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Jacqueline Cogdell Djedje

Biographic Data

ID114071
NAMEJacqueline Cogdell Djedje
GIVEN NAMESJacqueline Cogdell
FAMILY NAMEDjedje
SIGNATUREDJEDJE J C
AFFILIATIONSJohn F. Kennedy Center for the Performing Arts
VERIFIEDNo
TOTAL WORKS29
TOTAL CITATIONS12
AUTHOR COUNT29
EDITOR COUNT0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Appalachian Black Fiddling: History and Creativity

    Open Access•Jacqueline Cogdell Djedje•ARTICLE•African Music Journal of the…•2020

    Discussions on Appalachian music in the United States most often evoke images of instruments such as the fiddle and banjo, and a musical heritage identified primarily with Europe and European Americans, as originators or creators, when in reality, many Europeans were influenced or taught by African-American fiddlers. Not only is Appalachian fiddling a confluence of features that are both African- and European-derived, but black fiddlers have crea…

  • The (Mis)Representation of African American Music: The Role of the Fiddle

    Open Access•Jacqueline Cogdell Djedje•ARTICLE•Journal of the Society for…•2016•References: 3

    During the early twentieth century, research on African American music focused primarily on spirituals and jazz. Investigations on the secular music of blacks living in rural areas were nonexistent except for the work of folklorists researching blues. Researchers and record companies avoided black fiddling because many viewed it not only as a relic of the past, but also a tradition identified with whites. In the second half of the twentieth centu…

  • California Soul: Music of African Americans in the West

    Emmett G Price Iii, Emmett G Price et al.•ARTICLE•Ethnomusicology•2002

  • Nketia, J(oseph) H(anson) Kwabena

    Jacqueline Cogdell Djedje•CHAPTER•The new Grove dictionary of music…•2001

  • Central Avenue Sounds: Jazz in Los Angeles

    A Scott Currie, Clora Bryant et al.•ARTICLE•Yearbook for Traditional Music•2000

  • California Soul: Music of African Americans in the West

    Waldo E Martin Jr, Jacqueline Cogdell Djedje et al.•ARTICLE•Journal of American History•1999

    California Soul: Music of African Americans in the West. Ed. by Jacqueline Cogdell DjeDje and Eddie S. Meadows. (Berkeley: University of California Press, 1998. x, 507 pp. Cloth, $60.00, ISBN 0-520-20627-4. Paper, $24.95, ISBN 0-520-20628-2.) Get access Waldo E. Martin, Jr. Waldo E. Martin, Jr. University of California, Berkeley, California Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volum…

  • Remembering Kojo: History, Music, and Gender in the January Sixth Celebration of the Jamaican Accompong Maroons

    Jacqueline Cogdell Djedje•ARTICLE•Black Music Research Journal•1998•Cited by: 3•References: 12

    January Sixth celebration of Maroons of Accompong, Jamaica, commemorates both birth of Maroon leader, Kojo (Cudjoe),(1) and his victory over British, which resulted in signing of peace treaty of 1739. Accompong Maroons(2) are descendants of Africans taken to Jamaica in seventeenth and eighteenth centuries who successfully resisted enslavement by British rulers of island and settled in remote, mountainous region called Cockpit Country. Accompong i…

  • African Musicology: Current Trends, Vol. II

    Veit Erlmann, Jacqueline Cogdell Djedje•ARTICLE•The International Journal of…•1995

  • African Musicology: Current Trends, Volume II. A Festschrift Presented to J. H. Kwabena Nketia

    Kofi Agawu, Jacqueline Cogdell Djedje•ARTICLE•Yearbook for Traditional Music•1993

  • Los Angeles Composers of African American Gospel Music: The First Generations

    Jacqueline Cogdell Djedje•ARTICLE•American Music•1993

  • African Musicology: Current Trends. Volume I: A Festschrift Presented to J. H. Kwabena Nketia

    Open Access•Marie-Thérèse Lefebvre, Jacqueline Cogdell Djedje et al.•ARTICLE•Canadian Journal of African…•1991

  • Afro-American Music, South Africa, and Apartheid

    Jacqueline Cogdell Djedje, Charles Hamm et al.•ARTICLE•The Black Perspective in Music•1990

  • African Musicology: Current Trends, Volume I. A Festschrift Presented to J. H. Kwabena Nketia

