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Mary Bergstein

Biographic Data

ID1126161
NAMEMary Bergstein
GIVEN NAMESMary
FAMILY NAMEBergstein
SIGNATUREBERGSTEIN M
AFFILIATIONSRhode Island School of Design
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS1
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Faux Nudes

    Mary Bergstein•ARTICLE•History of Photography•2021

    The visual culture of the female nude in Western art, after decades of attention, possesses a considerable genealogy of critical scholarship. The photographic imagery of women’s bodies occupies a significant place in this legacy, yet there are areas of inquiry that have to date remained little examined. In this article I consider a small and eccentric group of images, made by commercial photographers for popular consumption, posed by the American…

  • Eros in Vienna

    Mary Bergstein•ARTICLE•American imago•2021

    The female nude in photography has a complex history in Freud's Vienna. This paper examines photographic images of nude women and girls in the published art-historical studies of classical sculpture. Books on the "sciences" of health and well-being by authors like Carl Heinrich Stratz and Paul Schultze-Naumberg reproduced many photographs of nude women and children, especially young girls. Such visual material comes to bear on Freud's case-histor…

  • Photography in the Szondi Test

    Mary Bergstein•ARTICLE•History of Photography•2017

    Léopold Szondi invented a projective test using photographs of people with mental pathologies to determine the unconscious, ancestral illnesses (or aptitudes) of his subjects. Szondi’s images were garnered from psychiatric textbooks published around 1900. Such photographs presumably revealed unconscious thoughts, desires, and destinies in the course of a test session. If a patient responded positively to a photo-portrait of a diagnosed ‘hysteric’…

  • Soul Machine

    Mary Bergstein•ARTICLE•American imago•2017

    Reviewed by: Soul Machine: The Invention of the Modern Mind by George Makari Mary Bergstein (bio) Soul Machine: The Invention of the Modern Mind. George Makari. New York: W.W. Norton, 2015. 656 pp. In 2008, George Makari published Revolution in Mind: The Creation of Psychoanalysis. Bruce Rudisch praised the book in American Imago as "an eye-opening paradigm shift in the telling of psychoanalytic history" (2009, p. 293). In that book Makari de-cen…

  • Hotel Michelangelo

    Mary Bergstein•ARTICLE•Afterimage•2016

    Research Article| May 01 2016 Hotel Michelangelo Mary Bergstein Mary Bergstein MARY BERGSTEIN is the author of In Looking Back One Learns to See: Marcel Proust and Photography (2014), in addition to many other writings on photography. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2016) 43 (6): 9–12. https://doi.org/10.1525/aft.2016.43.6.9 Views Icon Views Article contents Figures & tables Video Audio Supple…

  • Freud's Uncanny Egypt

    Mary Bergstein•ARTICLE•American imago•2009•Cited by: 1

    Egypt in all its guises—biblical, ancient, and modern—was a place of uncanny "otherness" in Freud's visual and historical imagination. This mental construct was formed from both hieroglyphic writing and Freud's collection of small-scale statuary. Uncanny visual representations of Egypt were also found in books and photographs in his archaeological library, as well as in wood engravings in the Philippson Bible, which he encountered for the first t…

  • Unser Herz zeigt nach dem Suden

    Mary Bergstein•ARTICLE•American imago•2004

    Unser Herz zeigt nach dem Süden: Reisebriefe 1895-1923 [Our Heart Points to the South: Travel Letters 1895-1923]. Sigmund Freud. Ed. Christfried Tögel with the collaboration of Michael Molnar. Berlin: Aufbau-Verlag, 2002. 422 pp. 152 illus. Euro 25.00 (Euro 9.95 pb)

  • Gradiva Medica

    Mary Bergstein•ARTICLE•American imago•2003

    "And she departed, after having introduced herself to us as the daughter of the zoologist and lizard catcher and after having, by all kinds of ambiguous remarks, admitted her therapeutic intention and other secret designs as well." —Freud, Delusions and Dreams in Jensen's "Gradiva" The second female practitioner of Freudian psychoanalysis (after Emma Eckstein, who, having been Freud's patient, herself began to treat others as early as 1897) was f…

  • The "Dying Slave" at Berggasse 19

    Mary Bergstein•ARTICLE•American imago•2003

    In his introduction to "The Moses of Michelangelo," Freud stated, "Works of art do exercise a powerful effect on me, especially those of literature and sculpture, less often of painting" (1914, 211). Sculpture, with all its ambivalence as a surrogate for the human body, and its uncanny potential for "coming to life," is at the heart of Sigmund Freud's writings about visual art. This is exemplified in his essay on Michelangelo's Moses as well as h…

