T H Vail Motter

Biographic Data

ID1160910
NAMET H Vail Motter
GIVEN NAMEST H Vail
FAMILY NAMEMotter
SIGNATUREMOTTER T H V
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS2
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1944
LATEST PUBLICATION YEAR1968
H-INDEX1

  • The Papers of Woodrow Wilson

    Alfred B Rollins, Arthur S Link et al.ARTICLEThe New England Quarterly1968

  • Iraq 1900 to 1950

    T H Vail MotterARTICLEThe Journal of Modern History1956

  • Oil in the Middle East

    T H Vail MotterARTICLEThe Journal of Modern History1956

  • The Quartermaster Corps

    Charles M Thomas, Erna Risch et al.ARTICLEThe Mississippi Valley Historical…1954

    Journal Article The Quartermaster Corps: Organization, Supply, and Services. Volume I. By Erna Risch. Foreword by Orlando Ward. , Stilwell's Mission to China. By Charles F. Romanus and Riley Sunderland. Foreword by Orlando Ward. and The Persian Corridor and Aid to Russia. By T. H. Vail Motter. Foreword by Orlando Ward. United States Army in World War II: The Middle East Theater Get access Charles M. Thomas Charles M. Thomas Air University Search …

  • The Middle East Theater

    S H Longrigg, T H Vail MotterARTICLEInternational Affairs1953Cited by: 1

    Journal Article The Middle East Theater: the Persian Corridor and Aid to Russia Get access The Middle East Theater: the Persian Corridor and Aid to Russia. By T. H. Vail Motter. Foreword by Major-General Orlando Ward. Washington, D.C., Office of the Chief of Military History, Department of the Army, 1952. xvii+545 pp. Illus. Maps. Charts. Tables. Index. (United States Army in the World War II published in the sub-series the Middle East Theater.) …

  • The Persian Corridor and Aid to Russia

    Morton B Stratton, T H Vail MotterARTICLEThe American Historical Review1953

  • British Military Administration of Occupied Territories in Africa During the Years 1941-1947

    T H Vail Motter, Rennell Of Rodd et al.ARTICLEMilitary Affairs1949Cited by: 1

  • Garrick and the Private Theatres

    T H Vail MotterARTICLEELH1944

    No one has as yet written that chapter in the history of the eighteenth century theatre which will record and study the immense vogue of the amateur gentleman actor and the private theatre, a special feature, as Professor Nicoll has remarked, of considerable influence upon the drama of the time.1 The eighteenth century's equivalent of what we now call the little theatre manifested itself, like its predecessor of Tudor and Stuart times, in the act…