    V Kofi Agawu, Jacqueline Cogdell Djedje•ARTICLE•Ethnomusicology•1990

  • Perspectives on African Music

    Eileen Southern, Wolfgang Bender et al.•ARTICLE•The Black Perspective in Music•1990•Cited by: 1

  • African Musicology: Current Trends

    Kay Kaufman Shelemay, Jacqueline Cogdell Djedje et al.•ARTICLE•The International Journal of…•1990•Cited by: 2

  • Gospel Music in the Los Angeles Black Community: A Historical Overview

    Jacqueline Cogdell Djedje•ARTICLE•Black Music Research Journal•1989•Cited by: 2•References: 2

    This study examines the history of gospel music in the Los Angeles black community from 1930 to 1970. While there is scant mention of Los Angeles in some publications on gospel music (Boyer 1964; Heilbut 1975; Broughton 1985), most of the literature has been concerned with the development of the genre as a style without much reference to locale except to acknowledge that Chicago is considered the birthplace of gospel. The few investigators who ha…

  • Women and Music in Cross-Cultural Perspective

    Jacqueline Cogdell Djedje•REVIEW•Ethnomusicology•1989

    Illustrations Preface An Introduction to Women, Music, and Culture by Ellen Koskoff From Singing to Lamenting: Women's Musical Role in a Greek Village by Susan Auerbach Balkan Women as Preservers of Traditional Music and Culture by Patricia K. Shehan Ya Salio de la Mar: Judeo-Spanish Wedding Songs among Moroccan Jews in Canada by Judith R. Cohne A Sociohistorical Perspective on Tunisian Women as Professional Musicians by L. JaFran Jones Hazara Wo…

  • Performance Practice: Ethnomusicological Perspective

    Jacqueline Cogdell Djedje, Gerard Behague et al.•ARTICLE•The Black Perspective in Music•1986

  • Change and Differentiation: The Adoption of Black American Gospel Music in the Catholic Church

    Jacqueline Cogdell Djedje•ARTICLE•Ethnomusicology•1986•Cited by: 1

    midst the myriad changes occurring in America's black community since the sixties has been the blossoming of gospel music in settings once reserved exclusively for formal repertoires of European origin. Gospel music is no longer a stranger to university classrooms and concert halls, in which it has been receiving its due accord as a significant manifestation of black creativity and spiritual depth. Less publicized but representing profound change…

  • Selected Reports in Ethnomusicology, Vol 5: Studies in African Music

    Ruth M Stone, J H Kwabena Nketia et al.•ARTICLE•Ethnomusicology•1986

  • Discourse in Ethnomusicology II: A Tribute to Alan P. Merriam

    Jacqueline Cogdell Djedje, Caroline Card•ARTICLE•Ethnomusicology•1985

  • Distribution of the One-String Fiddle in West Africa

    Fremont E Besmer, Jacqueline Cogdell Djedje•ARTICLE•Ethnomusicology•1985

  • Song Type and Performance Style in Hausa and Dagomba Possession (Bori) Music

    Jacqueline Cogdell Djedje•ARTICLE•The Black Perspective in Music•1984•Cited by: 3

  • Let the inside Be Sweet: The Interpretation of Music Event among the Kpelle of Liberia

    Jacqueline Cogdell Djedje, Ruth M Stone•ARTICLE•Ethnomusicology•1983

  • Katherine Dunham: Reflections on the Social and Political Contexts of Afro-American Dance

    Jacqueline Cogdell Djedje, Joyce Aschenbrenner et al.•ARTICLE•Ethnomusicology•1982

Next
  • Remembering Kojo: History, Music, and Gender in the January Sixth Celebration of the Jamaican Accompong Maroons

    Jacqueline Cogdell Djedje•ARTICLE•Black Music Research Journal•1998•Cited by: 3•References: 12

    January Sixth celebration of Maroons of Accompong, Jamaica, commemorates both birth of Maroon leader, Kojo (Cudjoe),(1) and his victory over British, which resulted in signing of peace treaty of 1739. Accompong Maroons(2) are descendants of Africans taken to Jamaica in seventeenth and eighteenth centuries who successfully resisted enslavement by British rulers of island and settled in remote, mountainous region called Cockpit Country. Accompong i…

  • Song Type and Performance Style in Hausa and Dagomba Possession (Bori) Music

    Jacqueline Cogdell Djedje•ARTICLE•The Black Perspective in Music•1984•Cited by: 3

