Richard Leppert
Biographic Data
| ID | 1145666 |
|---|---|
| NAME | Richard Leppert |
| GIVEN NAMES | Richard |
| FAMILY NAME | Leppert |
| SIGNATURE | LEPPERT R |
| AFFILIATIONS | The Association of Comparative Study of World Literature |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 2 |
Beyond the Soundtrack: Representing Music in Cinema
Le concert et son public: Mutations de la vie musicale en Europe de 1780 à 1914 (France, Allemagne, Angleterre)
Depuis son émergence au xviiie siècle, le concert est devenu un lieu central de l'activité musicale, aussi bien pour les musiciens que pour le public. Les transformations profondes que cette forme d'exécution et d'appropriation de la musique a connues pendant les deux derniers siècles et qui déterminent nos propres rapports à la musique, sont susceptibles d'éclairer une histoire des pratiques liées à la musique entre 1780 et le début du xxe siècl…
Music and Image: Domesticity, Ideology and Socio-cultural Formation in Eighteenth-Century England
Image and Institution: Gender and Representation in the Sociology of Culture
Everybody's Lonesome for Somebody: Age, the body and experience in the music of Hank Williams
Houston Baker locates the blues at the crossroads of lack and desire, at the place where the hurts of history encounter determined resistance from people who know they are entitled to something better (Baker 1984, pp. 7, 150). Like the blues singers from whom he learned so much, Hank Williams (1923 to 1953) spent a lot of time at that particular intersection. There he met others whose own struggles informed and shaped his music. Williams's voice …
Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England
Music, Representation, and Social Order in Early-Modern Europe
he notated, hence surviving, music produced in Western Europe between the sixteenth and eighteenth centuries is predominantly music that responded to the needs of two groups: those in charge of organized and largely hegemonic religions (essentially, but not exclusively, the Roman Church and the several main Protestant sects) and the hegemonic social classes (initially the aristocracy and the bureaucratic, educated class that served the aristocrac…
Music and Society: The Politics of Composition, Performance and Reception
The blasphemy of talking politics Bach Year Susan McClary 2. Music, domestic life and cultural chauvinism: images of British subjects at home in India Richard Leppert 3. On grounding Chopin Rose Rosengard Subotnik 4. Towards an aesthetic of popular music Simon Frith 5. Music and male hegemony John Shepherd 6. The sound of music in the era of its electronic reproducibility John Mowitt Index
The Look of Music: Rare Musical Instruments, 1500-1900 . Phillip T. Young
Musikdarstellung und Psalterillustration im früheren Mittelalter. Studien ausgehend von einer Ikonologie der Handschrift Paris Bibliothèque Nationale fonds latin 1118 . Tilman Seebass
Le concert et son public: Mutations de la vie musicale en Europe de 1780 à 1914 (France, Allemagne, Angleterre)
Depuis son émergence au xviiie siècle, le concert est devenu un lieu central de l'activité musicale, aussi bien pour les musiciens que pour le public. Les transformations profondes que cette forme d'exécution et d'appropriation de la musique a connues pendant les deux derniers siècles et qui déterminent nos propres rapports à la musique, sont susceptibles d'éclairer une histoire des pratiques liées à la musique entre 1780 et le début du xxe siècl…
Everybody's Lonesome for Somebody: Age, the body and experience in the music of Hank Williams
Houston Baker locates the blues at the crossroads of lack and desire, at the place where the hurts of history encounter determined resistance from people who know they are entitled to something better (Baker 1984, pp. 7, 150). Like the blues singers from whom he learned so much, Hank Williams (1923 to 1953) spent a lot of time at that particular intersection. There he met others whose own struggles informed and shaped his music. Williams's voice …
Musikdarstellung und Psalterillustration im früheren Mittelalter. Studien ausgehend von einer Ikonologie der Handschrift Paris Bibliothèque Nationale fonds latin 1118 . Tilman Seebass
The Look of Music: Rare Musical Instruments, 1500-1900 . Phillip T. Young
Music and Society: The Politics of Composition, Performance and Reception
The blasphemy of talking politics Bach Year Susan McClary 2. Music, domestic life and cultural chauvinism: images of British subjects at home in India Richard Leppert 3. On grounding Chopin Rose Rosengard Subotnik 4. Towards an aesthetic of popular music Simon Frith 5. Music and male hegemony John Shepherd 6. The sound of music in the era of its electronic reproducibility John Mowitt Index
Music, Representation, and Social Order in Early-Modern Europe
he notated, hence surviving, music produced in Western Europe between the sixteenth and eighteenth centuries is predominantly music that responded to the needs of two groups: those in charge of organized and largely hegemonic religions (essentially, but not exclusively, the Roman Church and the several main Protestant sects) and the hegemonic social classes (initially the aristocracy and the bureaucratic, educated class that served the aristocrac…
Music and Image: Domesticity, Ideology and Socio-cultural Formation in Eighteenth-Century England
Image and Institution: Gender and Representation in the Sociology of Culture
Everybody's Lonesome for Somebody: Age, the body and experience in the music of Hank Williams
Houston Baker locates the blues at the crossroads of lack and desire, at the place where the hurts of history encounter determined resistance from people who know they are entitled to something better (Baker 1984, pp. 7, 150). Like the blues singers from whom he learned so much, Hank Williams (1923 to 1953) spent a lot of time at that particular intersection. There he met others whose own struggles informed and shaped his music. Williams's voice …
Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England
Le concert et son public: Mutations de la vie musicale en Europe de 1780 à 1914 (France, Allemagne, Angleterre)
Depuis son émergence au xviiie siècle, le concert est devenu un lieu central de l'activité musicale, aussi bien pour les musiciens que pour le public. Les transformations profondes que cette forme d'exécution et d'appropriation de la musique a connues pendant les deux derniers siècles et qui déterminent nos propres rapports à la musique, sont susceptibles d'éclairer une histoire des pratiques liées à la musique entre 1780 et le début du xxe siècl…
Beyond the Soundtrack: Representing Music in Cinema
Art (7 works) · Law (6 works) · Political science (6 works) · Sociology (6 works) · Law (4 works) · Politics (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Gender Studies (3 works) · History (3 works)