Stephanie Youngblood
Biographic Data
| ID | 1152998 |
|---|---|
| NAME | Stephanie Youngblood |
| GIVEN NAMES | Stephanie |
| FAMILY NAME | Youngblood |
| SIGNATURE | YOUNGBLOOD S |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Material Voices
This article takes up the intersection of AIDS testimony, lyric poetry, and gay male sexuality in Frank Bidart's poetry. Using Douglas Crimp's discussion of the politics of AIDS aesthetics as a starting point, I focus on Bidart's 1997 collection of poems, Desire, to consider how lyric voice engages the complexities of queer sexuality in the context of AIDS. I argue that Bidart's lyric dramatizes the relationship between apostrophe and the queer b…
A Writing of Nothing: Intercession and the Autobiographical Subject in Olaudah Equiano's Interesting Narrative
A Writing of NothingIntercession and the Autobiographical Subject in Olaudah Equiano’s Interesting Narrative Stephanie Youngblood (bio) How can one write nothing? —Jacques Derrida, “Shibboleth” The figure of intercession functions throughout The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself, both as a means through which the text by Equiano is made legible to the white British reading pub…
No prominent works on this page.
A Writing of Nothing: Intercession and the Autobiographical Subject in Olaudah Equiano's Interesting Narrative
A Writing of NothingIntercession and the Autobiographical Subject in Olaudah Equiano’s Interesting Narrative Stephanie Youngblood (bio) How can one write nothing? —Jacques Derrida, “Shibboleth” The figure of intercession functions throughout The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself, both as a means through which the text by Equiano is made legible to the white British reading pub…
Material Voices
This article takes up the intersection of AIDS testimony, lyric poetry, and gay male sexuality in Frank Bidart's poetry. Using Douglas Crimp's discussion of the politics of AIDS aesthetics as a starting point, I focus on Bidart's 1997 collection of poems, Desire, to consider how lyric voice engages the complexities of queer sexuality in the context of AIDS. I argue that Bidart's lyric dramatizes the relationship between apostrophe and the queer b…
Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Rhetorical question (2 works) · Autobiographical and Biographical Writing (1 works) · Computer Science (1 works)