  • Global Interests

    Open Access•Mary Bergstein, Mary E Bergstein•ARTICLE•Renaissance Quarterly•2002

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Donatello's "Gattamelata" and Its Humanist Audience

    Open Access•Mary Bergstein, Donatello Donatello•ARTICLE•Renaissance Quarterly•2002•References: 1

    Two small nude horsemen located in the armorial decoration of Donatello's Gattamelata yield new insights about the use of Greek sources in Renaissance art. Here it is speculated that Donatello was informed by a drawing or carved gemstone provided by Ciriaco d'Ancona that represented riders in the Panathenaic frieze on the Parthenon. Donatello may have included the figures as a learned reference to delight a circle of intellectuals in Padua, inclu…

  • My Laocoön

    Open Access•Mary Bergstein•ARTICLE•Renaissance Quarterly•2001

    Richard Brilliant, My Laocoön: Alternative Claims in the Interpretation of Artworks. Berkeley: The University of California Press, 2000. 162 pp. inc. 27 b/w illus. $45. ISBN: 0-520-21682-2. - Volume 54 Issue 2

  • Revaluing Renaissance Art

    Open Access•Mary Bergstein•ARTICLE•Renaissance Quarterly•2001

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Marian Politics in Quattrocento Florence

    Open Access•Mary Bergstein•ARTICLE•Renaissance Quarterly•1991•References: 1

    On the Feastday of the Nativity of the Virgin, September 8, 1296, the papal legate of Boniface VIII, Pietro Valeriano di Piperno, blessed the rebuilding of the church of S. Reparata in Florence. In the ceremonial presence of the podestà, the Standard-Bearer of Justice, and the priors of the Signoria, he named the new cathedral “Santa Maria del Fiore.” Arnolfo di Cambio was made chief architect in charge of the renewal; and it was he who began a p…

  • Freud's Uncanny Egypt

    Mary Bergstein•ARTICLE•American imago•2009•Cited by: 1

    Egypt in all its guises—biblical, ancient, and modern—was a place of uncanny "otherness" in Freud's visual and historical imagination. This mental construct was formed from both hieroglyphic writing and Freud's collection of small-scale statuary. Uncanny visual representations of Egypt were also found in books and photographs in his archaeological library, as well as in wood engravings in the Philippson Bible, which he encountered for the first t…

  • Marian Politics in Quattrocento Florence

    Open Access•Mary Bergstein•ARTICLE•Renaissance Quarterly•1991•References: 1

    On the Feastday of the Nativity of the Virgin, September 8, 1296, the papal legate of Boniface VIII, Pietro Valeriano di Piperno, blessed the rebuilding of the church of S. Reparata in Florence. In the ceremonial presence of the podestà, the Standard-Bearer of Justice, and the priors of the Signoria, he named the new cathedral “Santa Maria del Fiore.” Arnolfo di Cambio was made chief architect in charge of the renewal; and it was he who began a p…

  • My Laocoön

    Open Access•Mary Bergstein•ARTICLE•Renaissance Quarterly•2001

    Richard Brilliant, My Laocoön: Alternative Claims in the Interpretation of Artworks. Berkeley: The University of California Press, 2000. 162 pp. inc. 27 b/w illus. $45. ISBN: 0-520-21682-2. - Volume 54 Issue 2

  • Revaluing Renaissance Art

    Open Access•Mary Bergstein•ARTICLE•Renaissance Quarterly•2001

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Global Interests

    Open Access•Mary Bergstein, Mary E Bergstein•ARTICLE•Renaissance Quarterly•2002

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Donatello's "Gattamelata" and Its Humanist Audience

    Open Access•Mary Bergstein, Donatello Donatello•ARTICLE•Renaissance Quarterly•2002•References: 1

    Two small nude horsemen located in the armorial decoration of Donatello's Gattamelata yield new insights about the use of Greek sources in Renaissance art. Here it is speculated that Donatello was informed by a drawing or carved gemstone provided by Ciriaco d'Ancona that represented riders in the Panathenaic frieze on the Parthenon. Donatello may have included the figures as a learned reference to delight a circle of intellectuals in Padua, inclu…

