Igor Pilshchikov
Biographic Data
| ID | 1148968 |
|---|---|
| NAME | Igor Pilshchikov |
| GIVEN NAMES | Igor |
| FAMILY NAME | Pilshchikov |
| SIGNATURE | PILSHCHIKOV I |
| AFFILIATIONS | Tallinn University |
| ORCID | 0000-0003-0153-6598 |
| VERIFIED | Yes |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 22 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Juri Lotman as a scholar and mentor: Academic domesticity in action
This article examines Juri Lotman’s scholarly and pedagogical practice as an integrated system in which teaching, mentorship, research, and publishing strategies constituted a single cultural mechanism structured by what may be termed academic domesticity (an equivalent of Boris Eikhenbaum’s concept of “literary domesticity”): the deliberate relocation of scholarly production into semi-private—non-institutional or trans-institutional—spaces. Mobi…
Pour une histoire terminologique de la théorie formaliste du vers: Facteurs théoriques, esthétiques, politiques et traductologiques
Cet article examine plusieurs termes apparus au cours de la formation de la théorie du vers russe (années 1910 et 1920) : slovorazdel (la frontière entre les mots) et italiques rythmiques, indispensables à l’étude du rythme par rapport au mètre, ainsi que le terme même de théorie du vers — versologie (stixovedenie en russe). L’émergence d’un autre groupe de termes tient au fait que les formalistes russes ont emprunté un certain nombre de métaphor…
The Phoenix Half Reborn
Decentering Formalism: Social Lives of a Literary Theory
While the literary theory known as Russian Formalism has been around for more than a century, its intellectual advancement was neither straightforward nor quick.Formalist approaches and ideas were developed at the outset primarily by young intellectuals of the 1910s and 1920s who belonged to two scholarly institutions: the Society for the Study of Poetic Language (OPOYAZ), led by Viktor Shklovsky, and the Moscow Linguistic Circle (MLC), led by Ro…
Russian Quantitative Formalism and Modern-Day Digital Corpora
This essay approaches Russian Formalist theory from the perspective of Digital Humanities and corpus-based computational study of literature. In 2011, Franco Moretti and his coauthors from the Stanford Literary Lab labeled their research method quantitative formalism, positioning their methodology in deliberate opposition to Russian Formalism, which, in their accounting, was “qualitative.” In this essay, the author draws out a more extended genea…
A vida como texto: Lotman numa casca de noz
Este artigo fornece uma visão geral da biografia intelectual de Iúri Lotman. Ele aborda suas contribuições como historiador da literatura russa e teórico literário, fundador da Escola de Semiótica Tártu-Moscou, estudioso da vida e da obra de Púchkin, teórico da biografia literária, semiótico, teórico cultural e iluminista
“The Dolnik and Beyond”: Unstressed Ictuses and Extra-Schematic Stresses in Russian Accentual Verse
Many features usually ascribed to Russian accentual verse as opposed to dolnik are, in fact, equally typical of both meters. These features include but are not restricted to the factors of verse rhythm – skipping schematic stresses, adding extra-schematic stresses, and varying the syllabic length of inter-ictic intervals. Therefore, the widely accepted definition of Russian accentual verse as a pure tonic meter based exclusively on verbal rhythm …
“More than Just a Poet”: Konstantin Batiushkov as an Art Critic, Art Manager, and Art Brut Painter
This paper focuses on the Russian Golden Age author Konstantin Batiushkov’s involvement with fine arts. He is recognized as an exquisite elegist, an immediate predecessor of Alexander Pushkin in poetry, and “a pioneer of Russian Italomania.” Much less known is that Batiushkov was always deeply involved with painting, drawing, and sculpture—not only as a poet but as Russia’s first art critic, an ad-lib art manager, who worked on behalf of the Pres…
