Lilya Kaganovsky
Biographic Data
| ID | 1126286 |
|---|---|
| NAME | Lilya Kaganovsky |
| GIVEN NAMES | Lilya |
| FAMILY NAME | Kaganovsky |
| SIGNATURE | KAGANOVSKY L |
| AFFILIATIONS | University of Illinois Urbana-Champaign |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties
Journal Article Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Get access Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Toronto, CA: University of Toronto Press, 2021. Pp. 344. Cloth $75.00. Lilya Kaganovsky Lilya Kaganovsky University of California, Los Angeles Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The America…
Afterword: Resonant Objects
The papers in this cluster-and sound studies more broadly-attune our ears to hearing and listening, to paying attention to that "other" important sense of modernity: the aural or sonic that so often is asked to play second fiddle to the visual. The challenge of sound studies, Jonathan Sterne reminds us, "is to think across sounds, to consider sonic phenomena in relationship to one another-as types of sonic phenomena rather than as things-in-thems…
The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC F…
The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC Films, 2018. 107 min. Color. - Volume 78 Issue 1
Not According to Plan: Filmmaking Under Stalin, written by Maria Belodubrovskaya
Maidan. Dir. Sergei Loznitsa. Atom & Void, 2014.134 min. Color. In Ukrainian
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Holocaust on Soviet Screens
Catharine Theimer Nepomnyashchy, 1951-2015
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Sound, Speech, Music in Soviet and Post-Soviet Cinema
The use of sound in movies
Mad Men, Mad World
the New York Times online edition ran an interactive feature on what reviewer Alessandra Stanley, in an accompanying piece, called a "cultural phenomenon."The occasion was the season 4 premiere of Mad Men, scheduled to air nine days later.As most readers of this book know, Mad Men is an aMC television show about Don Draper, a fictional character who is creative director for Sterling Cooper, a fictional New York advertising agency in the 1960s.Wha…
Mad Men, Mad World: Sex, Politics, Style, and The 1960s
My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $395.00, sale of DVD to colleges, universities, and museums. $150.00, sale of DVD to high…
My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $300.00, rental of DVD. - Kommunalka. Dir. Françoise Huguier. Paris: Doc and Film International, 2008. 97 min. Color. - Volume 71 Issue 3
Ways of Seeing: On Kira Muratova's Brief Encounters and Larisa Shepit′ko's Wings
This article looks at Larisa Shepit′ko's Wings ( Krylia , 1966) and Kira Muratova's Brief Encounters ( Korotkie vstrechi , 1967) from the perspective of “female authorship.” The article argues that the work of Shepit'ko and Muratova represents a kind of Soviet “counter‐cinema” that puts the questions of seeing differently at the center of its interrogations. Here, I trace some of the ways we might begin to see the strategies, both formal and narr…
There Is No Acoustic Relation
Research Article| June 01 2010 There Is No Acoustic Relation: Considerations on Sound and Image in Post-Soviet Film Lilya Kaganovsky Lilya Kaganovsky Search for other works by this author on: This Site Google Qui Parle (2010) 19 (1): 65–87. https://doi.org/10.5250/quiparle.19.1.0065 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lilya Kaganovsky; There Is No Acoustic Relation: Considerations on Sound and Image in Post-So…
How the Soviet Man Was (Un)Made
Drawing on contemporary critical theory as well as postmodern post-Soviet literature and film, Lilya Kaganovsky discusses the ways Stalinist socialist realist fiction, and in particular, Nikolai Ostrovskii's How the Steel WasTempered, articulates the "dominant fiction" of Stalinism: that is, the relationship between heroism, male subjectivity, power, and bodily integrity. Positing two models of exemplary masculinity (the healthy and virile Stalin…
How the Soviet Man Was (Un)Made
Drawing on contemporary critical theory as well as postmodern post-Soviet literature and film, Lilya Kaganovsky discusses the ways Stalinist socialist realist fiction, and in particular, Nikolai Ostrovskii's How the Steel WasTempered, articulates the "dominant fiction" of Stalinism: that is, the relationship between heroism, male subjectivity, power, and bodily integrity. Positing two models of exemplary masculinity (the healthy and virile Stalin…
