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Lilya Kaganovsky

Biographic Data

ID1126286
NAMELilya Kaganovsky
GIVEN NAMESLilya
FAMILY NAMEKaganovsky
SIGNATUREKAGANOVSKY L
AFFILIATIONSUniversity of Illinois Urbana-Champaign
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS6
AUTHOR COUNT13
EDITOR COUNT1
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties

    Open Access•Lilya Kaganovsky•ARTICLE•The American Historical Review•2024

    Journal Article Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Get access Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Toronto, CA: University of Toronto Press, 2021. Pp. 344. Cloth $75.00. Lilya Kaganovsky Lilya Kaganovsky University of California, Los Angeles Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The America…

  • Afterword: Resonant Objects

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2023•References: 1

    The papers in this cluster-and sound studies more broadly-attune our ears to hearing and listening, to paying attention to that "other" important sense of modernity: the aural or sonic that so often is asked to play second fiddle to the visual. The challenge of sound studies, Jonathan Sterne reminds us, "is to think across sounds, to consider sonic phenomena in relationship to one another-as types of sonic phenomena rather than as things-in-thems…

  • The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC F…

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2019

    The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC Films, 2018. 107 min. Color. - Volume 78 Issue 1

  • Not According to Plan: Filmmaking Under Stalin, written by Maria Belodubrovskaya

    Lilya Kaganovsky•ARTICLE•The Soviet and Post-Soviet Review•2018

  • Maidan. Dir. Sergei Loznitsa. Atom & Void, 2014.134 min. Color. In Ukrainian

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Holocaust on Soviet Screens

    Open Access•Lilya Kaganovsky•ARTICLE•The Russian Review•2015

  • Catharine Theimer Nepomnyashchy, 1951-2015

    Open Access•Emily D Johnson, Carol Ueland et al.•ARTICLE•Slavic Review•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Sound, Speech, Music in Soviet and Post-Soviet Cinema

    Lilya Kaganovsky•BOOK•Sound Speech Music In Soviet And…•2014

    The use of sound in movies

  • Mad Men, Mad World

    Open Access•Robert A Rushing, Lilya Kaganovsky et al.•BOOK•Mad Men, Mad World•2013

    the New York Times online edition ran an interactive feature on what reviewer Alessandra Stanley, in an accompanying piece, called a "cultural phenomenon."The occasion was the season 4 premiere of Mad Men, scheduled to air nine days later.As most readers of this book know, Mad Men is an aMC television show about Don Draper, a fictional character who is creative director for Sterling Cooper, a fictional New York advertising agency in the 1960s.Wha…

  • Mad Men, Mad World: Sex, Politics, Style, and The 1960s

    Lauren M E Goodlad, Lilya Kaganovsky et al.•BOOK•Mad Men, Mad World•2013

  • My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $395.00, sale of DVD to colleges, universities, and museums. $150.00, sale of DVD to high…

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2012

    My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $300.00, rental of DVD. - Kommunalka. Dir. Françoise Huguier. Paris: Doc and Film International, 2008. 97 min. Color. - Volume 71 Issue 3

  • Ways of Seeing: On Kira Muratova's Brief Encounters and Larisa Shepit′ko's Wings

    Open Access•Lilya Kaganovsky•ARTICLE•The Russian Review•2012

    This article looks at Larisa Shepit′ko's Wings ( Krylia , 1966) and Kira Muratova's Brief Encounters ( Korotkie vstrechi , 1967) from the perspective of “female authorship.” The article argues that the work of Shepit'ko and Muratova represents a kind of Soviet “counter‐cinema” that puts the questions of seeing differently at the center of its interrogations. Here, I trace some of the ways we might begin to see the strategies, both formal and narr…

  • There Is No Acoustic Relation

    Lilya Kaganovsky•ARTICLE•Qui Parle•2010

    Research Article| June 01 2010 There Is No Acoustic Relation: Considerations on Sound and Image in Post-Soviet Film Lilya Kaganovsky Lilya Kaganovsky Search for other works by this author on: This Site Google Qui Parle (2010) 19 (1): 65–87. https://doi.org/10.5250/quiparle.19.1.0065 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lilya Kaganovsky; There Is No Acoustic Relation: Considerations on Sound and Image in Post-So…

  • How the Soviet Man Was (Un)Made

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2004•Cited by: 6•References: 5

    Drawing on contemporary critical theory as well as postmodern post-Soviet literature and film, Lilya Kaganovsky discusses the ways Stalinist socialist realist fiction, and in particular, Nikolai Ostrovskii's How the Steel WasTempered, articulates the "dominant fiction" of Stalinism: that is, the relationship between heroism, male subjectivity, power, and bodily integrity. Positing two models of exemplary masculinity (the healthy and virile Stalin…

  • How the Soviet Man Was (Un)Made

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2004•Cited by: 6•References: 5