  • African Musicology: Current Trends

    Kay Kaufman Shelemay, Jacqueline Cogdell Djedje et al.•ARTICLE•The International Journal of…•1990•Cited by: 2

  • Gospel Music in the Los Angeles Black Community: A Historical Overview

    Jacqueline Cogdell Djedje•ARTICLE•Black Music Research Journal•1989•Cited by: 2•References: 2

    This study examines the history of gospel music in the Los Angeles black community from 1930 to 1970. While there is scant mention of Los Angeles in some publications on gospel music (Boyer 1964; Heilbut 1975; Broughton 1985), most of the literature has been concerned with the development of the genre as a style without much reference to locale except to acknowledge that Chicago is considered the birthplace of gospel. The few investigators who ha…

  • Perspectives on African Music

    Eileen Southern, Wolfgang Bender et al.•ARTICLE•The Black Perspective in Music•1990•Cited by: 1

  • Change and Differentiation: The Adoption of Black American Gospel Music in the Catholic Church

    Jacqueline Cogdell Djedje•ARTICLE•Ethnomusicology•1986•Cited by: 1

    midst the myriad changes occurring in America's black community since the sixties has been the blossoming of gospel music in settings once reserved exclusively for formal repertoires of European origin. Gospel music is no longer a stranger to university classrooms and concert halls, in which it has been receiving its due accord as a significant manifestation of black creativity and spiritual depth. Less publicized but representing profound change…

  • African Music: A People's Art

    Jacqueline Cogdell Djedje, Francis Bebey et al.•ARTICLE•The Black Perspective in Music•1976

    Engaging and enlightening, this guide explores African music's forms, musicians, instruments, and place in the life of the people. A discography classified by country, theme, group, and instrument is also included

  • Black Music of Two Worlds: From Africa, Middle East, West Indies, South America and the USA

    Jacqueline Cogdell Djedje, John Storm Roberts•ARTICLE•Ethnomusicology•1978

  • Black Religions in the New World

    Irene V Jackson, George Eaton Simpson et al.•ARTICLE•The Black Perspective in Music•1980

  • American Black Spiritual and Gospel Songs from Southeast Georgia: A Comparative Study

    David Allan Evans, David Evans et al.•ARTICLE•Ethnomusicology•1980

  • Katherine Dunham: Reflections on the Social and Political Contexts of Afro-American Dance

    Jacqueline Cogdell Djedje, Joyce Aschenbrenner et al.•ARTICLE•Ethnomusicology•1982

  • Let the inside Be Sweet: The Interpretation of Music Event among the Kpelle of Liberia

    Jacqueline Cogdell Djedje, Ruth M Stone•ARTICLE•Ethnomusicology•1983

  • Song Type and Performance Style in Hausa and Dagomba Possession (Bori) Music

    Jacqueline Cogdell Djedje•ARTICLE•The Black Perspective in Music•1984•Cited by: 3

  • Discourse in Ethnomusicology II: A Tribute to Alan P. Merriam

    Jacqueline Cogdell Djedje, Caroline Card•ARTICLE•Ethnomusicology•1985

  • Distribution of the One-String Fiddle in West Africa

    Fremont E Besmer, Jacqueline Cogdell Djedje•ARTICLE•Ethnomusicology•1985

  • Performance Practice: Ethnomusicological Perspective

    Jacqueline Cogdell Djedje, Gerard Behague et al.•ARTICLE•The Black Perspective in Music•1986

  • Change and Differentiation: The Adoption of Black American Gospel Music in the Catholic Church

    Jacqueline Cogdell Djedje•ARTICLE•Ethnomusicology•1986•Cited by: 1

    midst the myriad changes occurring in America's black community since the sixties has been the blossoming of gospel music in settings once reserved exclusively for formal repertoires of European origin. Gospel music is no longer a stranger to university classrooms and concert halls, in which it has been receiving its due accord as a significant manifestation of black creativity and spiritual depth. Less publicized but representing profound change…

  • Selected Reports in Ethnomusicology, Vol 5: Studies in African Music

    Ruth M Stone, J H Kwabena Nketia et al.•ARTICLE•Ethnomusicology•1986

  • Gospel Music in the Los Angeles Black Community: A Historical Overview

    Jacqueline Cogdell Djedje•ARTICLE•Black Music Research Journal•1989•Cited by: 2•References: 2

