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James Morwood

Biographic Data

ID1123736
NAMEJames Morwood
GIVEN NAMESJames
FAMILY NAMEMorwood
SIGNATUREMORWOOD J
AFFILIATIONSUniversity of Oxford
VERIFIEDNo
TOTAL WORKS27
TOTAL CITATIONS7
AUTHOR COUNT16
EDITOR COUNT11
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Cassius Dio

    Jesper Majbom Madsen, Marguerite Johnson et al.•BOOK•Cassius Dio•2020

    This volume offers an introduction to the life and work of the 3rd-century-AD Greco-Roman senator and historian Cassius Dio, whose work, although imperfectly preserved in 80 books, is of fundamental importance to our understanding of Roman history. It is said that Dio is not one of the best ancient historians and his Roman history, due to its sheer size, is often imprecise and superficial in its analysis. It has also been assumed that there was n…

  • Xenophon

    Fiona Hobden, Marguerite Johnson et al.•BOOK•Xenophon•2020

    This book offers a concise introduction to Xenophon, the Athenian historian, political thinker, moral philosopher and literary innovator who was also a pupil of Socrates, a military general on campaign in Persia, and an exile in residence in the Peloponnese during the late fifth and fourth centuries BC. Alive during one of the most turbulent periods in Greek history, Xenophon wrote extensively about the past and present. In doing so he not only i…

  • A Commentary on Vergil, Aeneid 3

    Virgil Virgil, J H W Morwood et al.•BOOK•A Commentary on Vergil, Aeneid 3•2017

    The Aeneid, generally considered the greatest poem of Roman literature, is a story of migration, and Book 3 is at the heart of this story-the arrestingly dramatic account that Aeneas gives to the Carthaginian Queen Dido of his people's journey from the sacked city of Troy. This journey sees them encounter a series of brilliantly characterized individuals and visit some of the most extraordinary places in the central Mediterranean, both real and i…

  • Euripides: Iphigenia at Aulis

    P Michelakis, Christopher Collard et al.•BOOK•Euripides•2017

    Iphigenia at Aulis dramatises the myth of Iphigenia, the young virgin sacrificed by her father Agamemnon at the start of the expedition against Troy. The ongoing debates around Iphigenia's voluntary sacrifice, the corruption of the play's moral universe, and the corruption of its text make Iphigenia at Aulis one of Euripides' most intriguing and challenging plays. This Companion provides a summary of the plot, discusses the characters and main th…

  • The Plays of Euripides

    James Morwood•BOOK•The Plays of Euripides•2016

    No book in English covering all the plays of has been published since 1967. In the meantime there has been something of a revolution in the way we view classical drama generally and in particular. The Plays of Euripides reflects that revolution and aims to show how was continually reinventing himself. A truly Protean figure, he seems to set out on a new journey in each of his surviving nineteen plays. Between general introduction and final summar…

  • Euripides’ Suppliant Women, Theseus and Athenocentrism

    James Morwood•ARTICLE•Mnemosyne•2012•References: 12

    In Euripides’ Suppliant Women , Theseus at first rejects Adrastos’ supplication to recover the bodies of the Argive dead. Later he changes his mind. This article discusses the initial failure of the supplication, both examining the failings in Adrastos’ appeal and suggesting that a strong case can be made for Theseus’ rejection: neither he nor Athens would have suffered from gods or from men had he stood by it. Why then did he have the change of …

  • A Commentary on Propertius, Book 3

    Sextus Propertius, Propertius [Sextus Propertius] et al.•BOOK•A commentary on Propertius, Book 3•2010

  • Euripides and the Demagogues

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•2009•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Oxford World's Classics: Euripides: Ion, Orestes, Phoenician Women, Suppliant Women

    Euripides, Robin Waterfield et al.•BOOK•Ion Orestes Phoenician Women…•2001

  • Oxford World's Classics: Euripides: Hecuba; The Trojan Women; Andromache

    Edith Hall, Euripides et al.•BOOK•Hecuba The Trojan Women Andromache•2001

  • Orestes

    Euripides, Robin Waterfield et al.•CHAPTER•Ion Orestes Phoenician Women…•2001

    "Orestes" published on by null.

