Michael Lieb
Biographic Data
| ID | 1123724 |
|---|---|
| NAME | Michael Lieb |
| GIVEN NAMES | Michael |
| FAMILY NAME | Lieb |
| SIGNATURE | LIEB M |
| AFFILIATIONS | University of Illinois Chicago |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Milton and the Culture of Violence
The Dismemberment of Orpheus
The Oxford Handbook of the Reception History of the Bible
The Oxford Handbook of the Reception History of the Bible
There is a long-standing Jewish tradition, both religious and secular, of responding to catastrophe in the present by recalling, and recasting, models and archetypes from the past, particularly from the Bible. They may be recalled literally, as traditionally understood, or rewritten, even parodied (often violently), in order to challenge and/or subvert more traditional readings. Interrogating and/or deconstructing traditional responses and archet…
The Oxford handbook to the reception history of the Bible
How Stanley Fish WorksHow Milton Works. Stanley Fish
Ezekiel's Inaugural Vision as Jungian Archetype
"Hate in Heav'n"
In his recent discussion of Paradise Lost, John T. Shawcross formulates what he feels to be underlying theme of Milton's epic. According to Professor Shawcross, the theme in simplest terms is love. We see it in providence of God which poem asserts, in of Son for God Father and thus for man, and in realization of Adam in Book XII, which thus justifies God's ways. By contrast, we see hate of Satan and its generation of revolt, revenge, and deceit. …
The Sacred Complex
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Milton's "Chariot of Paternal Deitie" as a Reformation Conceit
The War in Heaven
“Holy Name”
In its celebration of the Name of God, the Zohar offers a significant way of coming to terms with the apostrophe to Light that opens Book III of Paradise Lost . The Ineffable Name, states the Zohar, “is the source and beginning of supreme mysteries indeed; it is the sphere whence emanate all the burning lights, and where the whole mystery of Faith is centred; this Name dominates all.” Similarly, Milton celebrates “holy Light,” but his “Hail” is i…
"Holy Rest"
Milton and the Kenotic Christology
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Milton and the Kenotic Christology
"Holy Rest"
“Holy Name”
In its celebration of the Name of God, the Zohar offers a significant way of coming to terms with the apostrophe to Light that opens Book III of Paradise Lost . The Ineffable Name, states the Zohar, “is the source and beginning of supreme mysteries indeed; it is the sphere whence emanate all the burning lights, and where the whole mystery of Faith is centred; this Name dominates all.” Similarly, Milton celebrates “holy Light,” but his “Hail” is i…
The War in Heaven
The Sacred Complex
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Milton's "Chariot of Paternal Deitie" as a Reformation Conceit
"Hate in Heav'n"
In his recent discussion of Paradise Lost, John T. Shawcross formulates what he feels to be underlying theme of Milton's epic. According to Professor Shawcross, the theme in simplest terms is love. We see it in providence of God which poem asserts, in of Son for God Father and thus for man, and in realization of Adam in Book XII, which thus justifies God's ways. By contrast, we see hate of Satan and its generation of revolt, revenge, and deceit. …
Ezekiel's Inaugural Vision as Jungian Archetype
How Stanley Fish WorksHow Milton Works. Stanley Fish
The Oxford Handbook of the Reception History of the Bible
There is a long-standing Jewish tradition, both religious and secular, of responding to catastrophe in the present by recalling, and recasting, models and archetypes from the past, particularly from the Bible. They may be recalled literally, as traditionally understood, or rewritten, even parodied (often violently), in order to challenge and/or subvert more traditional readings. Interrogating and/or deconstructing traditional responses and archet…
The Oxford handbook to the reception history of the Bible
The Oxford Handbook of the Reception History of the Bible
Milton and the Culture of Violence
The Dismemberment of Orpheus
Art (8 works) · History (7 works) · Philosophy (7 works) · Art history (5 works) · Literature (5 works) · Paradise (5 works) · Biblical Studies and Interpretation (4 works) · History (4 works) · American Constitutional Law and Politics (3 works) · Classics (3 works)