Carmen Merport Quiñones
Biographic Data
| ID | 1160913 |
|---|---|
| NAME | Carmen Merport Quiñones |
| GIVEN NAMES | Carmen Merport |
| FAMILY NAME | Quiñones |
| SIGNATURE | QUIÑONES C M |
| AFFILIATIONS | University of Chicago, Chicago, IL, UK |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Other Looks: Chicana/o Responses to US Magazine Aesthetics
I argue that Chicana/o artists and activists working in the second half of the twentieth century engaged with the visual culture of US mass picture magazines such as Life because they identified it as a crucial site of struggle even as they recognized the increasing significance of other mass media. Examining pages from Life throughout the years, I show how Henry Luce’s magazine used derogatory depictions of racialized subjects to sell a particul…
I can scrawl and I can crawl: Drawing towards New Narrative
To get traction on the politics of form that we call ‘New Narrative’, I argue that we must defy disciplinary constraints and resist neglecting activities taking place away from the printed page. Looking closely at some of the visual work of Kathy Acker, this essay examines the radical ways in which the author brought drawing and writing together. It shows how the dream maps of Blood and Guts in High School foreclose familiar modes of literary con…
No prominent works on this page.
I can scrawl and I can crawl: Drawing towards New Narrative
To get traction on the politics of form that we call ‘New Narrative’, I argue that we must defy disciplinary constraints and resist neglecting activities taking place away from the printed page. Looking closely at some of the visual work of Kathy Acker, this essay examines the radical ways in which the author brought drawing and writing together. It shows how the dream maps of Blood and Guts in High School foreclose familiar modes of literary con…
Other Looks: Chicana/o Responses to US Magazine Aesthetics
I argue that Chicana/o artists and activists working in the second half of the twentieth century engaged with the visual culture of US mass picture magazines such as Life because they identified it as a crucial site of struggle even as they recognized the increasing significance of other mass media. Examining pages from Life throughout the years, I show how Henry Luce’s magazine used derogatory depictions of racialized subjects to sell a particul…
Aesthetics (2 works) · Art (2 works) · Law (2 works) · Psychology (2 works) · Sociology (2 works) · Visual arts (2 works) · Abstraction (1 works) · Anthropology (1 works) · Art Education and Development (1 works) · Asian American and Pacific Histories (1 works)