Boukje Cnossen
Biographic Data
| ID | 115095 |
|---|---|
| NAME | Boukje Cnossen |
| GIVEN NAMES | Boukje |
| FAMILY NAME | Cnossen |
| SIGNATURE | CNOSSEN B |
| AFFILIATIONS | Leuphana University of Lüneburg |
| ORCID | 0000-0003-3739-0308 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 31 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
Composing with the terra fluida of interaction: New paths for CCO research as relational practice
Purpose For more than 20 years, research on the communicative constitution of organizations (CCO) has drawn on interactional data to offer novel explanations of how organizational phenomena emerge, change, and stabilize in and through communication. Accordingly, the idea of “never leaving the terra firma of interaction” has become a tenet of CCO research, guiding scholars’ theorizing, data collection, and analysis. The aim of this paper is to ref…
Inequality Regimes in Coworking Spaces: How New Forms of Organising (Re)produce Inequalities
Coworking is a rapidly growing worldwide phenomenon. While the coworking movement emphasises equality and emancipation, there is little known about the extent to which coworking spaces as new forms of organising live up to this ideal. This study examines inequality in coworking spaces in the Netherlands, employing Acker's framework of inequality regimes. The findings highlight coworking-specific components of inequality regimes, in particular ste…
Artful Legitimacy: The Role of Materiality in Practices of Legitimation
This paper highlights the role of materiality in legitimising art organising as occurs at festivals and performances. Through ethnographic fieldwork pertaining to art events and projects, we documented how legitimacy is accomplished through the very performance of art. We observed that artistic practices materialise the very norms by which they are assessed and demarcate a normative space of their own. Our paper contributes to the research on leg…
Towards a spatial understanding of identity play: Coworking spaces as playgrounds for identity
Based on thirty interviews conducted in ten coworking spaces in Amsterdam and Paris, we ask whether and how members of coworking spaces engage in identity play, and what mechanisms related to space seem to enable such identity play. We identify four types of spatial mechanisms members and hosts of coworking spaces claim to create or engage in, and show how these relate to experimentation with professional identity. In so doing, we highlight possi…
Individual motivation among entrepreneurs in the creative and cultural industries: A self‐determination perspective
We aim to shed light on the deep mechanisms that keep individual entrepreneurs in the creative and cultural industries motivated in this insecure and fast‐paced environment. We collect data through a survey of entrepreneurs working in the Dutch creative and cultural industries (CCI) and examine what motivates these professionals to work in an environment characterized by tough competition. Specifically, we analyse our respondents' self‐perceived …
The role of space in the emergence and endurance of organizing: How independent workers and material assemblages constitute organizations
Where do new organizations come from, and how do they persist? Based on an ethnographic study of two creative hubs in Amsterdam, in which creative independent workers rented studio space, we show how space plays a role in constituting new organizations and making them last. Focusing on challenging moments in the development of these two creative hubs, we propose that space, understood as a material assemblage, participates in providing endurance …
Creative work, self-organizing and autonomist potentiality: Snapshots taken from Amsterdam’s art factories
This article argues that while creative spaces are believed to instigate creative production, their strongest value is in producing new possibilities for self-organizing. By zooming in on short snapshots of resistance against gentrification in creative spaces in Amsterdam, I investigate whether small-scale and grass-roots forms of resistance and self-organizing between independent workers in the creative industries can be understood as examples o…
Whose home is it anyway? Performing multiple selves while doing organizational ethnography
Purpose The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson's suggestion that, in at-home ethnography, the ethnographer must work with "the processual nature of the researcher's self." Design/methodology/approach The author offers a reflection on the several years of ethnographic research the author conducted, of which s…
The role of space in the emergence and endurance of organizing: How independent workers and material assemblages constitute organizations
Where do new organizations come from, and how do they persist? Based on an ethnographic study of two creative hubs in Amsterdam, in which creative independent workers rented studio space, we show how space plays a role in constituting new organizations and making them last. Focusing on challenging moments in the development of these two creative hubs, we propose that space, understood as a material assemblage, participates in providing endurance …
Towards a spatial understanding of identity play: Coworking spaces as playgrounds for identity
Based on thirty interviews conducted in ten coworking spaces in Amsterdam and Paris, we ask whether and how members of coworking spaces engage in identity play, and what mechanisms related to space seem to enable such identity play. We identify four types of spatial mechanisms members and hosts of coworking spaces claim to create or engage in, and show how these relate to experimentation with professional identity. In so doing, we highlight possi…
Inequality Regimes in Coworking Spaces: How New Forms of Organising (Re)produce Inequalities