  • The Phoenician Women

    Euripides, Robin Waterfield et al.•CHAPTER•Oxford World's Classics:…•2001

    "The Phoenician Women" published on by null.

  • A Note on the Euripus in Euripides’ Iphigenia at Aulis

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•2001•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Apuleius: Rhetorical Works

    Apuleius Lucius Apuleius Madaurensis, Apuleius [Lucius Apuleius Madaurensis]…•BOOK•Apuleius•2001•Cited by: 4

    "These rhetorical texts by Apuleius, second-century Latin writer and author of the famous novel Metamorphoses or Golden Ass, have not been translated in English since 1909. They are some of the very few Latin speeches surviving from their period, and constitute important evidence for Latin and Roman North African social and intellectual culture in the second century A.D. They are the work of a talented writer who is being increasingly viewed as t…

  • Oxford World's Classics: Euripides: Iphigenia among the Taurians; Bacchae; Iphigenia at Aulis; Rhesus

    Euripides Euripides, Euripides et al.•BOOK•Iphigenie bei den Taurern•2000

  • Endangered Species

    James Morwood, Michael Kennedy•ARTICLE•The Musical Times•1999

  • Oxford World's Classics: Euripides: Medea; Hippolytus; Electra; Helen

    Euripides Euripides, Euripides et al.•BOOK•Medea and other plays•1998

  • Electra

    Euripides, James Morwood•CHAPTER•Oxford World's Classics:…•1998

  • Medea

    Euripides, James Morwood•CHAPTER•Oxford World's Classics:…•1998

    "Medea" published on by null.

  • The Pocket Oxford Latin Dictionary

    David N Wigtil, James Morwood et al.•ARTICLE•The Classical World•1997

    Now in paperback, The Pocket Oxford Latin Dictionary is a thoroughly revised edition of the classic Routledge Latin Dictionary (1913) The work has been extensively updated by James Morwood, Head of Classics at Harrow School and one of the authors of the extremely successful Oxford Latin Course . More comprehensive than any of its rivals the dictionary it offers: * Over 60,000 entries * Indications of differences in meaning, style, and context * D…

  • A note on Juvenal, Satires 10.147

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•1997

    These famous words are generally taken to refer to the weighing of the dead Carthaginian's ashes, and I have no quarrel with that. However, I should like to bring i into the debate the commonly used Roman steelyard balance, the statera . This J bronze balance has an eccentric fulcrum. The scale pan is suspended from the shorter arm and the counterweight hangs from a loop which is free to move along a r graduated scale on the longer arm of the ful…

  • The Double Time Scheme in Antigone

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•1993

    In three articles published in Blackwood's Magazine (November 1849, April and May 1850), one Wilson, under the nom de guerre of Christopher North, propounded the view that Shakespeare's Othello operates on a double time scheme. The represented time in Cyprus (Acts II to V) is some thirty-three hours, lasting from about 4 p.m. on Saturday till the early hours of Monday morning. If we take this time scheme at face value, there has been no opportuni…

  • Our Greek and Latin Roots

    Rex Wallace, Mark Warman et al.•ARTICLE•The Classical World•1992

    Latin and Greek are often called 'dead' languages. Our Greek and Latin Roots gives the lie to the myth by taking its readers on a journey of exploration through their own language. It charts the historical spread of the classical languages throughout the English-speaking world and encourages students to take an active role in uncovering just how central a part they play in giving English the shape it has today. Full of fascinating information and…

  • The Life and Works of Richard Brinsley Sheridan

    William Ruddick, James Morwood•ARTICLE•Eighteenth-Century Studies•1987

  • Goldsmith the Gentle Master

    Richard Morton, Sean Lucy et al.•ARTICLE•The Canadian Journal of Irish…•1987

Next
  • Apuleius: Rhetorical Works

    Apuleius Lucius Apuleius Madaurensis, Apuleius [Lucius Apuleius Madaurensis]…•BOOK•Apuleius•2001•Cited by: 4

    "These rhetorical texts by Apuleius, second-century Latin writer and author of the famous novel Metamorphoses or Golden Ass, have not been translated in English since 1909. They are some of the very few Latin speeches surviving from their period, and constitute important evidence for Latin and Roman North African social and intellectual culture in the second century A.D. They are the work of a talented writer who is being increasingly viewed as t…

