Kaushik Bhaumik
Biographic Data
| ID | 1158600 |
|---|---|
| NAME | Kaushik Bhaumik |
| GIVEN NAMES | Kaushik |
| FAMILY NAME | Bhaumik |
| SIGNATURE | BHAUMIK K |
| AFFILIATIONS | Jawaharlal Nehru University |
| ORCID | 0009-0002-2044-9369 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Watching films in Kashmir Valley, 1960–1990
The political economy of the single-screen cinema with respect to Bombay cinema
Wondrous screens in India
Visual Sense
Visual Sense and Cultures of Sight An Introduction
The enormous expansion of visual studies and visual culture in recent decades has made itself felt in almost every field of academic enquiry. It has spawned a mass of literature, conferences, student courses and specialist journals such as The Journal of Visual Culture and Visual Studies and all the while infiltrating others. In order to digest this amorphous and sprawling field for the student, a number of Readers have emerged. Some are general …
Science, Sight and the Ordering of Colonial Societies Fernando Feliú
At the beginning of the twentieth century, yellow fever, malaria, and cholera manifested themselves through devastating epidemics; however, other diseases, such as uncinariasis, or “hookworm disease,” popularly known as anemia, also wreaked havoc, particularly among the Puerto Rican population. According to Blanca Silvestrini, at the close of the nineteenth century the mortality rate for anemia reached nearly 90 percent, a figure higher than that…
Cinema and History
Only cinema can narrate History with a capital H simply by telling its own history, the other arts can&s;t.
Bloody hell!’ and all that- David Anthony Washbrook (1948–2021), in memoriam
The news of David’s passing away came as a bolt from the blue. Although I had for some years lost touch with him, having peregrinated away from the discipline of history into the world of cinema. M
Emergence lab/history as cinema-in-the-museum
The making of an Indian metropolis
A Brief History of Cinema from Bombay to ‘Bollywood’
The Bombay film industry began in 1896 with the exhibition of imported films and soon diversified into production of feature‐length films. Adventure romance films dominated the silent period. With the onset of the talkies, romantic melodrama mixed with social realism dominated by music became the principal film genre of Bombay cinema. This cinema is thought to have reflected the social reformist agenda of the Nehruvian state. The 1970s saw the ad…
Bhaumik on Chowdhry
Journal of Colonialism and Colonial History - Volume 2, Number 2, Fall 2001
A Brief History of Cinema from Bombay to ‘Bollywood’
The Bombay film industry began in 1896 with the exhibition of imported films and soon diversified into production of feature‐length films. Adventure romance films dominated the silent period. With the onset of the talkies, romantic melodrama mixed with social realism dominated by music became the principal film genre of Bombay cinema. This cinema is thought to have reflected the social reformist agenda of the Nehruvian state. The 1970s saw the ad…
Bhaumik on Chowdhry
Journal of Colonialism and Colonial History - Volume 2, Number 2, Fall 2001
A Brief History of Cinema from Bombay to ‘Bollywood’
The Bombay film industry began in 1896 with the exhibition of imported films and soon diversified into production of feature‐length films. Adventure romance films dominated the silent period. With the onset of the talkies, romantic melodrama mixed with social realism dominated by music became the principal film genre of Bombay cinema. This cinema is thought to have reflected the social reformist agenda of the Nehruvian state. The 1970s saw the ad…
The making of an Indian metropolis
Emergence lab/history as cinema-in-the-museum
Bloody hell!’ and all that- David Anthony Washbrook (1948–2021), in memoriam
The news of David’s passing away came as a bolt from the blue. Although I had for some years lost touch with him, having peregrinated away from the discipline of history into the world of cinema. M
Visual Sense
Visual Sense and Cultures of Sight An Introduction
The enormous expansion of visual studies and visual culture in recent decades has made itself felt in almost every field of academic enquiry. It has spawned a mass of literature, conferences, student courses and specialist journals such as The Journal of Visual Culture and Visual Studies and all the while infiltrating others. In order to digest this amorphous and sprawling field for the student, a number of Readers have emerged. Some are general …
Science, Sight and the Ordering of Colonial Societies Fernando Feliú
At the beginning of the twentieth century, yellow fever, malaria, and cholera manifested themselves through devastating epidemics; however, other diseases, such as uncinariasis, or “hookworm disease,” popularly known as anemia, also wreaked havoc, particularly among the Puerto Rican population. According to Blanca Silvestrini, at the close of the nineteenth century the mortality rate for anemia reached nearly 90 percent, a figure higher than that…
Cinema and History
Only cinema can narrate History with a capital H simply by telling its own history, the other arts can&s;t.
Watching films in Kashmir Valley, 1960–1990
The political economy of the single-screen cinema with respect to Bombay cinema
Wondrous screens in India
History (9 works) · Art (6 works) · Movie theater (6 works) · Art history (5 works) · Cinema and Media Studies (5 works) · Sociology (5 works) · South Asian Cinema and Culture (5 works) · History (4 works) · Media studies (4 works) · Visual arts (4 works)