Vana ja uus kvantitatiivne formalism: Kõrvutused ja väljavaated (Moskva Lingvistiline Ring ning Stanfordi Kirjanduslabor) / “Old” and “New” Quantitative Formalism: Comparisons and Perspectives (The Mo…
Kümme aastat tagasi leidsid Franco Moretti ja tema kolleegid oma uurimismeetodile mahuka määratluse – kvantitatiivne formalism, vastandades seda vene formalismile, mis nende arvates oli kvalitatiivne. Formalistliku teadusprogrammi tuumaks on kunstilise teksti struktuurilis-funktsionaalne analüüs, mida formalistid ise nimetasid morfoloogiliseks, ja seda võib pidada kvalitatiivseks. Kuid väide kvantitatiivse formalismi uudsuse kohta vastab tõele va…
Pojęcia „wiersz”, „metrum” i „rytm” w rosyjskiej tradycji naukowej
Z punktu widzenia metodologii nauki wszystkie określenia mogą być podzielone na dwa typy: deskryptywnym (albo teoretycznym) określeniem nazywa się definicję wyznaczającą przedmiot poprzez wyliczenie wymaganych właściwości lub funkcji, zaś konstruktywnym (lub praktycznym) określeniem – eksplicytny opis budowy odpowiedniego przedmiotu. Rosyjscy wersolodzy sformułowali kilka teoretycznych określeń wiersza (w jego przeciwstawieniu do prozy), które je…
Sobre a preparação e a proibição da edição russa da obra de Jan Mukařovský, organizada por Iuri Lótman e Oliég Maliévitch
No final dos anos de 1960, Iuri Lótman, um dos fundadores da Escola de Semiótica Tártu-Moscou, preparou, em cooperação com seus colegas, uma edição em dois volumes de escritos de Jan Mukařovský, um dos fundadores do estruturalismo literário tcheco e da estética semiótica. Embora Mukařovský alegasse lealdade ao marxismo já no início dos anos de 1950 e fosse considerado politicamente aceitável na URSS, tanto seu passado estruturalista quanto a baga…
El esquema comunicativo de Roman Jakobson entre lenguas y continentes: Historia cruzada del modelo teórico
The article analyzes the evolution of Roman Jakobson’s definition of the poetic function and its place in the multifunctional schema of the act of communication that he developed from the 1920s to the 1950s. This evolution is an example of the productive reinterpretation of a concept in the process of multiple cross-cultural transfers, including translations from one language to another (Russian, Czech, French, English), the shift from one concep…
"Gogol's "The Nose: Between Linguistic Indecency and Religious Blasphemy
Focused on Nikolai Gogol's absurdist tale, "The Nose" (1835), this article is an investigation into the concealed representation of suppressed and marginalized libertine and anti-religious discourses in nineteenth-century Russian literature. The author identifies overlooked idiomatic phraseology, forgotten specificities of the Imperial hierarchy (the Table of Ranks), and allusions to religious customs and Christian rituals that would have been ap…
Surface tension: History of culture and Boris Eikhenbaum’s concept of “Literary environment”
This article serves as an introduction to the special issue of Rhema entitled “Literary Environment and Artistic Culture in the 20th century” and devoted to Russian and Ukrainian literary and artistic associations. The concept of “literary environment” developed by Boris Eikhenbaum is revived and expanded here: a follow-up concept of “literary and artistic environment” is introduced, describing the forms of selforganization of the community of “c…
A poética quantitativa do Formalismo Russo
Este ensaio aborda a teoria formalista russa de uma perspectiva quantitativa. Seu foco está nas teorias sobre a arte verbal conforme desenvolvidas por Boris Tomachévski, Boris Eikhenbaum, Roman Jakobson e especialmente por Boris Iarkhó. Aborda o pioneirismo de Iarkhó quanto ao estudo quantitativo de aspectos do texto artístico e dos usos da estatística para tal. Além disso, trata-se do primeiro estudo sobre as contribuições de Iarkhó no contexto …