  • Gradiva Medica

    Mary Bergstein•ARTICLE•American imago•2003

    "And she departed, after having introduced herself to us as the daughter of the zoologist and lizard catcher and after having, by all kinds of ambiguous remarks, admitted her therapeutic intention and other secret designs as well." —Freud, Delusions and Dreams in Jensen's "Gradiva" The second female practitioner of Freudian psychoanalysis (after Emma Eckstein, who, having been Freud's patient, herself began to treat others as early as 1897) was f…

  • The "Dying Slave" at Berggasse 19

    Mary Bergstein•ARTICLE•American imago•2003

    In his introduction to "The Moses of Michelangelo," Freud stated, "Works of art do exercise a powerful effect on me, especially those of literature and sculpture, less often of painting" (1914, 211). Sculpture, with all its ambivalence as a surrogate for the human body, and its uncanny potential for "coming to life," is at the heart of Sigmund Freud's writings about visual art. This is exemplified in his essay on Michelangelo's Moses as well as h…

  • Unser Herz zeigt nach dem Suden

    Mary Bergstein•ARTICLE•American imago•2004

    Unser Herz zeigt nach dem Süden: Reisebriefe 1895-1923 [Our Heart Points to the South: Travel Letters 1895-1923]. Sigmund Freud. Ed. Christfried Tögel with the collaboration of Michael Molnar. Berlin: Aufbau-Verlag, 2002. 422 pp. 152 illus. Euro 25.00 (Euro 9.95 pb)

  • Freud's Uncanny Egypt

    Mary Bergstein•ARTICLE•American imago•2009•Cited by: 1

    Egypt in all its guises—biblical, ancient, and modern—was a place of uncanny "otherness" in Freud's visual and historical imagination. This mental construct was formed from both hieroglyphic writing and Freud's collection of small-scale statuary. Uncanny visual representations of Egypt were also found in books and photographs in his archaeological library, as well as in wood engravings in the Philippson Bible, which he encountered for the first t…

  • Hotel Michelangelo

    Mary Bergstein•ARTICLE•Afterimage•2016

    Research Article| May 01 2016 Hotel Michelangelo Mary Bergstein Mary Bergstein MARY BERGSTEIN is the author of In Looking Back One Learns to See: Marcel Proust and Photography (2014), in addition to many other writings on photography. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2016) 43 (6): 9–12. https://doi.org/10.1525/aft.2016.43.6.9 Views Icon Views Article contents Figures & tables Video Audio Supple…

  • Photography in the Szondi Test

    Mary Bergstein•ARTICLE•History of Photography•2017

    Léopold Szondi invented a projective test using photographs of people with mental pathologies to determine the unconscious, ancestral illnesses (or aptitudes) of his subjects. Szondi’s images were garnered from psychiatric textbooks published around 1900. Such photographs presumably revealed unconscious thoughts, desires, and destinies in the course of a test session. If a patient responded positively to a photo-portrait of a diagnosed ‘hysteric’…

  • Soul Machine

    Mary Bergstein•ARTICLE•American imago•2017

    Reviewed by: Soul Machine: The Invention of the Modern Mind by George Makari Mary Bergstein (bio) Soul Machine: The Invention of the Modern Mind. George Makari. New York: W.W. Norton, 2015. 656 pp. In 2008, George Makari published Revolution in Mind: The Creation of Psychoanalysis. Bruce Rudisch praised the book in American Imago as "an eye-opening paradigm shift in the telling of psychoanalytic history" (2009, p. 293). In that book Makari de-cen…

  • Faux Nudes

    Mary Bergstein•ARTICLE•History of Photography•2021

    The visual culture of the female nude in Western art, after decades of attention, possesses a considerable genealogy of critical scholarship. The photographic imagery of women’s bodies occupies a significant place in this legacy, yet there are areas of inquiry that have to date remained little examined. In this article I consider a small and eccentric group of images, made by commercial photographers for popular consumption, posed by the American…

  • Eros in Vienna

    Mary Bergstein•ARTICLE•American imago•2021

    The female nude in photography has a complex history in Freud's Vienna. This paper examines photographic images of nude women and girls in the published art-historical studies of classical sculpture. Books on the "sciences" of health and well-being by authors like Carl Heinrich Stratz and Paul Schultze-Naumberg reproduced many photographs of nude women and children, especially young girls. Such visual material comes to bear on Freud's case-histor…

Art (14 works) · Art history (10 works) · Philosophy (7 works) · Literature (6 works) · History (4 works) · Psychology (4 works) · Visual arts (4 works) · Computer Science (3 works) · History (3 works) · Humanities (3 works)

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