How the Soviet Man Was (Un)Made
Drawing on contemporary critical theory as well as postmodern post-Soviet literature and film, Lilya Kaganovsky discusses the ways Stalinist socialist realist fiction, and in particular, Nikolai Ostrovskii's How the Steel WasTempered, articulates the "dominant fiction" of Stalinism: that is, the relationship between heroism, male subjectivity, power, and bodily integrity. Positing two models of exemplary masculinity (the healthy and virile Stalin…
There Is No Acoustic Relation
Research Article| June 01 2010 There Is No Acoustic Relation: Considerations on Sound and Image in Post-Soviet Film Lilya Kaganovsky Lilya Kaganovsky Search for other works by this author on: This Site Google Qui Parle (2010) 19 (1): 65–87. https://doi.org/10.5250/quiparle.19.1.0065 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lilya Kaganovsky; There Is No Acoustic Relation: Considerations on Sound and Image in Post-So…
My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $395.00, sale of DVD to colleges, universities, and museums. $150.00, sale of DVD to high…
My Perestroika: A Documentary Film. Dir. Robin Hessman. New York: Red Square Productions, 2011. 87 min. Color. $300.00, rental of DVD. - Kommunalka. Dir. Françoise Huguier. Paris: Doc and Film International, 2008. 97 min. Color. - Volume 71 Issue 3
Ways of Seeing: On Kira Muratova's Brief Encounters and Larisa Shepit′ko's Wings
This article looks at Larisa Shepit′ko's Wings ( Krylia , 1966) and Kira Muratova's Brief Encounters ( Korotkie vstrechi , 1967) from the perspective of “female authorship.” The article argues that the work of Shepit'ko and Muratova represents a kind of Soviet “counter‐cinema” that puts the questions of seeing differently at the center of its interrogations. Here, I trace some of the ways we might begin to see the strategies, both formal and narr…
Mad Men, Mad World
the New York Times online edition ran an interactive feature on what reviewer Alessandra Stanley, in an accompanying piece, called a "cultural phenomenon."The occasion was the season 4 premiere of Mad Men, scheduled to air nine days later.As most readers of this book know, Mad Men is an aMC television show about Don Draper, a fictional character who is creative director for Sterling Cooper, a fictional New York advertising agency in the 1960s.Wha…
Mad Men, Mad World: Sex, Politics, Style, and The 1960s
Sound, Speech, Music in Soviet and Post-Soviet Cinema
The use of sound in movies
Maidan. Dir. Sergei Loznitsa. Atom & Void, 2014.134 min. Color. In Ukrainian
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Holocaust on Soviet Screens
Catharine Theimer Nepomnyashchy, 1951-2015
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Not According to Plan: Filmmaking Under Stalin, written by Maria Belodubrovskaya
The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC F…
The Death of Stalin, Dir. Armando Iannucci. Screenplay: Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows. Based on: La mort de Staline by Fabien Nury and Thierry Robin. New York: IFC Films, 2018. 107 min. Color. - Volume 78 Issue 1
Afterword: Resonant Objects
The papers in this cluster-and sound studies more broadly-attune our ears to hearing and listening, to paying attention to that "other" important sense of modernity: the aural or sonic that so often is asked to play second fiddle to the visual. The challenge of sound studies, Jonathan Sterne reminds us, "is to think across sounds, to consider sonic phenomena in relationship to one another-as types of sonic phenomena rather than as things-in-thems…
Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties
Journal Article Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Get access Marko Dumančić. Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Toronto, CA: University of Toronto Press, 2021. Pp. 344. Cloth $75.00. Lilya Kaganovsky Lilya Kaganovsky University of California, Los Angeles Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The America…
Art (8 works) · History (8 works) · Computer Science (5 works) · Eastern European Communism and Reforms (5 works) · History (5 works) · Political science (5 works) · Sociology (5 works) · Art history (4 works) · Literature (4 works) · Philosophy (4 works)