Заседание московского лингвистического кружка 1 июня 1919 г. и зарождение стиховедческих концепций О. Брика, Б. Томашевского и Р. Якобсона
Les comptes rendus des séances du Cercle linguistique de Moscou (CLM) sont conservés à l’Institut Vinogradov de la Langue Russe (Moscou). Une discussion des plus fructueuses eut lieu le 1er juin 1919, autour de l’exposé d’Osip Brik « Sur le rythme poétique ». La réunion était présidée par Roman Jakobson, premier président du CLM, et a été consignée par le secrétaire du Cercle, Grigorij Vinokur. Y participaient Boris Tomaševskij, Mixail Peterson, …
Ühest Juri Lotmani retsensioonist ja nõukogude aja entsüklopeediatest / Some Notes on One Review by Juri Lotman and Encyclopedias of The Soviet Period
Juri Lotman, Retsensioon Vjatšeslav Ivanovi LKEsse esitatud artiklile "Poeetika
The Tartu-Moscow School of Semiotics: A transnational perspective
This paper seeks to situate the Tartu-Moscow School of Semiotics of the 1960– 1980s within the larger European intellectual-historical context from which it sprang, and in which it played a vital role. Analysing the school members’ engagement with their peers throughout Europe, we outline an “entangled history” (histoire croisée) of multi-directional scientific and philosophical influence. In this perspective, we discuss the most productive conce…
Reconnaissance automatique des mètres des vers russes: Une Approche Statistique Sur Corpus
Le but de cet article est de discuter les fondements théoriques de l'analyse rythmico-métrique et morphologico-accentuelle automatique de textes poétiques russes ainsi que les problèmes que pose ce type d'analyse et les solutions proposées. L'analyse métrique des textes poétiques écrits dans une langue à accent libre (comme le russe) devrait pouvoir s'appuyer sur l'analyse morphologique, à partir de laquelle on peut procéder soit à une désambiguï…
Notes on the metrical semantics of Russian, French and German imitations of Janus Secundus’s Basium II
This article links Konstantin Batiushkov's poem Elysium (1810) to the tradition of poetic imitations of Janus Secundus's Basium II. A French equivalent for this poem's pythiambic distichs was invented by Ronsard (Chanson, 1578), who used cross-rhymed quatrains with regular alternation of dodecasyllabic and hexasyllablic lines. However, the French translators of Basia of the eighteenth and early nineteenth centuries could not use this metre, becau…
Avant-Gardism of the Classics and Classicality of the Avant-Garde: Communication Strategies of Moscow Conceptualism in the Context of the Evolution of Styles in Russian Poetry from the Eighteenth to t…
Les plantes exotiques odorantes chez Batiouchkov et Pouchkine: La genèse et la fonction du motif
Le présent article suit le parcours de plusieurs noms de plantes qui fonctionnent comme autant d’indices de l’exotique – antique, biblique ou nordique – dans la poésie russe des premières décennies du XIXe siècle. Ainsi est observée la richesse combinatoire d’un motif qui peut donner lieu à un cliché stylistique autant qu’à un usage lyrique ou ironique et auto-réflexif
A poética quantitativa do Formalismo Russo
Este ensaio aborda a teoria formalista russa de uma perspectiva quantitativa. Seu foco está nas teorias sobre a arte verbal conforme desenvolvidas por Boris Tomachévski, Boris Eikhenbaum, Roman Jakobson e especialmente por Boris Iarkhó. Aborda o pioneirismo de Iarkhó quanto ao estudo quantitativo de aspectos do texto artístico e dos usos da estatística para tal. Além disso, trata-se do primeiro estudo sobre as contribuições de Iarkhó no contexto …
The Tartu-Moscow School of Semiotics: A transnational perspective