Coworking is a rapidly growing worldwide phenomenon. While the coworking movement emphasises equality and emancipation, there is little known about the extent to which coworking spaces as new forms of organising live up to this ideal. This study examines inequality in coworking spaces in the Netherlands, employing Acker's framework of inequality regimes. The findings highlight coworking-specific components of inequality regimes, in particular ste…
Whose home is it anyway? Performing multiple selves while doing organizational ethnography
Purpose The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson's suggestion that, in at-home ethnography, the ethnographer must work with "the processual nature of the researcher's self." Design/methodology/approach The author offers a reflection on the several years of ethnographic research the author conducted, of which s…
Creative work, self-organizing and autonomist potentiality: Snapshots taken from Amsterdam’s art factories
This article argues that while creative spaces are believed to instigate creative production, their strongest value is in producing new possibilities for self-organizing. By zooming in on short snapshots of resistance against gentrification in creative spaces in Amsterdam, I investigate whether small-scale and grass-roots forms of resistance and self-organizing between independent workers in the creative industries can be understood as examples o…
Creative work, self-organizing and autonomist potentiality: Snapshots taken from Amsterdam’s art factories
This article argues that while creative spaces are believed to instigate creative production, their strongest value is in producing new possibilities for self-organizing. By zooming in on short snapshots of resistance against gentrification in creative spaces in Amsterdam, I investigate whether small-scale and grass-roots forms of resistance and self-organizing between independent workers in the creative industries can be understood as examples o…
Whose home is it anyway? Performing multiple selves while doing organizational ethnography
Purpose The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson's suggestion that, in at-home ethnography, the ethnographer must work with "the processual nature of the researcher's self." Design/methodology/approach The author offers a reflection on the several years of ethnographic research the author conducted, of which s…
Individual motivation among entrepreneurs in the creative and cultural industries: A self‐determination perspective
We aim to shed light on the deep mechanisms that keep individual entrepreneurs in the creative and cultural industries motivated in this insecure and fast‐paced environment. We collect data through a survey of entrepreneurs working in the Dutch creative and cultural industries (CCI) and examine what motivates these professionals to work in an environment characterized by tough competition. Specifically, we analyse our respondents' self‐perceived …
The role of space in the emergence and endurance of organizing: How independent workers and material assemblages constitute organizations
Where do new organizations come from, and how do they persist? Based on an ethnographic study of two creative hubs in Amsterdam, in which creative independent workers rented studio space, we show how space plays a role in constituting new organizations and making them last. Focusing on challenging moments in the development of these two creative hubs, we propose that space, understood as a material assemblage, participates in providing endurance …
Towards a spatial understanding of identity play: Coworking spaces as playgrounds for identity
Based on thirty interviews conducted in ten coworking spaces in Amsterdam and Paris, we ask whether and how members of coworking spaces engage in identity play, and what mechanisms related to space seem to enable such identity play. We identify four types of spatial mechanisms members and hosts of coworking spaces claim to create or engage in, and show how these relate to experimentation with professional identity. In so doing, we highlight possi…
Artful Legitimacy: The Role of Materiality in Practices of Legitimation
This paper highlights the role of materiality in legitimising art organising as occurs at festivals and performances. Through ethnographic fieldwork pertaining to art events and projects, we documented how legitimacy is accomplished through the very performance of art. We observed that artistic practices materialise the very norms by which they are assessed and demarcate a normative space of their own. Our paper contributes to the research on leg…
Composing with the terra fluida of interaction: New paths for CCO research as relational practice
Purpose For more than 20 years, research on the communicative constitution of organizations (CCO) has drawn on interactional data to offer novel explanations of how organizational phenomena emerge, change, and stabilize in and through communication. Accordingly, the idea of “never leaving the terra firma of interaction” has become a tenet of CCO research, guiding scholars’ theorizing, data collection, and analysis. The aim of this paper is to ref…
Inequality Regimes in Coworking Spaces: How New Forms of Organising (Re)produce Inequalities
Coworking is a rapidly growing worldwide phenomenon. While the coworking movement emphasises equality and emancipation, there is little known about the extent to which coworking spaces as new forms of organising live up to this ideal. This study examines inequality in coworking spaces in the Netherlands, employing Acker's framework of inequality regimes. The findings highlight coworking-specific components of inequality regimes, in particular ste…
Sociology (7 works) · Cultural Industries and Urban Development (6 works) · Epistemology (5 works) · Management and Organizational Studies (5 works) · Aesthetics (4 works) · Philosophy (4 works) · Political science (4 works) · Social science (4 works) · Computer Science (3 works) · Ethnography (3 works)