Alois Riegl

Biographic Data

ID1134437
NAMEAlois Riegl
GIVEN NAMESAlois
FAMILY NAMERiegl
SIGNATURERIEGL A
AFFILIATIONSKHM-Museumsverband
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS12
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2023
H-INDEX1

  • Folk Art, Hausfleiß , and Hausindustrie

    Alois Riegl, Christopher S Wood et al.ARTICLEWest 86th2023

  • On the Question of the Restoration of Wall Paintings

    Alois Riegl, Ittai Weinryb et al.ARTICLEWest 86th2020

    I have translated this text by Alois Riegl from German to English. It was published with an introduction by Ittai Weinryb, Bard Graduate Center, New York City, USA

  • The Restoration of the Wall Paintings in the Holy Cross Chapel of the Wawel Cathedral in Kraków

    Alois RieglARTICLEGrey Room2020

  • Mood as the Content of Modern Art

    Alois RieglARTICLEGrey Room2020

  • The Giant's Door of St. Stephen's

    Alois RieglARTICLEGrey Room2020

    August 01 2020 The Giant's Door of St. Stephen's Alois Riegl Alois Riegl Alois Riegl (1858–1905), a founder of the “Vienna School” of art history, studied law, history, and art history in Vienna. He worked in the Austrian Museum for Art and Industry, became Professor at the University of Vienna in 1897, and turned to historic preservation in 1903. His attention to neglected periods and his innovative methods have ensured that his influential work…

  • Problems of Style

    Alois Riegl, David Castriota et al.BOOKProblems of Style2018

  • The Origins of Baroque Art in Rome

    Alois Riegl, Andrew Hopkins et al.ARTICLERenaissance and Reformation2012

    Riegl, Alois. The Origins of Baroque Art in Rome. Ed. and trans. Andrew Hopkins and Arnold Witte. An article from journal Renaissance and Reformation / Renaissance et Réforme (Things Not Easily Believed: Introducing the Early Modern Relation), on Érudit

  • Une bonne image de soi

    Alois RieglARTICLEActes de la recherche en sciences…2004

    Poser aux portraits de régents des institutions caritatives hollandaises des xviie-xviiie siècles des questions qui ne sont pas tout à fait ou pas seulement celles de l’histoire de l’art traditionnelle ou de l’iconographie en cherchant, au-delà des questions de composition et de modèle, de tradition iconographique et de programme religieux, à comprendre les enjeux sociologiques et théologiques qui en déterminèrent à la fois la production, l’expos…

  • Le culte moderne des monuments

    Open AccessAlois RieglARTICLESocio-anthropologie2001Cited by: 11

    Un monument, au sens originel du terme, désigne une œuvre érigée avec l’intention précise de maintenir à jamais présents dans la conscience des générations futures des événements ou des faits humains particuliers (ou un ensemble des uns et des autres). Il s’agit soit d’un monument de l’art, soit d’un monument écrit, selon que l’événement à perpétuer est porté à la connaissance du spectateur par les seuls moyens d’expression de l’art plastique ou …

  • "Excerpts from "The Dutch Group Portrait

    Alois Riegl, Benjamin BinstockARTICLEOctober1995Cited by: 1

    When the young Rembrandt left his hometown of Leyden for a short time in order to complete what remained to be learned about his art in the studios of famous Dutch masters, the precocious youth did not seek out a city such as Haarlem-the home of Frans Hals, whom we are accustomed to seeing as the pioneer of Dutch national painting at this time (the 1620s)-but Amsterdam. Here, it was likewise not the most Dutch among the portrait painters, such as…

  • Late Roman Art Industry

    Anthony Cutler, Alois Riegl et al.ARTICLEThe Classical World1986