This paper seeks to situate the Tartu-Moscow School of Semiotics of the 1960– 1980s within the larger European intellectual-historical context from which it sprang, and in which it played a vital role. Analysing the school members’ engagement with their peers throughout Europe, we outline an “entangled history” (histoire croisée) of multi-directional scientific and philosophical influence. In this perspective, we discuss the most productive conce…
Vana ja uus kvantitatiivne formalism: Kõrvutused ja väljavaated (Moskva Lingvistiline Ring ning Stanfordi Kirjanduslabor) / “Old” and “New” Quantitative Formalism: Comparisons and Perspectives (The Mo…
Kümme aastat tagasi leidsid Franco Moretti ja tema kolleegid oma uurimismeetodile mahuka määratluse – kvantitatiivne formalism, vastandades seda vene formalismile, mis nende arvates oli kvalitatiivne. Formalistliku teadusprogrammi tuumaks on kunstilise teksti struktuurilis-funktsionaalne analüüs, mida formalistid ise nimetasid morfoloogiliseks, ja seda võib pidada kvalitatiivseks. Kuid väide kvantitatiivse formalismi uudsuse kohta vastab tõele va…
Les plantes exotiques odorantes chez Batiouchkov et Pouchkine: La genèse et la fonction du motif
Le présent article suit le parcours de plusieurs noms de plantes qui fonctionnent comme autant d’indices de l’exotique – antique, biblique ou nordique – dans la poésie russe des premières décennies du XIXe siècle. Ainsi est observée la richesse combinatoire d’un motif qui peut donner lieu à un cliché stylistique autant qu’à un usage lyrique ou ironique et auto-réflexif
Avant-Gardism of the Classics and Classicality of the Avant-Garde: Communication Strategies of Moscow Conceptualism in the Context of the Evolution of Styles in Russian Poetry from the Eighteenth to t…
Notes on the metrical semantics of Russian, French and German imitations of Janus Secundus’s Basium II
This article links Konstantin Batiushkov's poem Elysium (1810) to the tradition of poetic imitations of Janus Secundus's Basium II. A French equivalent for this poem's pythiambic distichs was invented by Ronsard (Chanson, 1578), who used cross-rhymed quatrains with regular alternation of dodecasyllabic and hexasyllablic lines. However, the French translators of Basia of the eighteenth and early nineteenth centuries could not use this metre, becau…
Reconnaissance automatique des mètres des vers russes: Une Approche Statistique Sur Corpus
Le but de cet article est de discuter les fondements théoriques de l'analyse rythmico-métrique et morphologico-accentuelle automatique de textes poétiques russes ainsi que les problèmes que pose ce type d'analyse et les solutions proposées. L'analyse métrique des textes poétiques écrits dans une langue à accent libre (comme le russe) devrait pouvoir s'appuyer sur l'analyse morphologique, à partir de laquelle on peut procéder soit à une désambiguï…
The Tartu-Moscow School of Semiotics: A transnational perspective
This paper seeks to situate the Tartu-Moscow School of Semiotics of the 1960– 1980s within the larger European intellectual-historical context from which it sprang, and in which it played a vital role. Analysing the school members’ engagement with their peers throughout Europe, we outline an “entangled history” (histoire croisée) of multi-directional scientific and philosophical influence. In this perspective, we discuss the most productive conce…
Заседание московского лингвистического кружка 1 июня 1919 г. и зарождение стиховедческих концепций О. Брика, Б. Томашевского и Р. Якобсона
Les comptes rendus des séances du Cercle linguistique de Moscou (CLM) sont conservés à l’Institut Vinogradov de la Langue Russe (Moscou). Une discussion des plus fructueuses eut lieu le 1er juin 1919, autour de l’exposé d’Osip Brik « Sur le rythme poétique ». La réunion était présidée par Roman Jakobson, premier président du CLM, et a été consignée par le secrétaire du Cercle, Grigorij Vinokur. Y participaient Boris Tomaševskij, Mixail Peterson, …
Ühest Juri Lotmani retsensioonist ja nõukogude aja entsüklopeediatest / Some Notes on One Review by Juri Lotman and Encyclopedias of The Soviet Period