    Drawing on contemporary critical theory as well as postmodern post-Soviet literature and film, Lilya Kaganovsky discusses the ways Stalinist socialist realist fiction, and in particular, Nikolai Ostrovskii's How the Steel WasTempered, articulates the "dominant fiction" of Stalinism: that is, the relationship between heroism, male subjectivity, power, and bodily integrity. Positing two models of exemplary masculinity (the healthy and virile Stalin…

  • How the Soviet Man Was (Un)Made

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2004•Cited by: 6•References: 5

    Drawing on contemporary critical theory as well as postmodern post-Soviet literature and film, Lilya Kaganovsky discusses the ways Stalinist socialist realist fiction, and in particular, Nikolai Ostrovskii's How the Steel WasTempered, articulates the "dominant fiction" of Stalinism: that is, the relationship between heroism, male subjectivity, power, and bodily integrity. Positing two models of exemplary masculinity (the healthy and virile Stalin…

  • There Is No Acoustic Relation

    Lilya Kaganovsky•ARTICLE•Qui Parle•2010

    Research Article| June 01 2010 There Is No Acoustic Relation: Considerations on Sound and Image in Post-Soviet Film Lilya Kaganovsky Lilya Kaganovsky Search for other works by this author on: This Site Google Qui Parle (2010) 19 (1): 65–87. https://doi.org/10.5250/quiparle.19.1.0065 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lilya Kaganovsky; There Is No Acoustic Relation: Considerations on Sound and Image in Post-So…

  • My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $395.00, sale of DVD to colleges, universities, and museums. $150.00, sale of DVD to high…

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2012

    My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $300.00, rental of DVD. - Kommunalka. Dir. Françoise Huguier. Paris: Doc and Film International, 2008. 97 min. Color. - Volume 71 Issue 3

  • Ways of Seeing: On Kira Muratova's Brief Encounters and Larisa Shepit′ko's Wings

    Open Access•Lilya Kaganovsky•ARTICLE•The Russian Review•2012

    This article looks at Larisa Shepit′ko's Wings ( Krylia , 1966) and Kira Muratova's Brief Encounters ( Korotkie vstrechi , 1967) from the perspective of “female authorship.” The article argues that the work of Shepit'ko and Muratova represents a kind of Soviet “counter‐cinema” that puts the questions of seeing differently at the center of its interrogations. Here, I trace some of the ways we might begin to see the strategies, both formal and narr…

  • Mad Men, Mad World

    Open Access•Robert A Rushing, Lilya Kaganovsky et al.•BOOK•Mad Men, Mad World•2013

    the New York Times online edition ran an interactive feature on what reviewer Alessandra Stanley, in an accompanying piece, called a "cultural phenomenon."The occasion was the season 4 premiere of Mad Men, scheduled to air nine days later.As most readers of this book know, Mad Men is an aMC television show about Don Draper, a fictional character who is creative director for Sterling Cooper, a fictional New York advertising agency in the 1960s.Wha…

  • Mad Men, Mad World: Sex, Politics, Style, and The 1960s

    Lauren M E Goodlad, Lilya Kaganovsky et al.•BOOK•Mad Men, Mad World•2013

  • Sound, Speech, Music in Soviet and Post-Soviet Cinema

    Lilya Kaganovsky•BOOK•Sound Speech Music In Soviet And…•2014

    The use of sound in movies

  • Maidan. Dir. Sergei Loznitsa. Atom & Void, 2014.134 min. Color. In Ukrainian

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Holocaust on Soviet Screens

    Open Access•Lilya Kaganovsky•ARTICLE•The Russian Review•2015

  • Catharine Theimer Nepomnyashchy, 1951-2015

    Open Access•Emily D Johnson, Carol Ueland et al.•ARTICLE•Slavic Review•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Not According to Plan: Filmmaking Under Stalin, written by Maria Belodubrovskaya

    Lilya Kaganovsky•ARTICLE•The Soviet and Post-Soviet Review•2018

  • The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC F…

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2019

    The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC Films, 2018. 107 min. Color. - Volume 78 Issue 1

  • Afterword: Resonant Objects

    Open Access•Lilya Kaganovsky•ARTICLE•Slavic Review•2023•References: 1

    The papers in this cluster-and sound studies more broadly-attune our ears to hearing and listening, to paying attention to that "other" important sense of modernity: the aural or sonic that so often is asked to play second fiddle to the visual. The challenge of sound studies, Jonathan Sterne reminds us, "is to think across sounds, to consider sonic phenomena in relationship to one another-as types of sonic phenomena rather than as things-in-thems…

  • Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties

    Open Access•Lilya Kaganovsky•ARTICLE•The American Historical Review•2024

    Journal Article Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Get access Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Toronto, CA: University of Toronto Press, 2021. Pp. 344. Cloth $75.00. Lilya Kaganovsky Lilya Kaganovsky University of California, Los Angeles Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The America…

Art (8 works) · History (8 works) · Computer Science (5 works) · Eastern European Communism and Reforms (5 works) · History (5 works) · Political science (5 works) · Sociology (5 works) · Art history (4 works) · Literature (4 works) · Philosophy (4 works)

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