Natasha Korda
Biographic Data
| ID | 1133447 |
|---|---|
| NAME | Natasha Korda |
| GIVEN NAMES | Natasha |
| FAMILY NAME | Korda |
| SIGNATURE | KORDA N |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
The Sign of the Last”
Thomas Dekker’s The Shoemaker’s Holiday (1599) is filled with shoes. Every aspect of shoes’ social lives is enacted onstage: they are manufactured before our eyes, bought and sold, given as gifts, displayed as signs of status, and flaunted as objects of fashion. This essay considers how an investigation of the shoes and other crafted objects staged in the play may shed new light on a neglected economy of female artisanal labor in early modern Lon…
Household Kates
Household Property/Stage Property
Household Property/Stage Property: Henslowe as Pawnbroker Natasha Korda (bio) This essay represents an intervention into what has come to be known as the “new stage history.” Much like the new historicism, the new stage history has sought to distance itself from the methodologies of older stage historians, from the positivism of John Payne Collier and Frederick Fleay to the purportedly neutral empiricism of W. W. Greg and E. K. Chambers. In so do…
Dangerous Familiars
Erotic Politics
The Childhood of Art
Household Property/Stage Property
Household Property/Stage Property: Henslowe as Pawnbroker Natasha Korda (bio) This essay represents an intervention into what has come to be known as the “new stage history.” Much like the new historicism, the new stage history has sought to distance itself from the methodologies of older stage historians, from the positivism of John Payne Collier and Frederick Fleay to the purportedly neutral empiricism of W. W. Greg and E. K. Chambers. In so do…
The Childhood of Art
Erotic Politics
Dangerous Familiars
Household Property/Stage Property
Household Property/Stage Property: Henslowe as Pawnbroker Natasha Korda (bio) This essay represents an intervention into what has come to be known as the “new stage history.” Much like the new historicism, the new stage history has sought to distance itself from the methodologies of older stage historians, from the positivism of John Payne Collier and Frederick Fleay to the purportedly neutral empiricism of W. W. Greg and E. K. Chambers. In so do…
Household Kates
The Sign of the Last”
Thomas Dekker’s The Shoemaker’s Holiday (1599) is filled with shoes. Every aspect of shoes’ social lives is enacted onstage: they are manufactured before our eyes, bought and sold, given as gifts, displayed as signs of status, and flaunted as objects of fashion. This essay considers how an investigation of the shoes and other crafted objects staged in the play may shed new light on a neglected economy of female artisanal labor in early modern Lon…
Art (5 works) · History (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Historical Economic and Social Studies (2 works) · History (2 works) · Law (2 works) · Philippine History and Culture (2 works) · Philosophy (2 works)