  • Euripides and the Demagogues

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•2009•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Note on the Euripus in Euripides’ Iphigenia at Aulis

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•2001•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Aeneas and Mount Atlas

    Open Access•James Morwood, J H W Morwood•ARTICLE•The Journal of Roman Studies•1985•Cited by: 1•References: 3

    In the fourth book of the Aeneid Mercury flies to Carthage on the orders of Jupiter to bid Aeneas be mindful of his destiny and sail away. First he binds his winged sandals on his feet; then he takes up his mystical wand, which he uses to make his way through the sky. Next, before he comes to Carthage and sees the glittering figure of Aeneas, he observes and touches down on Mount Atlas, which is arrestingly personified as an old man: iamque volan…

  • Cupid and Psyche. An Adaptation from the Golden Ass of Apuleius

    Carl C Schlam, C Schlam et al.•ARTICLE•The Classical World•1977

  • Aeneas and Mount Atlas

    Open Access•James Morwood, J H W Morwood•ARTICLE•The Journal of Roman Studies•1985•Cited by: 1•References: 3

    In the fourth book of the Aeneid Mercury flies to Carthage on the orders of Jupiter to bid Aeneas be mindful of his destiny and sail away. First he binds his winged sandals on his feet; then he takes up his mystical wand, which he uses to make his way through the sky. Next, before he comes to Carthage and sees the glittering figure of Aeneas, he observes and touches down on Mount Atlas, which is arrestingly personified as an old man: iamque volan…

  • The Life and Works of Richard Brinsley Sheridan

    William Ruddick, James Morwood•ARTICLE•Eighteenth-Century Studies•1987

  • Goldsmith the Gentle Master

    Richard Morton, Sean Lucy et al.•ARTICLE•The Canadian Journal of Irish…•1987

  • Our Greek and Latin Roots

    Rex Wallace, Mark Warman et al.•ARTICLE•The Classical World•1992

    Latin and Greek are often called 'dead' languages. Our Greek and Latin Roots gives the lie to the myth by taking its readers on a journey of exploration through their own language. It charts the historical spread of the classical languages throughout the English-speaking world and encourages students to take an active role in uncovering just how central a part they play in giving English the shape it has today. Full of fascinating information and…

  • The Double Time Scheme in Antigone

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•1993

    In three articles published in Blackwood's Magazine (November 1849, April and May 1850), one Wilson, under the nom de guerre of Christopher North, propounded the view that Shakespeare's Othello operates on a double time scheme. The represented time in Cyprus (Acts II to V) is some thirty-three hours, lasting from about 4 p.m. on Saturday till the early hours of Monday morning. If we take this time scheme at face value, there has been no opportuni…

  • The Pocket Oxford Latin Dictionary

    David N Wigtil, James Morwood et al.•ARTICLE•The Classical World•1997

    Now in paperback, The Pocket Oxford Latin Dictionary is a thoroughly revised edition of the classic Routledge Latin Dictionary (1913) The work has been extensively updated by James Morwood, Head of Classics at Harrow School and one of the authors of the extremely successful Oxford Latin Course . More comprehensive than any of its rivals the dictionary it offers: * Over 60,000 entries * Indications of differences in meaning, style, and context * D…

  • A note on Juvenal, Satires 10.147

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•1997

    These famous words are generally taken to refer to the weighing of the dead Carthaginian's ashes, and I have no quarrel with that. However, I should like to bring i into the debate the commonly used Roman steelyard balance, the statera . This J bronze balance has an eccentric fulcrum. The scale pan is suspended from the shorter arm and the counterweight hangs from a loop which is free to move along a r graduated scale on the longer arm of the ful…

  • Oxford World's Classics: Euripides: Medea; Hippolytus; Electra; Helen

    Euripides Euripides, Euripides et al.•BOOK•Medea and other plays•1998

  • Electra

    Euripides, James Morwood•CHAPTER•Oxford World's Classics:…•1998

  • Medea

    Euripides, James Morwood•CHAPTER•Oxford World's Classics:…•1998

    "Medea" published on by null.

