated as both artificial wildlife and domesticated animals before the authors …
Technosphere III
April 01 2000 Technosphere III Jane Prophet, Jane Prophet Search for other works by this author on: This Site Google Scholar Gordon Selley Gordon Selley Search for other works by this author on: This Site Google Scholar Author and Article Information Jane Prophet Gordon Selley Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2000 ISAST2000 Leonardo (2000) 33 (2): 92. https://doi.org/10.1162/leon.2000.33.2.92 Cite Icon Cite Permissions Share Icon Sh…
Sublime Ecologies and Artistic Endeavors: "Artificial Life and Interactivity in the Online Project "TechnoSphere
Art works generated and delivered using digital technology, particularly interactive pieces, challenge established notions of the identity of the artist, the curator and the gallery audience.By chronicling TechnoSphere, an interactive artwork accessed via the internet, I will address some of these issues.It is the development of a grammar of digital media that many practitioners, curators and theorists are engaged with now and some are focussing …
TechnoSphere: Real" Time, "Artificial" Life
This paper focuses on the real-time 3D version of the artificial-life art piece TechnoSphere, a collaborative project by the author, Mark Hurry and Gordon Selley. It begins by positioning TechnoSphere's simulated landscapes in relationship to the English landscape and its tradition in painting and problematizes ideas of "the natural." The TechnoSphere creatures are evaluated as both artificial wildlife and domesticated animals before the authors …
Perspectives on Aesthetic Computing
The authors present an introduction to the new interdisciplinary area of aesthetic computing and proceed to define this area with examples from each of their own disciplines, practices and research. While several decades of publication and work have resulted in significant advancements in art as implemented through technology, less emphasis has been placed on studying the converse issue of art's effect on computing, or “aesthetic computing.” The …
Sublime Ecologies and Artistic Endeavors: "Artificial Life and Interactivity in the Online Project "TechnoSphere
Art works generated and delivered using digital technology, particularly interactive pieces, challenge established notions of the identity of the artist, the curator and the gallery audience.By chronicling TechnoSphere, an interactive artwork accessed via the internet, I will address some of these issues.It is the development of a grammar of digital media that many practitioners, curators and theorists are engaged with now and some are focussing …
Technosphere III
April 01 2000 Technosphere III Jane Prophet, Jane Prophet Search for other works by this author on: This Site Google Scholar Gordon Selley Gordon Selley Search for other works by this author on: This Site Google Scholar Author and Article Information Jane Prophet Gordon Selley Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2000 ISAST2000 Leonardo (2000) 33 (2): 92. https://doi.org/10.1162/leon.2000.33.2.92 Cite Icon Cite Permissions Share Icon Sh…
TechnoSphere: Real" Time, "Artificial" Life
This paper focuses on the real-time 3D version of the artificial-life art piece TechnoSphere, a collaborative project by the author, Mark Hurry and Gordon Selley. It begins by positioning TechnoSphere's simulated landscapes in relationship to the English landscape and its tradition in painting and problematizes ideas of "the natural." The TechnoSphere creatures are evaluated as both artificial wildlife and domesticated animals before the authors …
Perspectives on Aesthetic Computing
The authors present an introduction to the new interdisciplinary area of aesthetic computing and proceed to define this area with examples from each of their own disciplines, practices and research. While several decades of publication and work have resulted in significant advancements in art as implemented through technology, less emphasis has been placed on studying the converse issue of art's effect on computing, or “aesthetic computing.” The …
Model Ideas: From Stem Cell Simulation to Floating Art Work
This paper discusses the role of models in the development of an interactive artwork made as the result of interdisciplinary collaboration. A variety of different types of model were used, each with different functions and status to the team
The state of immersive technology research: A literature analysis
An Online Photovoice Study Designed by Researchers from Art and Social Work to Better Understand the Experience of Chronic Pain by Women of Color
In 1980s British feminist artist-photographer Jo Spence used phototherapy to challenge normative and medicalized constructions of the female cancer patient by documenting her illness and was then employed as a consultant by hospitals who, through her work, recognized the need to change physicians’ practices and attitudes, which objectified patients. Photovoice, a Community Based Participatory Design method where participants take photographs and …
Signs of Life – Hearts, Blood and our Breath: An artistic dialogue on embodiment and boundaries
In their piece ‘Signs of Life - Hearts, Blood and our Breath: An artistic dialogue on embodiment and boundaries’, the authors and interdisciplinary artists Jane Prophet and Tobias Klein discuss three recent collaborative artworks made with Victor Leung and contextualise those works by referencing their individual art practices. Sensemaking with the heart and blood is central to these kinetic installation artworks: ‘Blood work 1.0’, ‘Blood work 2.…
My more-than-human digital twin: Embodiment, feminist AI, and the struggle for representation
Artificial intelligence is an entangled, more-than-human relational network, shaping and being shaped by the societal, cultural, and political structures in which it is embedded. This paper explores the role of artists as critical practitioners engaging with AI, to examine how AI-generated self-representations materialise identity and reinforce or counter well-known AI biases in gender, race, and embodiment. Drawing on feminist technoscience – pa…
Computer Science (6 works) · Art (5 works) · Art, Technology, and Culture (3 works) · Artificial Intelligence (3 works) · Human–computer interaction (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works) · Psychology (2 works) · Sociology (2 works)