Matthew Rebhorn
Biographic Data
| ID | 1150059 |
|---|---|
| NAME | Matthew Rebhorn |
| GIVEN NAMES | Matthew |
| FAMILY NAME | Rebhorn |
| SIGNATURE | REBHORN M |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Irish on the Move
Reviewed by: Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw Matthew Rebhorn IRISH ON THE MOVE: PERFORMING MOBILITY IN AMERICAN VARIETY THEATRE. By Michelle Granshaw. Studies in Theatre History and Culture series. Iowa City: University of Iowa Press, 2019; pp. 288. It is perhaps unsurprising to realize that the famously xenophobic phrase “No Irish Need Apply” was in response to the perceived threat of Irish…
Pioneer PerformancesStaging the Frontier
Pioneer Performances: Staging the Frontier, 1829–1893, offers the first synoptic treatment of the history of American frontier performance ranging from Jacksonian America to Buffalo Bill's Wild West show at the Columbian Exposition of 1893. This project is not simply an addition to the history of the American theater. It reconceives how the frontier was—and still is—defined in performance and what it means for that frontier to be called “American…
The Blackface PioneerThomas Dartmouth Rice and Minstrelsy's Frontier History
Pioneer performances
This volume offers a synoptic treatment of the history of American frontier performance ranging from Jacksonian America to Buffalo Bill's Wild West show at the Columbian Exposition of 1893. It reconceives how the frontier was, and still is, defined in performance, and what it means for that frontier to be called 'American'.
Flaying Dutchman
This article explores how the notion of black masculinity embodied by Clay in Amiri Baraka's important play, Dutchman, only surfaces in relation to the complicated picture of femininity Baraka stages in the figure of Lula. Lula's characterization allows her to embody white femininity, and through a form of "blackface" minstrelsy, to mimic the same black masculinity Baraka was after in Clay's final, angry monologue. By tracing how race and gender …
No prominent works on this page.
Flaying Dutchman
This article explores how the notion of black masculinity embodied by Clay in Amiri Baraka's important play, Dutchman, only surfaces in relation to the complicated picture of femininity Baraka stages in the figure of Lula. Lula's characterization allows her to embody white femininity, and through a form of "blackface" minstrelsy, to mimic the same black masculinity Baraka was after in Clay's final, angry monologue. By tracing how race and gender …
Pioneer performances
This volume offers a synoptic treatment of the history of American frontier performance ranging from Jacksonian America to Buffalo Bill's Wild West show at the Columbian Exposition of 1893. It reconceives how the frontier was, and still is, defined in performance, and what it means for that frontier to be called 'American'.
Pioneer PerformancesStaging the Frontier
Pioneer Performances: Staging the Frontier, 1829–1893, offers the first synoptic treatment of the history of American frontier performance ranging from Jacksonian America to Buffalo Bill's Wild West show at the Columbian Exposition of 1893. This project is not simply an addition to the history of the American theater. It reconceives how the frontier was—and still is—defined in performance and what it means for that frontier to be called “American…
The Blackface PioneerThomas Dartmouth Rice and Minstrelsy's Frontier History
Irish on the Move
Reviewed by: Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw Matthew Rebhorn IRISH ON THE MOVE: PERFORMING MOBILITY IN AMERICAN VARIETY THEATRE. By Michelle Granshaw. Studies in Theatre History and Culture series. Iowa City: University of Iowa Press, 2019; pp. 288. It is perhaps unsurprising to realize that the famously xenophobic phrase “No Irish Need Apply” was in response to the perceived threat of Irish…
Art (3 works) · Art history (3 works) · History (3 works) · Archaeology (2 works) · Blackface (2 works) · Frontier (2 works) · Gender Studies (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works)