Martin J Powers
Biographic Data
| ID | 1131224 |
|---|---|
| NAME | Martin J Powers |
| GIVEN NAMES | Martin J |
| FAMILY NAME | Powers |
| SIGNATURE | POWERS M J |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 14 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
New Exhibition Examines the Social Life of Bronzes Through the Centuries
This is a short review of the “Mirroring China's Past” exhibition at the Art Institute of Chicago (February 25th–May 13th, 2018). For reference, the exhibition catalog is: Tao Wang 汪涛 et al. Mirroring China's Past: Emperors, Scholars, and Their Bronzes [吉金鑒古]. The Art Institute of Chicago, 2018. Distributed by Yale University Press, New Haven and London
The Temporal Logic of Citation in Chinese Painting
It is heuristically valuable to distinguish between citation and other forms of repetition, such as copying, imitating, or emulating. The characteristic of citation is simultaneous reference to two or more incompatible styles in open opposition to the unified styles required for replication. This requieres the insight that all styles are poducts of a particular historical moment. Naturalistic styles, then, become just another kind of period style…
Scapegoating During a Time of Crisis
Focusing upon scapegoating in post-crash Ireland, this article considers a pervasive political process that is protective of powerful interests and the status quo following the 2008 Global Financial Crisis. Drawing from group conflict theory and framing analysis as part of a broader critical realist take on society, we consider how blame has been placed on myriad targets, ranging from a collective 'we who went a bit mad with borrowing' to more sp…
Pattern and Person
Pattern and Person
In Classical China, crafted artefacts offered a material substrate for abstract thought as graphic paradigms for social relationships. Focusing on the 5th to 2nd Centuries B.C., Martin Powers explores how these paradigms continued to inform social thought long after the material substrate had been abandoned. In this detailed study, the author makes the claim that artefacts are never neutral: as a distinctive possession, each object - through the …
Yi’nan
Mi xian
The Figure in the Carpet
L'auteur etudie plusieurs sources litteraires chinoises anciennes de la periode des Royaumes Combattants afin d'illustrer et de tenter d'elucider un certain nombre de questions a propos de la signification des motifs decoratifs ornant les objets datant des dynasties Zhou
Art and Political Expression in Early China
Art and Political Expression in Early China.
Superfluous Things
Artistic Taste, the Economy and the Social Order in Former Han China
Pictorial Art and Its Public in Early Imperial China
Scapegoating During a Time of Crisis
Focusing upon scapegoating in post-crash Ireland, this article considers a pervasive political process that is protective of powerful interests and the status quo following the 2008 Global Financial Crisis. Drawing from group conflict theory and framing analysis as part of a broader critical realist take on society, we consider how blame has been placed on myriad targets, ranging from a collective 'we who went a bit mad with borrowing' to more sp…
Pictorial Art and Its Public in Early Imperial China
Artistic Taste, the Economy and the Social Order in Former Han China
Pictorial Art and Its Public in Early Imperial China
Artistic Taste, the Economy and the Social Order in Former Han China
Art and Political Expression in Early China.
Superfluous Things
The Figure in the Carpet
L'auteur etudie plusieurs sources litteraires chinoises anciennes de la periode des Royaumes Combattants afin d'illustrer et de tenter d'elucider un certain nombre de questions a propos de la signification des motifs decoratifs ornant les objets datant des dynasties Zhou
Art and Political Expression in Early China
Yi’nan
Mi xian
Pattern and Person
Pattern and Person
In Classical China, crafted artefacts offered a material substrate for abstract thought as graphic paradigms for social relationships. Focusing on the 5th to 2nd Centuries B.C., Martin Powers explores how these paradigms continued to inform social thought long after the material substrate had been abandoned. In this detailed study, the author makes the claim that artefacts are never neutral: as a distinctive possession, each object - through the …
The Temporal Logic of Citation in Chinese Painting
It is heuristically valuable to distinguish between citation and other forms of repetition, such as copying, imitating, or emulating. The characteristic of citation is simultaneous reference to two or more incompatible styles in open opposition to the unified styles required for replication. This requieres the insight that all styles are poducts of a particular historical moment. Naturalistic styles, then, become just another kind of period style…
Scapegoating During a Time of Crisis
Focusing upon scapegoating in post-crash Ireland, this article considers a pervasive political process that is protective of powerful interests and the status quo following the 2008 Global Financial Crisis. Drawing from group conflict theory and framing analysis as part of a broader critical realist take on society, we consider how blame has been placed on myriad targets, ranging from a collective 'we who went a bit mad with borrowing' to more sp…
New Exhibition Examines the Social Life of Bronzes Through the Centuries
This is a short review of the “Mirroring China's Past” exhibition at the Art Institute of Chicago (February 25th–May 13th, 2018). For reference, the exhibition catalog is: Tao Wang 汪涛 et al. Mirroring China's Past: Emperors, Scholars, and Their Bronzes [吉金鑒古]. The Art Institute of Chicago, 2018. Distributed by Yale University Press, New Haven and London
Chinese history and philosophy (9 works) · China (8 works) · History (8 works) · Archaeology (5 works) · Art (5 works) · Law (5 works) · Political science (5 works) · Sociology (5 works) · Art history (4 works) · Computer Science (4 works)