    This study examines the history of gospel music in the Los Angeles black community from 1930 to 1970. While there is scant mention of Los Angeles in some publications on gospel music (Boyer 1964; Heilbut 1975; Broughton 1985), most of the literature has been concerned with the development of the genre as a style without much reference to locale except to acknowledge that Chicago is considered the birthplace of gospel. The few investigators who ha…

  • Women and Music in Cross-Cultural Perspective

    Jacqueline Cogdell Djedje•REVIEW•Ethnomusicology•1989

    Illustrations Preface An Introduction to Women, Music, and Culture by Ellen Koskoff From Singing to Lamenting: Women's Musical Role in a Greek Village by Susan Auerbach Balkan Women as Preservers of Traditional Music and Culture by Patricia K. Shehan Ya Salio de la Mar: Judeo-Spanish Wedding Songs among Moroccan Jews in Canada by Judith R. Cohne A Sociohistorical Perspective on Tunisian Women as Professional Musicians by L. JaFran Jones Hazara Wo…

  • Afro-American Music, South Africa, and Apartheid

    Jacqueline Cogdell Djedje, Charles Hamm et al.•ARTICLE•The Black Perspective in Music•1990

  • African Musicology: Current Trends, Volume I. A Festschrift Presented to J. H. Kwabena Nketia

    V Kofi Agawu, Jacqueline Cogdell Djedje•ARTICLE•Ethnomusicology•1990

  • Perspectives on African Music

    Eileen Southern, Wolfgang Bender et al.•ARTICLE•The Black Perspective in Music•1990•Cited by: 1

  • African Musicology: Current Trends

    Kay Kaufman Shelemay, Jacqueline Cogdell Djedje et al.•ARTICLE•The International Journal of…•1990•Cited by: 2

  • African Musicology: Current Trends. Volume I: A Festschrift Presented to J. H. Kwabena Nketia

    Open Access•Marie-Thérèse Lefebvre, Jacqueline Cogdell Djedje et al.•ARTICLE•Canadian Journal of African…•1991

  • African Musicology: Current Trends, Volume II. A Festschrift Presented to J. H. Kwabena Nketia

    Kofi Agawu, Jacqueline Cogdell Djedje•ARTICLE•Yearbook for Traditional Music•1993

  • Los Angeles Composers of African American Gospel Music: The First Generations

    Jacqueline Cogdell Djedje•ARTICLE•American Music•1993

  • African Musicology: Current Trends, Vol. II

    Veit Erlmann, Jacqueline Cogdell Djedje•ARTICLE•The International Journal of…•1995

  • Remembering Kojo: History, Music, and Gender in the January Sixth Celebration of the Jamaican Accompong Maroons

    Jacqueline Cogdell Djedje•ARTICLE•Black Music Research Journal•1998•Cited by: 3•References: 12

    January Sixth celebration of Maroons of Accompong, Jamaica, commemorates both birth of Maroon leader, Kojo (Cudjoe),(1) and his victory over British, which resulted in signing of peace treaty of 1739. Accompong Maroons(2) are descendants of Africans taken to Jamaica in seventeenth and eighteenth centuries who successfully resisted enslavement by British rulers of island and settled in remote, mountainous region called Cockpit Country. Accompong i…

  • California Soul: Music of African Americans in the West

    Waldo E Martin Jr, Jacqueline Cogdell Djedje et al.•ARTICLE•Journal of American History•1999

    California Soul: Music of African Americans in the West. Ed. by Jacqueline Cogdell DjeDje and Eddie S. Meadows. (Berkeley: University of California Press, 1998. x, 507 pp. Cloth, $60.00, ISBN 0-520-20627-4. Paper, $24.95, ISBN 0-520-20628-2.) Get access Waldo E. Martin, Jr. Waldo E. Martin, Jr. University of California, Berkeley, California Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volum…

  • Central Avenue Sounds: Jazz in Los Angeles

    A Scott Currie, Clora Bryant et al.•ARTICLE•Yearbook for Traditional Music•2000

Art (21 works) · Music History and Culture (15 works) · History (13 works) · Diverse Musicological Studies (12 works) · Visual arts (12 works) · Sociology (9 works) · Literature (7 works) · Philosophy (6 works) · Race, History, and American Society (6 works) · Anthropology (5 works)

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