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Carol L Edwards

Biographic Data

ID114864
NAMECarol L Edwards
GIVEN NAMESCarol L
FAMILY NAMEEdwards
SIGNATUREEDWARDS C L
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS5
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR1990
H-INDEX1
  • Narrative Folksong, New Directions

    Anne Dhu Shapiro, Carol L Edwards et al.•ARTICLE•Ethnomusicology•1990

  • Narrative Folksong

    Polly Stewart, Carol L Edwards et al.•ARTICLE•Journal of American Folklore•1987

  • Women's Folklore, Women's Culture

    Carol L Edwards, Rosan A Jordan et al.•ARTICLE•Journal of American Folklore•1987

  • A Feast of Creatures

    Open Access•Carol L Edwards, Craig Williamson et al.•ARTICLE•Western Folklore•1984•Cited by: 1•References: 1

    Once a fateful weapon, I rode with the arms Of the bull, a bold-riding battle-crest.Now my carved belly holds a bitter drink Though my belch seems bright, sweet, clean.-Eusebius^« « «We stood, tall hard twins, my brother And I-pointed and perched on a homeland Higher and nobler for our fierce adorning

  • Spiders and Spinsters

    Open Access•Carol L Edwards, Marta Weigle•ARTICLE•Western Folklore•1984•Cited by: 4

  • The Folklore of Ghosts

    Carol L Edwards, Hilda R Ellis Davidson et al.•ARTICLE•Journal of American Folklore•1983

  • The Parry-Lord Theory Meets Operational Structuralism

    Carol L Edwards•ARTICLE•Journal of American Folklore•1983

    EVEN TODAY MANY FOLKLORISTS, classicists, and Anglo-Saxonists, unconvinced that the oral-formulaic theory is anything more than hypothesis, explain recurring units, whether Homeric epithets, Old English formulas, or ballad commonplaces, as the result of either or memorial transmission.1 In a profoundly different approach, the Parry-Lord theory focuses on the compositional process: the way in which the poet generates formulas from his internalized…

  • Spiders and Spinsters

    Open Access•Carol L Edwards, Marta Weigle•ARTICLE•Western Folklore•1984•Cited by: 4

  • A Feast of Creatures

    Open Access•Carol L Edwards, Craig Williamson et al.•ARTICLE•Western Folklore•1984•Cited by: 1•References: 1

    Once a fateful weapon, I rode with the arms Of the bull, a bold-riding battle-crest.Now my carved belly holds a bitter drink Though my belch seems bright, sweet, clean.-Eusebius^« « «We stood, tall hard twins, my brother And I-pointed and perched on a homeland Higher and nobler for our fierce adorning

  • The Folklore of Ghosts

    Carol L Edwards, Hilda R Ellis Davidson et al.•ARTICLE•Journal of American Folklore•1983

  • The Parry-Lord Theory Meets Operational Structuralism

    Carol L Edwards•ARTICLE•Journal of American Folklore•1983

    EVEN TODAY MANY FOLKLORISTS, classicists, and Anglo-Saxonists, unconvinced that the oral-formulaic theory is anything more than hypothesis, explain recurring units, whether Homeric epithets, Old English formulas, or ballad commonplaces, as the result of either or memorial transmission.1 In a profoundly different approach, the Parry-Lord theory focuses on the compositional process: the way in which the poet generates formulas from his internalized…

  • A Feast of Creatures

    Open Access•Carol L Edwards, Craig Williamson et al.•ARTICLE•Western Folklore•1984•Cited by: 1•References: 1

    Once a fateful weapon, I rode with the arms Of the bull, a bold-riding battle-crest.Now my carved belly holds a bitter drink Though my belch seems bright, sweet, clean.-Eusebius^« « «We stood, tall hard twins, my brother And I-pointed and perched on a homeland Higher and nobler for our fierce adorning

  • Spiders and Spinsters

    Open Access•Carol L Edwards, Marta Weigle•ARTICLE•Western Folklore•1984•Cited by: 4

  • Narrative Folksong

    Polly Stewart, Carol L Edwards et al.•ARTICLE•Journal of American Folklore•1987

  • Women's Folklore, Women's Culture

    Carol L Edwards, Rosan A Jordan et al.•ARTICLE•Journal of American Folklore•1987

  • Narrative Folksong, New Directions

    Anne Dhu Shapiro, Carol L Edwards et al.•ARTICLE•Ethnomusicology•1990

Art (7 works) · History (7 works) · Literature (7 works) · Folklore, Mythology, and Literature Studies (6 works) · Narrative (3 works) · Diverse Musicological Studies (2 works) · Folklore (2 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 work)

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