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David Mulroy

Biographic Data

ID1159652
NAMEDavid Mulroy
GIVEN NAMESDavid
FAMILY NAMEMulroy
SIGNATUREMULROY D
AFFILIATIONSUniversity of Wisconsin–Milwaukee
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS3
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR2009
H-INDEX1
  • The Hymn to Hermes and the Athenian Altar of the Twelve Gods

    Richard W Johnston, David Mulroy•ARTICLE•The Classical World•2009•Cited by: 2•References: 4

    Newly observed congruencies between Homeric Hymn (4) to Hermes and circumstances in Peisistratid Athens lend credence to Norman O. Brown's hypothesis that the hymn was motivated by the establishment of the Altar of the Twelve Gods in Athens in 522/521 B.C. Relevant details in the hymn include the use by Hermes of a gluphanos , a sculptor's chisel, his unmotivated journey to Pylos, and the location of his sacrifice on the banks of the Alpheios Riv…

  • Reflections on grammar’s demise

    Open Access•David Mulroy•ARTICLE•Academic Questions•2004

  • Simonides' Use of the Term Tetragonos

    Richard W Johnston, David Mulroy et al.•ARTICLE•Arethusa•2004•References: 8

    In a frequently quoted passage preserved in Plato's Protagoras, Simonides asserts that it is difficult to become "a truly good man, fashioned foursquare (tetragonos)." Previous commentators have associated the term tetragonos with Pythagoreanism. More probably, Simonides and his readers connected the term with sculpture, specifically, with the herms that were erected by Hipparkhos and symbolized Peisistratid championship of the common man. Sculpt…

  • The Complete Poetry of Catullus

    Catullus Catullus, Gaius Valerius Catullus et al.•TRANSLATOR•BOOK•Complete Poetry of Catullus•2002

    In these translated poems, David Mulroy aims to bring to life the witty, poignant and brutally direct voice of a flesh-and-blood man, a young provincial in Julius Caesar's Rome, reacting to real people and events in a city full of violent conflict among individuals marked by genius and megalomaniacal passions. These translations are accompanied by: an introduction and commentary that provide biographical and bibliographical information about Catu…

  • Early Greek Lyric Poetry

    David Mulroy•BOOK•Early Greek Lyric Poetry•1999

  • Alphabetic literacy and the revitalization of the liberal arts

    Open Access•David Mulroy•ARTICLE•Academic Questions•1999

  • Early Greek Lyric Poetry

    William G Thalmann, David Mulroy•ARTICLE•The Classical World•1994

  • Comites Catulli

    David A Traill, David Mulroy et al.•ARTICLE•The Classical World•1988

    This innovative teaching aid for Catullus makes a theoretical division of the first sixty poems into twenty-one segments with the lexical information for translating each segment. Latin words with their English definition are arranged into grammatical and morphological categories

  • An Interpretation of Catullus 11

    David Mulroy•ARTICLE•The Classical World•1977

  • Hephaestion and Catullus 63

    David Mulroy•ARTICLE•Phoenix•1976•Cited by: 1

  • The Hymn to Hermes and the Athenian Altar of the Twelve Gods

    Richard W Johnston, David Mulroy•ARTICLE•The Classical World•2009•Cited by: 2•References: 4

    Newly observed congruencies between Homeric Hymn (4) to Hermes and circumstances in Peisistratid Athens lend credence to Norman O. Brown's hypothesis that the hymn was motivated by the establishment of the Altar of the Twelve Gods in Athens in 522/521 B.C. Relevant details in the hymn include the use by Hermes of a gluphanos , a sculptor's chisel, his unmotivated journey to Pylos, and the location of his sacrifice on the banks of the Alpheios Riv…

  • Hephaestion and Catullus 63

    David Mulroy•ARTICLE•Phoenix•1976•Cited by: 1

  • Hephaestion and Catullus 63

    David Mulroy•ARTICLE•Phoenix•1976•Cited by: 1

  • An Interpretation of Catullus 11

    David Mulroy•ARTICLE•The Classical World•1977

  • Comites Catulli

    David A Traill, David Mulroy et al.•ARTICLE•The Classical World•1988

    This innovative teaching aid for Catullus makes a theoretical division of the first sixty poems into twenty-one segments with the lexical information for translating each segment. Latin words with their English definition are arranged into grammatical and morphological categories

  • Early Greek Lyric Poetry

    William G Thalmann, David Mulroy•ARTICLE•The Classical World•1994

  • Early Greek Lyric Poetry

    David Mulroy•BOOK•Early Greek Lyric Poetry•1999

  • Alphabetic literacy and the revitalization of the liberal arts

    Open Access•David Mulroy•ARTICLE•Academic Questions•1999

  • The Complete Poetry of Catullus

    Catullus Catullus, Gaius Valerius Catullus et al.•TRANSLATOR•BOOK•Complete Poetry of Catullus•2002

    In these translated poems, David Mulroy aims to bring to life the witty, poignant and brutally direct voice of a flesh-and-blood man, a young provincial in Julius Caesar's Rome, reacting to real people and events in a city full of violent conflict among individuals marked by genius and megalomaniacal passions. These translations are accompanied by: an introduction and commentary that provide biographical and bibliographical information about Catu…

  • Reflections on grammar’s demise

    Open Access•David Mulroy•ARTICLE•Academic Questions•2004

  • Simonides' Use of the Term Tetragonos

    Richard W Johnston, David Mulroy et al.•ARTICLE•Arethusa•2004•References: 8

    In a frequently quoted passage preserved in Plato's Protagoras, Simonides asserts that it is difficult to become "a truly good man, fashioned foursquare (tetragonos)." Previous commentators have associated the term tetragonos with Pythagoreanism. More probably, Simonides and his readers connected the term with sculpture, specifically, with the herms that were erected by Hipparkhos and symbolized Peisistratid championship of the common man. Sculpt…

  • The Hymn to Hermes and the Athenian Altar of the Twelve Gods

    Richard W Johnston, David Mulroy•ARTICLE•The Classical World•2009•Cited by: 2•References: 4

    Newly observed congruencies between Homeric Hymn (4) to Hermes and circumstances in Peisistratid Athens lend credence to Norman O. Brown's hypothesis that the hymn was motivated by the establishment of the Altar of the Twelve Gods in Athens in 522/521 B.C. Relevant details in the hymn include the use by Hermes of a gluphanos , a sculptor's chisel, his unmotivated journey to Pylos, and the location of his sacrifice on the banks of the Alpheios Riv…

Art (8 works) · Classical Antiquity Studies (8 works) · Literature (6 works) · Philosophy (6 works) · History (5 works) · Classical Philosophy and Thought (3 works) · History (3 works) · Linguistics (3 works) · Philosophy (3 works) · Poetry (3 works)

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