Anne Dhu Shapiro
Biographic Data
| ID | 114863 |
|---|---|
| NAME | Anne Dhu Shapiro |
| GIVEN NAMES | Anne Dhu |
| FAMILY NAME | Shapiro |
| SIGNATURE | SHAPIRO A D |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 1991 |
| H-INDEX | 1 |
The Music of the Indians of Northern California
Sounds of Scotland
In 1840 a well-known English tenor, making his first appearance in America, is booed until he sings a Scottish song; in the late 1840s the abolitionists sing two Scottish tunes with appropriate new words at nearly every meeting; a great European singer concludes her American tour in the 1850s with an old Scottish song sung a cappella; and virtually a whole multiethnic nation adopts a song in broad Scots dialect as one of its few commonly held mus…
Narrative Folksong, New Directions
Music and Context
On the Nature of Music
Music in Colonial Massachusetts, 1630-1820, Volume 2
The Mescalero Apache Girls' Puberty Ceremony
Le role de la musique dans le rite de passage des filles Apache Mescalero, rituel de 8 jours durant lequel la jeune fille est transformee en divinite feminine et litteralement chantee vers la feminite
Action Music in American Pantomime and Melodrama, 1730-1913
As Cynthia Hoover demonstrates in her article earlier in this issue, and as Julian Mates argues in his recent article in American Music,' American theater of the eighteenth and nineteenth centuries was predominantly musical. A good deal of their argument is based on the presence of songs and dances composed for or interpolated into everything from ballad opera to Shakespearian drama. Adding songs, even to nonmusical plays, was a well-known practi…
Action Music in American Pantomime and Melodrama, 1730-1913
As Cynthia Hoover demonstrates in her article earlier in this issue, and as Julian Mates argues in his recent article in American Music,' American theater of the eighteenth and nineteenth centuries was predominantly musical. A good deal of their argument is based on the presence of songs and dances composed for or interpolated into everything from ballad opera to Shakespearian drama. Adding songs, even to nonmusical plays, was a well-known practi…
Music in Colonial Massachusetts, 1630-1820, Volume 2
The Mescalero Apache Girls' Puberty Ceremony
Le role de la musique dans le rite de passage des filles Apache Mescalero, rituel de 8 jours durant lequel la jeune fille est transformee en divinite feminine et litteralement chantee vers la feminite
Music and Context
On the Nature of Music
Sounds of Scotland
In 1840 a well-known English tenor, making his first appearance in America, is booed until he sings a Scottish song; in the late 1840s the abolitionists sing two Scottish tunes with appropriate new words at nearly every meeting; a great European singer concludes her American tour in the 1850s with an old Scottish song sung a cappella; and virtually a whole multiethnic nation adopts a song in broad Scots dialect as one of its few commonly held mus…
Narrative Folksong, New Directions
The Music of the Indians of Northern California
Art (8 works) · History (5 works) · Archaeology (4 works) · Sociology (4 works) · Literature (3 works) · Aesthetics (2 works) · Diverse Musicological Studies (2 works) · Folklore, Mythology, and Literature Studies (2 works) · Genealogy (2 works) · History (2 works)