Cristle Collins Judd
Biographic Data
| ID | 1135122 |
|---|---|
| NAME | Cristle Collins Judd |
| GIVEN NAMES | Cristle Collins |
| FAMILY NAME | Judd |
| SIGNATURE | JUDD C C |
| AFFILIATIONS | California University of Pennsylvania |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Musical Theory in the Renaissance
Contents: Introduction Part I Terms and Topics: Resfacta and Cantare Super Librum, Margaret Bent On compositional process in the 15th century, Bonnie J. Blackburn On diminution and proportion in 15th-century music theory, Ruth I. DeFord Is mode real? Pietro Aron, the octenary system, and polyphony, Harold Powers Renaissance modal theory: theoretical, compositional, and editorial perspectives, Cristle Collins Judd. Part II Influences and Authoriti…
To Discourse Learnedly” and “Compose Beautifully”
ex-officio) and to Scott Burnham for his generous introduction at the meeting. I am particularly grateful to the ensemble Singer Pur, and especially Marcus Schmidl and Martin Stastnik, for their collaboration on a recently released recording of Zarlino motets
Dialogue on Ancient and Modern Music
Vincenzo Galilei. Dialogue on Ancient and Modern Music. Trans. Claude V. Palisca. Music Theory Translation Series. New Haven and London: Yale University Press, 2004. lxx + 384 pp. index, illus. tbls. $75. ISBN: 0-300-09045-5. - Volume 57 Issue 4
In Theory Only
Machaut's Mass
Modal Types and "Ut, Re, Mi" Tonalities
Cristle Collins Judd, Modal Types and "Ut, Re, Mi" Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500, Journal of the American Musicological Society, Vol. 45, No. 3 (Autumn, 1992), pp. 428-467
Modal Types and Ut, Re, Mi Tonalities
An evaluation of Pietro Aron's understanding of "mode in polyphony" (Trattato della Natura et Cognitione di tutti gli tuoni [1525]) coupled with an analytical examination of Josquin's motet oeuvre leads to a new theory of tonal coherence in sacred vocal polyphony from about 1500. This theory provides a designation for, and identifies the markers of, the tonalities represented in the motets of Josquin; it is based on a nomenclature derived from th…
In the Mode
Th Century Counterpoint and Tonal Structure
Some Problems of Pre-Baroque Analysis
Modal Types and Ut, Re, Mi Tonalities
An evaluation of Pietro Aron's understanding of "mode in polyphony" (Trattato della Natura et Cognitione di tutti gli tuoni [1525]) coupled with an analytical examination of Josquin's motet oeuvre leads to a new theory of tonal coherence in sacred vocal polyphony from about 1500. This theory provides a designation for, and identifies the markers of, the tonalities represented in the motets of Josquin; it is based on a nomenclature derived from th…
Some Problems of Pre-Baroque Analysis
Th Century Counterpoint and Tonal Structure
In the Mode
Machaut's Mass
Modal Types and "Ut, Re, Mi" Tonalities
Cristle Collins Judd, Modal Types and "Ut, Re, Mi" Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500, Journal of the American Musicological Society, Vol. 45, No. 3 (Autumn, 1992), pp. 428-467
Modal Types and Ut, Re, Mi Tonalities
An evaluation of Pietro Aron's understanding of "mode in polyphony" (Trattato della Natura et Cognitione di tutti gli tuoni [1525]) coupled with an analytical examination of Josquin's motet oeuvre leads to a new theory of tonal coherence in sacred vocal polyphony from about 1500. This theory provides a designation for, and identifies the markers of, the tonalities represented in the motets of Josquin; it is based on a nomenclature derived from th…
In Theory Only
Dialogue on Ancient and Modern Music
Vincenzo Galilei. Dialogue on Ancient and Modern Music. Trans. Claude V. Palisca. Music Theory Translation Series. New Haven and London: Yale University Press, 2004. lxx + 384 pp. index, illus. tbls. $75. ISBN: 0-300-09045-5. - Volume 57 Issue 4
To Discourse Learnedly” and “Compose Beautifully”
ex-officio) and to Scott Burnham for his generous introduction at the meeting. I am particularly grateful to the ensemble Singer Pur, and especially Marcus Schmidl and Martin Stastnik, for their collaboration on a recently released recording of Zarlino motets
Musical Theory in the Renaissance
Contents: Introduction Part I Terms and Topics: Resfacta and Cantare Super Librum, Margaret Bent On compositional process in the 15th century, Bonnie J. Blackburn On diminution and proportion in 15th-century music theory, Ruth I. DeFord Is mode real? Pietro Aron, the octenary system, and polyphony, Harold Powers Renaissance modal theory: theoretical, compositional, and editorial perspectives, Cristle Collins Judd. Part II Influences and Authoriti…
Art (7 works) · Literature (5 works) · Musicology and Musical Analysis (5 works) · Acoustics (3 works) · Computer Science (3 works) · Diverse Musicological Studies (3 works) · Physics (3 works) · Art history (2 works) · Counterpoint (2 works) · Modal (2 works)