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Hugh Honour

Biographic Data

ID1133385
NAMEHugh Honour
GIVEN NAMESHugh
FAMILY NAMEHonour
SIGNATUREHONOUR H
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1957
LATEST PUBLICATION YEAR2015
H-INDEX0
  • Le Néo-classicisme

    Hugh Honour•BOOK•Le Néo-classicisme•2015

    De tous les courants artistiques européens, le néo-classicisme est sans doute celui sur lequel s'accumule le plus grand nombre de malentendus. Heureusement, depuis une trentaine d'années, en France et à l'étranger, de nombreuses expositions ont été consacrées à ce mouvement ou à ses plus grands héros. Malgré tout, les clichés ont la vie dure, selon lesquels le néo-classicisme serait un composé de froideur et de pédanterie, un art littéraire et gr…

  • The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators

    David Bindman, Henry Louis Gates et al.•BOOK•The Image of the Black in Western…•2012

    BOOKThe Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and LiberatorsDavid Bindman (Editor), Henry Louis Gates Jr. (Editor) https://doi.org/10.37862/aaeportal.00143 Stable URL: https://www.aaeportal.com/?id=-17364Copy In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from he…

  • The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I

    Eugene Kraft, Hugh Honour•ARTICLE•African Arts•1991

  • The Image of the Black in Western Art. Volume 4, from the American Revolution to World War I: Part 1, Slaves and Liberators; Part 2, Black Models and White Myths

    David Lionel Smith, Hugh Honour•ARTICLE•The New England Quarterly•1990

  • A World History of Art

    Om D Upadhya, Hugh Honour et al.•ARTICLE•Leonardo•1985

  • The Visual Arts: A History

    Norma Broude, Mary D Garrard et al.•ARTICLE•Woman s Art Journal•1983

  • The Oxford Companion to the Decorative Arts

    Harold Osborne, John Fleming et al.•ARTICLE•Leonardo•1979

    The scope of this Companion extends over all the main fields of decorative craftsmanship--as well as a number of minor and specialized ones. It includes prehistoric crafts, crafts like leather-working and ceramics that have arisen more recently, and specialized crafts, such as toys and embroidery. There are also entries on important craftsmen and schools and surveys of specific cultures and periods. All the articles are written by expert contribu…

  • The Companion Guide to Venice

    Philippa Friedman, Hugh Honour•ARTICLE•Geographical Journal•1966

  • Horace Walpole

    Hugh Honour•BOOK•Horace Walpole•1957

No prominent works on this page.

  • Horace Walpole

    Hugh Honour•BOOK•Horace Walpole•1957

  • The Companion Guide to Venice

    Philippa Friedman, Hugh Honour•ARTICLE•Geographical Journal•1966

  • The Oxford Companion to the Decorative Arts

    Harold Osborne, John Fleming et al.•ARTICLE•Leonardo•1979

    The scope of this Companion extends over all the main fields of decorative craftsmanship--as well as a number of minor and specialized ones. It includes prehistoric crafts, crafts like leather-working and ceramics that have arisen more recently, and specialized crafts, such as toys and embroidery. There are also entries on important craftsmen and schools and surveys of specific cultures and periods. All the articles are written by expert contribu…

  • The Visual Arts: A History

    Norma Broude, Mary D Garrard et al.•ARTICLE•Woman s Art Journal•1983

  • A World History of Art

    Om D Upadhya, Hugh Honour et al.•ARTICLE•Leonardo•1985

  • The Image of the Black in Western Art. Volume 4, from the American Revolution to World War I: Part 1, Slaves and Liberators; Part 2, Black Models and White Myths

    David Lionel Smith, Hugh Honour•ARTICLE•The New England Quarterly•1990

  • The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I

    Eugene Kraft, Hugh Honour•ARTICLE•African Arts•1991

  • The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators

    David Bindman, Henry Louis Gates et al.•BOOK•The Image of the Black in Western…•2012

    BOOKThe Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and LiberatorsDavid Bindman (Editor), Henry Louis Gates Jr. (Editor) https://doi.org/10.37862/aaeportal.00143 Stable URL: https://www.aaeportal.com/?id=-17364Copy In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from he…

  • Le Néo-classicisme

    Hugh Honour•BOOK•Le Néo-classicisme•2015

    De tous les courants artistiques européens, le néo-classicisme est sans doute celui sur lequel s'accumule le plus grand nombre de malentendus. Heureusement, depuis une trentaine d'années, en France et à l'étranger, de nombreuses expositions ont été consacrées à ce mouvement ou à ses plus grands héros. Malgré tout, les clichés ont la vie dure, selon lesquels le néo-classicisme serait un composé de froideur et de pédanterie, un art littéraire et gr…

Art (8 works) · Art, Politics, and Modernism (4 works) · History (4 works) · Visual arts (3 works) · Art history (2 works) · Historical and Literary Studies (2 works) · Humanities (2 works) · Physics (2 works) · The arts (2 works) · Volume (thermodynamics) (2 works)

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