  • Endangered Species

    James Morwood, Michael Kennedy•ARTICLE•The Musical Times•1999

  • Oxford World's Classics: Euripides: Iphigenia among the Taurians; Bacchae; Iphigenia at Aulis; Rhesus

    Euripides Euripides, Euripides et al.•BOOK•Iphigenie bei den Taurern•2000

  • Oxford World's Classics: Euripides: Ion, Orestes, Phoenician Women, Suppliant Women

    Euripides, Robin Waterfield et al.•BOOK•Ion Orestes Phoenician Women…•2001

  • Oxford World's Classics: Euripides: Hecuba; The Trojan Women; Andromache

    Edith Hall, Euripides et al.•BOOK•Hecuba The Trojan Women Andromache•2001

  • Orestes

    Euripides, Robin Waterfield et al.•CHAPTER•Ion Orestes Phoenician Women…•2001

    "Orestes" published on by null.

  • The Phoenician Women

    Euripides, Robin Waterfield et al.•CHAPTER•Oxford World's Classics:…•2001

    "The Phoenician Women" published on by null.

  • A Note on the Euripus in Euripides’ Iphigenia at Aulis

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•2001•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Apuleius: Rhetorical Works

    Apuleius Lucius Apuleius Madaurensis, Apuleius [Lucius Apuleius Madaurensis]…•BOOK•Apuleius•2001•Cited by: 4

    "These rhetorical texts by Apuleius, second-century Latin writer and author of the famous novel Metamorphoses or Golden Ass, have not been translated in English since 1909. They are some of the very few Latin speeches surviving from their period, and constitute important evidence for Latin and Roman North African social and intellectual culture in the second century A.D. They are the work of a talented writer who is being increasingly viewed as t…

  • Euripides and the Demagogues

    Open Access•James Morwood•ARTICLE•The Classical Quarterly•2009•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Commentary on Propertius, Book 3

    Sextus Propertius, Propertius [Sextus Propertius] et al.•BOOK•A commentary on Propertius, Book 3•2010

  • Euripides’ Suppliant Women, Theseus and Athenocentrism

    James Morwood•ARTICLE•Mnemosyne•2012•References: 12

    In Euripides’ Suppliant Women , Theseus at first rejects Adrastos’ supplication to recover the bodies of the Argive dead. Later he changes his mind. This article discusses the initial failure of the supplication, both examining the failings in Adrastos’ appeal and suggesting that a strong case can be made for Theseus’ rejection: neither he nor Athens would have suffered from gods or from men had he stood by it. Why then did he have the change of …

  • The Plays of Euripides

    James Morwood•BOOK•The Plays of Euripides•2016

    No book in English covering all the plays of has been published since 1967. In the meantime there has been something of a revolution in the way we view classical drama generally and in particular. The Plays of Euripides reflects that revolution and aims to show how was continually reinventing himself. A truly Protean figure, he seems to set out on a new journey in each of his surviving nineteen plays. Between general introduction and final summar…

  • A Commentary on Vergil, Aeneid 3

    Virgil Virgil, J H W Morwood et al.•BOOK•A Commentary on Vergil, Aeneid 3•2017

    The Aeneid, generally considered the greatest poem of Roman literature, is a story of migration, and Book 3 is at the heart of this story-the arrestingly dramatic account that Aeneas gives to the Carthaginian Queen Dido of his people's journey from the sacked city of Troy. This journey sees them encounter a series of brilliantly characterized individuals and visit some of the most extraordinary places in the central Mediterranean, both real and i…

  • Euripides: Iphigenia at Aulis

    P Michelakis, Christopher Collard et al.•BOOK•Euripides•2017

    Iphigenia at Aulis dramatises the myth of Iphigenia, the young virgin sacrificed by her father Agamemnon at the start of the expedition against Troy. The ongoing debates around Iphigenia's voluntary sacrifice, the corruption of the play's moral universe, and the corruption of its text make Iphigenia at Aulis one of Euripides' most intriguing and challenging plays. This Companion provides a summary of the plot, discusses the characters and main th…

Art (19 works) · History (13 works) · Classical Antiquity Studies (12 works) · Literature (12 works) · Philosophy (10 works) · Classics (6 works) · Computer Science (6 works) · Ancient history (4 works) · Biblical Studies and Interpretation (4 works) · Law (4 works)

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