Juri Lotman, Retsensioon Vjatšeslav Ivanovi LKEsse esitatud artiklile "Poeetika
Surface tension: History of culture and Boris Eikhenbaum’s concept of “Literary environment”
This article serves as an introduction to the special issue of Rhema entitled “Literary Environment and Artistic Culture in the 20th century” and devoted to Russian and Ukrainian literary and artistic associations. The concept of “literary environment” developed by Boris Eikhenbaum is revived and expanded here: a follow-up concept of “literary and artistic environment” is introduced, describing the forms of selforganization of the community of “c…
A poética quantitativa do Formalismo Russo
Este ensaio aborda a teoria formalista russa de uma perspectiva quantitativa. Seu foco está nas teorias sobre a arte verbal conforme desenvolvidas por Boris Tomachévski, Boris Eikhenbaum, Roman Jakobson e especialmente por Boris Iarkhó. Aborda o pioneirismo de Iarkhó quanto ao estudo quantitativo de aspectos do texto artístico e dos usos da estatística para tal. Além disso, trata-se do primeiro estudo sobre as contribuições de Iarkhó no contexto …
Pojęcia „wiersz”, „metrum” i „rytm” w rosyjskiej tradycji naukowej
Z punktu widzenia metodologii nauki wszystkie określenia mogą być podzielone na dwa typy: deskryptywnym (albo teoretycznym) określeniem nazywa się definicję wyznaczającą przedmiot poprzez wyliczenie wymaganych właściwości lub funkcji, zaś konstruktywnym (lub praktycznym) określeniem – eksplicytny opis budowy odpowiedniego przedmiotu. Rosyjscy wersolodzy sformułowali kilka teoretycznych określeń wiersza (w jego przeciwstawieniu do prozy), które je…
Sobre a preparação e a proibição da edição russa da obra de Jan Mukařovský, organizada por Iuri Lótman e Oliég Maliévitch
No final dos anos de 1960, Iuri Lótman, um dos fundadores da Escola de Semiótica Tártu-Moscou, preparou, em cooperação com seus colegas, uma edição em dois volumes de escritos de Jan Mukařovský, um dos fundadores do estruturalismo literário tcheco e da estética semiótica. Embora Mukařovský alegasse lealdade ao marxismo já no início dos anos de 1950 e fosse considerado politicamente aceitável na URSS, tanto seu passado estruturalista quanto a baga…
El esquema comunicativo de Roman Jakobson entre lenguas y continentes: Historia cruzada del modelo teórico
The article analyzes the evolution of Roman Jakobson’s definition of the poetic function and its place in the multifunctional schema of the act of communication that he developed from the 1920s to the 1950s. This evolution is an example of the productive reinterpretation of a concept in the process of multiple cross-cultural transfers, including translations from one language to another (Russian, Czech, French, English), the shift from one concep…
"Gogol's "The Nose: Between Linguistic Indecency and Religious Blasphemy
Focused on Nikolai Gogol's absurdist tale, "The Nose" (1835), this article is an investigation into the concealed representation of suppressed and marginalized libertine and anti-religious discourses in nineteenth-century Russian literature. The author identifies overlooked idiomatic phraseology, forgotten specificities of the Imperial hierarchy (the Table of Ranks), and allusions to religious customs and Christian rituals that would have been ap…
“The Dolnik and Beyond”: Unstressed Ictuses and Extra-Schematic Stresses in Russian Accentual Verse
Many features usually ascribed to Russian accentual verse as opposed to dolnik are, in fact, equally typical of both meters. These features include but are not restricted to the factors of verse rhythm – skipping schematic stresses, adding extra-schematic stresses, and varying the syllabic length of inter-ictic intervals. Therefore, the widely accepted definition of Russian accentual verse as a pure tonic meter based exclusively on verbal rhythm …
“More than Just a Poet”: Konstantin Batiushkov as an Art Critic, Art Manager, and Art Brut Painter
