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Katherine Henninger

Biographic Data

ID1158760
NAMEKatherine Henninger
GIVEN NAMESKatherine
FAMILY NAMEHenninger
SIGNATUREHENNINGER K
AFFILIATIONSLouisiana State University, Baton Rouge
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS3
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Welty’s White Girlhoods In/As History”

    Katherine Henninger•ARTICLE•Women s Studies•2024•References: 15

  • My Childhood Is Ruined: Harper Lee and Racial Innocence

    Katherine Henninger•ARTICLE•American Literature•2016•Cited by: 2•References: 5

    This essay uses insights from Southern and childhood studies-particularly Robin Bernstein's performative theories of racial innocence-to analyze Lee's newly complicated contributions to understanding US racial histories. I argue that where To Kill a Mockingbird (1960), following American literary tradition, offers child-embodied racial innocence as a solution to injustice, Go Set a Watchman (2015) excoriates it as the problem. Deliberately and fo…

  • Zora Neale Hurston: Jump at the Sun. Directed by Sam Pollard

    Open Access•Katherine Henninger, Katherine R Henninger•ARTICLE•Visual Anthropology Review•2011

  • Ordering the Facade: Photography and Contemporary Southern Women's Writing

    Patricia Vettel-Becker, Patricia Vettel‐becker et al.•ARTICLE•The Journal of Southern History•2008

  • Claiming Access: Controlling Images in Dorothy Allison

    Katherine Henninger•ARTICLE•Arizona quarterly/ The Arizona…•2004•Cited by: 1•References: 5

    KATHERINE HENNINGER Claiming Access: Controlling Images in Dorothy Allison . . . the very conception "poor white" is an oxymoron. It insists on the irreconcilable nature of its two parts; the unnaturalness of their yoking assumes a world view in which to be white is to be assured of a satisfactory share of personal resources. When whites are discovered deprived of these-as was most dramatically the case in the South-they take on the status of fre…

  • My Childhood Is Ruined: Harper Lee and Racial Innocence

    Katherine Henninger•ARTICLE•American Literature•2016•Cited by: 2•References: 5

    This essay uses insights from Southern and childhood studies-particularly Robin Bernstein's performative theories of racial innocence-to analyze Lee's newly complicated contributions to understanding US racial histories. I argue that where To Kill a Mockingbird (1960), following American literary tradition, offers child-embodied racial innocence as a solution to injustice, Go Set a Watchman (2015) excoriates it as the problem. Deliberately and fo…

  • Claiming Access: Controlling Images in Dorothy Allison

    Katherine Henninger•ARTICLE•Arizona quarterly/ The Arizona…•2004•Cited by: 1•References: 5

    KATHERINE HENNINGER Claiming Access: Controlling Images in Dorothy Allison . . . the very conception "poor white" is an oxymoron. It insists on the irreconcilable nature of its two parts; the unnaturalness of their yoking assumes a world view in which to be white is to be assured of a satisfactory share of personal resources. When whites are discovered deprived of these-as was most dramatically the case in the South-they take on the status of fre…

  • Claiming Access: Controlling Images in Dorothy Allison

    Katherine Henninger•ARTICLE•Arizona quarterly/ The Arizona…•2004•Cited by: 1•References: 5

    KATHERINE HENNINGER Claiming Access: Controlling Images in Dorothy Allison . . . the very conception "poor white" is an oxymoron. It insists on the irreconcilable nature of its two parts; the unnaturalness of their yoking assumes a world view in which to be white is to be assured of a satisfactory share of personal resources. When whites are discovered deprived of these-as was most dramatically the case in the South-they take on the status of fre…

  • Ordering the Facade: Photography and Contemporary Southern Women's Writing

    Patricia Vettel-Becker, Patricia Vettel‐becker et al.•ARTICLE•The Journal of Southern History•2008

  • Zora Neale Hurston: Jump at the Sun. Directed by Sam Pollard

    Open Access•Katherine Henninger, Katherine R Henninger•ARTICLE•Visual Anthropology Review•2011

  • My Childhood Is Ruined: Harper Lee and Racial Innocence

    Katherine Henninger•ARTICLE•American Literature•2016•Cited by: 2•References: 5

    This essay uses insights from Southern and childhood studies-particularly Robin Bernstein's performative theories of racial innocence-to analyze Lee's newly complicated contributions to understanding US racial histories. I argue that where To Kill a Mockingbird (1960), following American literary tradition, offers child-embodied racial innocence as a solution to injustice, Go Set a Watchman (2015) excoriates it as the problem. Deliberately and fo…

  • Welty’s White Girlhoods In/As History”

    Katherine Henninger•ARTICLE•Women s Studies•2024•References: 15

Art (3 works) · History (3 works) · History (3 works) · Literature, Film, and Journalism Analysis (2 works) · White (mutation (2 works) · Aesthetics (1 works) · Algorithm (1 works) · American and British Literature Analysis (1 works) · Archaeology (1 works) · Art history (1 works)

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