T M Scruggs

Biographic Data

ID	112559
NAME	T M Scruggs
GIVEN NAMES	T M
FAMILY NAME	Scruggs
SIGNATURE	SCRUGGS T M
AFFILIATIONS	University of California, Davis
VERIFIED	No
TOTAL WORKS	17
TOTAL CITATIONS	13
AUTHOR COUNT	17
EDITOR COUNT	0
FIRST PUBLICATION YEAR	1985
LATEST PUBLICATION YEAR	2013
H-INDEX	2

Socially Conscious Music Forming the Social Conscience Nicaraguan Música Testimonial and the Creation of a Revolutionary Moment
T M ScruggsCHAPTER2013
Considering the salient role that music (and expressive culture generally) has played in the social struggles that engulfed the region, it is somewhat surprising how much has remained undocumented, existing primarily inoral memory. Although the events in Central America spurred an outpouring of publications for roughly a decade and a half, the bulk of scholarship on music has appeared only in short newspaper articles, interviews in newsletters fr…
Response to Rice
T M ScruggsARTICLEEthnomusicology2010
Research Article| July 01 2010 Response to Rice T. M. Scruggs T. M. Scruggs University of California, Davis Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 333–336. https://doi.org/10.5406/ethnomusicology.54.2.0333 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search…
Singing Truth to Power: Mercedes Sosa, 1935–2009
T M ScruggsARTICLENACLA Report on the Americas2009
"Singing Truth to Power: Mercedes Sosa, 1935–2009." NACLA Report on the Americas, 42(6), pp. 4–5 Additional informationNotes on contributorsT.M. ScruggsT.M. Scruggs lives in Berkeley and taught ethnomusicology at the University of Iowa
Paisajes sonoros de Venezuela. Produced by Carlos Suárez. URL: Http://www.escoitar.org/documentacion/spip.php?article170 - Escoitar. Produced by a collective of changing personnel. URL: http://www.esc…
Open AccessT M ScruggsARTICLEYearbook for Traditional Music2007
Paisajes sonoros de Venezuela. Produced by Carlos Suárez. URL: http://www.escoitar.org/documentacion/spip.php?article170 - Escoitar. Produced by a collective of changing personnel. URL: http://www.escoitar.org/documentacion - Volume 39
Refried Elvis: The Rise of the Mexican Counterculture
T M Scruggs, Eric ZolovARTICLEJournal of American History2002
Panama
Gerard Behague, Roque Cordero et al.CHAPTERThe new Grove dictionary of music…2001
El Salvador, Republic of
T M ScruggsCHAPTERThe new Grove dictionary of music…2001
Let's Enjoy as Nicaraguans: The Use of Music in the Construction of a Nicaraguan National Consciousness
T M ScruggsARTICLEEthnomusicology1999Cited by: 10References: 4
L'A. examine le role attribue aux traditions musicales locales et regionales dans la construction de l'identite et de la conscience nationales du Nicaragua. Il soutient que l'integration des musiques traditionnelles et populaires au patrimoine culturel national n'est pas uniquement un indicateur de l'evolution de la conscience nationale. Au Nicaragua, ces traditions musicales ont ete utilisees par le pouvoir central dans la construction de la com…
Chulas Fronteras
T M Scruggs, Chris Strachwitz et al.ARTICLEEthnomusicology1999Cited by: 1
"Nicaraguan State Cultural Initiative and "The Unseen Made Manifest
T M ScruggsARTICLEYearbook for Traditional Music1998Cited by: 2
L'A. examine la relation entre la politique culturelle de l'Etat et les politiques de realignement et de transformation sociale mises en oeuvre au Nicaragua, pendant et immediatement apres la periode de la revolution populaire sandiniste (1979-1990). La culture et les expressions esthetiques populaires deviennent un enjeu essentiel pour la renegociation et la redefinition des identites nationale et culturelle, des frontieres ethniques, ainsi que …
Nicaragua: Musica Y Canto
T M Scruggs, Salvador Cardenal Arguello et al.ARTICLELatin American Music Review1998
The Wood That Sings: The Marimba in Chiapas, Mexico
T M Scruggs, Laurence Kaptain et al.ARTICLELatin American Music Review1994
Barrio Rhythm: Mexican American Music in Los Angeles
T M Scruggs, Steven LozaARTICLEYearbook for Traditional Music1994
The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican American community in East Los Angeles. The Eastside Renaissance in the region gave barrio music a symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to li…
Nicaraguan Folk Music from Masaya: Musica Folklorica de Masaya
Linda O'Brien-Rothe, Linda O’Brien-Rothe et al.ARTICLEEthnomusicology1994
Nicaragua… Presente! - Music from Nicaragua Libre
T M Scruggs, John McCutcheon et al.ARTICLELatin American Music Review1991
Nicaraguan Folk Music from Masaya: Musica Folklorica de Masaya
Robert Garfias, T M ScruggsARTICLELatin American Music Review1991
Escuchen Nuestras Voces/Hear Our Voices; Canciones de Refugiados Salvadorenos/Songs from Salvadorean Refugees
T M Scruggs, Sabia et al.ARTICLELatin American Music Review1985

