Cornelia Isler-Kerényi
Biographic Data
| ID | 1151243 |
|---|---|
| NAME | Cornelia Isler-Kerényi |
| GIVEN NAMES | Cornelia |
| FAMILY NAME | Isler-Kerényi |
| SIGNATURE | ISLER-KERÉNYI C |
| AFFILIATIONS | Rankstr. 31 CH-8703 Erlenbach Schweiz |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 30 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
Dionysos in Classical Athens: An Understanding through Images
Ic pl. 80.3) 119 Calyx krater, Kadmos Painter, Siracusa, Museo Archeologico Nazionale 17427, scroll showing both sides (mal 14, 1904, pl. I) 120 Cup, Triptolemos Painter, Paris, Louvre G
Iconographical and Iconological Approaches
Dionysos in Pergamon. Ein polytheistisches Phänomen
Dionysos im klassischen Athen: Auf der Bühne und in der Kunst
On the East Pediment of the Parthenon on the Acropolis of Athens, completed in 432 BC, the Athenians saw a new image of Dionysos as a young man in relaxed attitude. In the following centuries, this new image was the main manifestation of this god in Greek art. Our hypothesis is that in Kratinos’ comedy Dionysalexandros, in Aristophanes’ Frogs, as well as in Euripides’ tragedy Bacchae the Dionysos on stage had to fit to his iconography. This paper…
Mystic Cults in Magna Graecia
Talleux Dominique, Corpus Vasorum Antiquorum: France, 40, Lille, Palais des Beaux-Arts, Université Charles-de-Gaulle , Paris, Académie des Inscriptions et Belles-Lettres, Diffusion De Boccard, 2005, 1…
L’étude récente des collections lapidaires d’Autun, en Saône-et-Loire, a permis de mettre en évidence un ensemble de fragments de vasques à deux pieds en dalle rectangulaire. Ces vasques correspondent à un modèle qui reste jusqu’à présent méconnu en Gaule, alors qu’il est connu en Grèce et dans le monde romain, mais sans avoir encore bénéficié d’une étude exhaustive. Retrouvé en contexte public (thermes) ou privé ( domus, villa), ce type de mobil…
Dionysos in Archaic Greece: An Understanding through Images
For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later…
Padgett J. Michael, Childs William A. P., Tsiafakis Despoina et al., The Centaur’s Smile, The Human Animal in Early Greek Art, Princeton, Princeton Univ. Art Museum, 2003, 1 vol. 24,5 × 29,5, XX + 406…
Are collectors the real looters
More on the vexed question of collectors, looting, and on the right relationship between museums, researchers and the antiquities market
Dionysos con una sposa (Iconografia dionisiaca IV): (Iconografia dionisiaca IV)
Dionysos con una sposa (pp. 31-52) La plus ancienne représentation connue de Dionysos se trouve sur l'une des quelques amphores méliennes monumentales qui nous sont parvenues. On propose ici une interprétation de cette image. En l'absence de parallèles contemporains directs, on cherche à dégager les caractéristiques et les significations de base du système figuratif auquel cette image appartient. En plus du message de chacun des motifs présents s…
Dionysos in Archaic Greece: An Understanding through Images
For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later…
Dionysos in Classical Athens: An Understanding through Images
Ic pl. 80.3) 119 Calyx krater, Kadmos Painter, Siracusa, Museo Archeologico Nazionale 17427, scroll showing both sides (mal 14, 1904, pl. I) 120 Cup, Triptolemos Painter, Paris, Louvre G
Dionysos con una sposa (Iconografia dionisiaca IV): (Iconografia dionisiaca IV)
Dionysos con una sposa (pp. 31-52) La plus ancienne représentation connue de Dionysos se trouve sur l'une des quelques amphores méliennes monumentales qui nous sont parvenues. On propose ici une interprétation de cette image. En l'absence de parallèles contemporains directs, on cherche à dégager les caractéristiques et les significations de base du système figuratif auquel cette image appartient. En plus du message de chacun des motifs présents s…
Are collectors the real looters
More on the vexed question of collectors, looting, and on the right relationship between museums, researchers and the antiquities market
Padgett J. Michael, Childs William A. P., Tsiafakis Despoina et al., The Centaur’s Smile, The Human Animal in Early Greek Art, Princeton, Princeton Univ. Art Museum, 2003, 1 vol. 24,5 × 29,5, XX + 406…
Dionysos in Archaic Greece: An Understanding through Images
For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later…
Talleux Dominique, Corpus Vasorum Antiquorum: France, 40, Lille, Palais des Beaux-Arts, Université Charles-de-Gaulle , Paris, Académie des Inscriptions et Belles-Lettres, Diffusion De Boccard, 2005, 1…
L’étude récente des collections lapidaires d’Autun, en Saône-et-Loire, a permis de mettre en évidence un ensemble de fragments de vasques à deux pieds en dalle rectangulaire. Ces vasques correspondent à un modèle qui reste jusqu’à présent méconnu en Gaule, alors qu’il est connu en Grèce et dans le monde romain, mais sans avoir encore bénéficié d’une étude exhaustive. Retrouvé en contexte public (thermes) ou privé ( domus, villa), ce type de mobil…
Mystic Cults in Magna Graecia
Dionysos in Pergamon. Ein polytheistisches Phänomen
Dionysos im klassischen Athen: Auf der Bühne und in der Kunst
On the East Pediment of the Parthenon on the Acropolis of Athens, completed in 432 BC, the Athenians saw a new image of Dionysos as a young man in relaxed attitude. In the following centuries, this new image was the main manifestation of this god in Greek art. Our hypothesis is that in Kratinos’ comedy Dionysalexandros, in Aristophanes’ Frogs, as well as in Euripides’ tragedy Bacchae the Dionysos on stage had to fit to his iconography. This paper…
Iconographical and Iconological Approaches
Dionysos in Classical Athens: An Understanding through Images
Ic pl. 80.3) 119 Calyx krater, Kadmos Painter, Siracusa, Museo Archeologico Nazionale 17427, scroll showing both sides (mal 14, 1904, pl. I) 120 Cup, Triptolemos Painter, Paris, Louvre G
Classical Antiquity Studies (8 works) · Ancient Mediterranean Archaeology and History (6 works) · Art (6 works) · History (4 works) · Philosophy (4 works) · Art history (3 works) · Literature (3 works) · Philosophy (3 works) · Ancient history (2 works) · Art History and Market Analysis (2 works)