This paper focuses on the Russian Golden Age author Konstantin Batiushkov’s involvement with fine arts. He is recognized as an exquisite elegist, an immediate predecessor of Alexander Pushkin in poetry, and “a pioneer of Russian Italomania.” Much less known is that Batiushkov was always deeply involved with painting, drawing, and sculpture—not only as a poet but as Russia’s first art critic, an ad-lib art manager, who worked on behalf of the Pres…
Vana ja uus kvantitatiivne formalism: Kõrvutused ja väljavaated (Moskva Lingvistiline Ring ning Stanfordi Kirjanduslabor) / “Old” and “New” Quantitative Formalism: Comparisons and Perspectives (The Mo…
Kümme aastat tagasi leidsid Franco Moretti ja tema kolleegid oma uurimismeetodile mahuka määratluse – kvantitatiivne formalism, vastandades seda vene formalismile, mis nende arvates oli kvalitatiivne. Formalistliku teadusprogrammi tuumaks on kunstilise teksti struktuurilis-funktsionaalne analüüs, mida formalistid ise nimetasid morfoloogiliseks, ja seda võib pidada kvalitatiivseks. Kuid väide kvantitatiivse formalismi uudsuse kohta vastab tõele va…
A vida como texto: Lotman numa casca de noz
Este artigo fornece uma visão geral da biografia intelectual de Iúri Lotman. Ele aborda suas contribuições como historiador da literatura russa e teórico literário, fundador da Escola de Semiótica Tártu-Moscou, estudioso da vida e da obra de Púchkin, teórico da biografia literária, semiótico, teórico cultural e iluminista
The Phoenix Half Reborn
Decentering Formalism: Social Lives of a Literary Theory
While the literary theory known as Russian Formalism has been around for more than a century, its intellectual advancement was neither straightforward nor quick.Formalist approaches and ideas were developed at the outset primarily by young intellectuals of the 1910s and 1920s who belonged to two scholarly institutions: the Society for the Study of Poetic Language (OPOYAZ), led by Viktor Shklovsky, and the Moscow Linguistic Circle (MLC), led by Ro…
Russian Quantitative Formalism and Modern-Day Digital Corpora
This essay approaches Russian Formalist theory from the perspective of Digital Humanities and corpus-based computational study of literature. In 2011, Franco Moretti and his coauthors from the Stanford Literary Lab labeled their research method quantitative formalism, positioning their methodology in deliberate opposition to Russian Formalism, which, in their accounting, was “qualitative.” In this essay, the author draws out a more extended genea…
Juri Lotman as a scholar and mentor: Academic domesticity in action
This article examines Juri Lotman’s scholarly and pedagogical practice as an integrated system in which teaching, mentorship, research, and publishing strategies constituted a single cultural mechanism structured by what may be termed academic domesticity (an equivalent of Boris Eikhenbaum’s concept of “literary domesticity”): the deliberate relocation of scholarly production into semi-private—non-institutional or trans-institutional—spaces. Mobi…
Pour une histoire terminologique de la théorie formaliste du vers: Facteurs théoriques, esthétiques, politiques et traductologiques
Cet article examine plusieurs termes apparus au cours de la formation de la théorie du vers russe (années 1910 et 1920) : slovorazdel (la frontière entre les mots) et italiques rythmiques, indispensables à l’étude du rythme par rapport au mètre, ainsi que le terme même de théorie du vers — versologie (stixovedenie en russe). L’émergence d’un autre groupe de termes tient au fait que les formalistes russes ont emprunté un certain nombre de métaphor…
Art (11 works) · Philosophy (9 works) · Philosophy (8 works) · Literature (7 works) · Humanities (6 works) · History (5 works) · Poetry (5 works) · Russian Literature and Bakhtin Studies (5 works) · Aesthetics (4 works) · European Linguistics and Anthropology (4 works)