Escuchen Nuestras Voces/Hear Our Voices; Canciones de Refugiados Salvadorenos/Songs from Salvadorean Refugees
T M Scruggs, Sabia et al.ARTICLELatin American Music Review1985
Nicaragua… Presente! - Music from Nicaragua Libre
T M Scruggs, John McCutcheon et al.ARTICLELatin American Music Review1991
Nicaraguan Folk Music from Masaya: Musica Folklorica de Masaya
Robert Garfias, T M ScruggsARTICLELatin American Music Review1991
The Wood That Sings: The Marimba in Chiapas, Mexico
T M Scruggs, Laurence Kaptain et al.ARTICLELatin American Music Review1994
Barrio Rhythm: Mexican American Music in Los Angeles
T M Scruggs, Steven LozaARTICLEYearbook for Traditional Music1994
The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican American community in East Los Angeles. The Eastside Renaissance in the region gave barrio music a symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to li…
Nicaraguan Folk Music from Masaya: Musica Folklorica de Masaya
Linda O'Brien-Rothe, Linda O’Brien-Rothe et al.ARTICLEEthnomusicology1994
"Nicaraguan State Cultural Initiative and "The Unseen Made Manifest
T M ScruggsARTICLEYearbook for Traditional Music1998Cited by: 2
L'A. examine la relation entre la politique culturelle de l'Etat et les politiques de realignement et de transformation sociale mises en oeuvre au Nicaragua, pendant et immediatement apres la periode de la revolution populaire sandiniste (1979-1990). La culture et les expressions esthetiques populaires deviennent un enjeu essentiel pour la renegociation et la redefinition des identites nationale et culturelle, des frontieres ethniques, ainsi que …
Nicaragua: Musica Y Canto
T M Scruggs, Salvador Cardenal Arguello et al.ARTICLELatin American Music Review1998
Let's Enjoy as Nicaraguans: The Use of Music in the Construction of a Nicaraguan National Consciousness
T M ScruggsARTICLEEthnomusicology1999Cited by: 10References: 4
L'A. examine le role attribue aux traditions musicales locales et regionales dans la construction de l'identite et de la conscience nationales du Nicaragua. Il soutient que l'integration des musiques traditionnelles et populaires au patrimoine culturel national n'est pas uniquement un indicateur de l'evolution de la conscience nationale. Au Nicaragua, ces traditions musicales ont ete utilisees par le pouvoir central dans la construction de la com…
Chulas Fronteras
T M Scruggs, Chris Strachwitz et al.ARTICLEEthnomusicology1999Cited by: 1
Panama
Gerard Behague, Roque Cordero et al.CHAPTERThe new Grove dictionary of music…2001
El Salvador, Republic of
T M ScruggsCHAPTERThe new Grove dictionary of music…2001
Refried Elvis: The Rise of the Mexican Counterculture
T M Scruggs, Eric ZolovARTICLEJournal of American History2002
Paisajes sonoros de Venezuela. Produced by Carlos Suárez. URL: Http://www.escoitar.org/documentacion/spip.php?article170 - Escoitar. Produced by a collective of changing personnel. URL: http://www.esc…
Open AccessT M ScruggsARTICLEYearbook for Traditional Music2007
Paisajes sonoros de Venezuela. Produced by Carlos Suárez. URL: http://www.escoitar.org/documentacion/spip.php?article170 - Escoitar. Produced by a collective of changing personnel. URL: http://www.escoitar.org/documentacion - Volume 39
Singing Truth to Power: Mercedes Sosa, 1935–2009
T M ScruggsARTICLENACLA Report on the Americas2009
"Singing Truth to Power: Mercedes Sosa, 1935–2009." NACLA Report on the Americas, 42(6), pp. 4–5 Additional informationNotes on contributorsT.M. ScruggsT.M. Scruggs lives in Berkeley and taught ethnomusicology at the University of Iowa
Response to Rice
T M ScruggsARTICLEEthnomusicology2010
Research Article| July 01 2010 Response to Rice T. M. Scruggs T. M. Scruggs University of California, Davis Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 333–336. https://doi.org/10.5406/ethnomusicology.54.2.0333 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search…
Socially Conscious Music Forming the Social Conscience Nicaraguan Música Testimonial and the Creation of a Revolutionary Moment
T M ScruggsCHAPTER2013
Considering the salient role that music (and expressive culture generally) has played in the social struggles that engulfed the region, it is somewhat surprising how much has remained undocumented, existing primarily inoral memory. Although the events in Central America spurred an outpouring of publications for roughly a decade and a half, the bulk of scholarship on music has appeared only in short newspaper articles, interviews in newsletters fr…