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Anne Friedberg

Biographic Data

ID1137045
NAMEAnne Friedberg
GIVEN NAMESAnne
FAMILY NAMEFriedberg
SIGNATUREFRIEDBERG A
AFFILIATIONSUniversity of California, Irvine
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2004
H-INDEX1
  • Virilio’s Screen

    Open Access•Anne Friedberg•ARTICLE•Journal of Visual Culture•2004

    This brief essay traces the evolving role of the screen in the writing of high-speed theorist Paul Virilio. In Virilio’s writing, the screen serves as the locus of lost dimensions of space and technological transformations of time; it modifies our relation to space, is a surface-mount for its ‘accelerated virtualization’. If Virilio does not theorize the technological differences between film, television and the computer, I argue, it is because, …

  • Televisual Space

    Open Access•Anne Friedberg, Raiford Guins•ARTICLE•Journal of Visual Culture•2004

  • Urban mobility and cinematic visuality

    Open Access•Anne Friedberg•ARTICLE•Journal of Visual Culture•2002

    This essay began as a portion of a book project which explores the trope of the window - both architectural and metaphoric - and its relation to a framed visuality. In the book, I consider screens - the film screen, the TV screen, the computer screen - as component pieces of architecture, ‘virtual windows’ which render the wall permeable to light and ‘ventilation’ in new ways, and which dramatically change the materialities (and - perhaps more ra…

  • Window Shopping

    Anne Friedberg, ANNE FRIEDBEAG•BOOK•Window Shopping•1993

  • The Mercator of the Postmodern

    Anne Friedberg•ARTICLE•Camera Obscura Feminism Culture…•1988

    Other| September 01 1988 The Mercator of the Postmodern: Mapping the Great Divide Andreas Huyssen, After the Great Divide: Modernism, Mass Culture, Post-modernism (Bloomington: Indiana University Press, 1986) Anne Friedberg Anne Friedberg Search for other works by this author on: This Site Google Camera Obscura (1988) 6 (3 (18)): 67–79. https://doi.org/10.1215/02705346-6-3_18-67 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Cita…

  • An interview with filmmaker Lizzie Borden

    Anne Friedberg•ARTICLE•Women & Performance a journal of…•1984•Cited by: 1

    (1984). An interview with filmmaker Lizzie Borden. Women & Performance: a journal of feminist theory: Vol. 1, No. 2, pp. 37-45

  • An interview with filmmaker Lizzie Borden

    Anne Friedberg•ARTICLE•Women & Performance a journal of…•1984•Cited by: 1

    (1984). An interview with filmmaker Lizzie Borden. Women & Performance: a journal of feminist theory: Vol. 1, No. 2, pp. 37-45

  • An interview with filmmaker Lizzie Borden

    Anne Friedberg•ARTICLE•Women & Performance a journal of…•1984•Cited by: 1

    (1984). An interview with filmmaker Lizzie Borden. Women & Performance: a journal of feminist theory: Vol. 1, No. 2, pp. 37-45

  • The Mercator of the Postmodern

    Anne Friedberg•ARTICLE•Camera Obscura Feminism Culture…•1988

    Other| September 01 1988 The Mercator of the Postmodern: Mapping the Great Divide Andreas Huyssen, After the Great Divide: Modernism, Mass Culture, Post-modernism (Bloomington: Indiana University Press, 1986) Anne Friedberg Anne Friedberg Search for other works by this author on: This Site Google Camera Obscura (1988) 6 (3 (18)): 67–79. https://doi.org/10.1215/02705346-6-3_18-67 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Cita…

  • Window Shopping

    Anne Friedberg, ANNE FRIEDBEAG•BOOK•Window Shopping•1993

  • Urban mobility and cinematic visuality

    Open Access•Anne Friedberg•ARTICLE•Journal of Visual Culture•2002

    This essay began as a portion of a book project which explores the trope of the window - both architectural and metaphoric - and its relation to a framed visuality. In the book, I consider screens - the film screen, the TV screen, the computer screen - as component pieces of architecture, ‘virtual windows’ which render the wall permeable to light and ‘ventilation’ in new ways, and which dramatically change the materialities (and - perhaps more ra…

  • Virilio’s Screen

    Open Access•Anne Friedberg•ARTICLE•Journal of Visual Culture•2004

    This brief essay traces the evolving role of the screen in the writing of high-speed theorist Paul Virilio. In Virilio’s writing, the screen serves as the locus of lost dimensions of space and technological transformations of time; it modifies our relation to space, is a surface-mount for its ‘accelerated virtualization’. If Virilio does not theorize the technological differences between film, television and the computer, I argue, it is because, …

  • Televisual Space

    Open Access•Anne Friedberg, Raiford Guins•ARTICLE•Journal of Visual Culture•2004

Art (5 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Computer Science (3 works) · Literature (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Linguistics (2 works) · Movie theater (2 works) · Philosophy (2 works)

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