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Tom Gretton

Biographic Data

ID1162998
NAMETom Gretton
GIVEN NAMESTom
FAMILY NAMEGretton
SIGNATUREGRETTON T
AFFILIATIONSUCL Australia
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS5
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2016
H-INDEX2
  • Helen Weston ‘in Three Positions’

    Katie Scott, David Bindman et al.•ARTICLE•Oxford Art Journal•2016•References: 3

    Helen Weston’s name is inextricably linked with the Department of History of Art at University College London where, in the course of over thirty-five years, she was a lecturer, professor, and Head of Department. However, her academic career began at Reading University, where she studied French as an undergraduate. From there she went on to study for an MA at the Courtauld Institute of Art in 1965 under Anita Brookner. She was to share with Brook…

  • The Pragmatics of Page Design in Nineteenth‐Century General‐Interest Weekly Illustrated News Magazines in London and Paris

    Open Access•Tom Gretton•ARTICLE•Art History•2010

  • Signs for Labour-Value in Printed Pictures After the Photomechanical Revolution

    Tom Gretton•ARTICLE•Oxford Art Journal•2005

    The paper begins with a survey of the way that signs for labour and skill had been deployed in printed pictures before the advent and triumph of photomechanical printmaking in the generation after 1870. It then surveys the take-up of the two main photomechanical relief techniques (the line-block and the half-tone screen), and the persistence of wood-engraving, in the major illustrated weeklies from London and Paris from 1870 to 1900, relating the…

  • Adventures in Black and White

    Tom Gretton•ARTICLE•Oxford Art Journal•2003

    Journal Article Adventures in Black and White Get access Darcy Grimaldo Grigsby : Extremities: Painting Empire in Post-Revolutionary France ( Yale University Press : New Haven and London , 2002 ), 139 b&w + 81 colour illns, 408 pp., Cloth ISBN 0-300-08887-6 , $;65.00, £50.00 Stephen Bann : Parallel Lines. Printmakers, Painters, and Photographers in Nineteenth-Century France , ( Yale University Press : New Haven and London , 2001 ). 104 b&w + 8 co…

  • Difference and Competition

    Tom Gretton•ARTICLE•Oxford Art Journal•2000•Cited by: 1

    Journal Article Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine Get access Tom Gretton Tom Gretton Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 2, 2000, Pages 143–162, https://doi.org/10.1093/oxartj/23.2.143 Published: 01 December 2000

  • The Place of the King in the City

    Open Access•Tom Gretton•ARTICLE•Art History•2000

    Books reviewed in this article: Richard L. Cleary, The place royale and Urban Design in the Ancien Régime Rochelle Ziskin, The Place Vendôme: Architecture and Social Mobility in 18th‐century Paris

  • Posada and the 'Popular

    Tom Gretton•ARTICLE•Oxford Art Journal•1994•Cited by: 2

    Journal Article Posada and the ‘Popular’: Commodities and Social Constructs in Mexico before the Revolution Get access THOMAS GRETTON THOMAS GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 17, Issue 2, 1994, Pages 32–47, https://doi.org/10.1093/oxartj/17.2.32 Published: 01 December 1994

  • Quamoscas at Work

    Tom Gretton•ARTICLE•Oxford Art Journal•1989

    Journal Article Quamoscas at Work: Upstairs, Downstairs at The Hayward Gallery Get access TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 12, Issue 2, 1989, Pages 110–112, https://doi.org/10.1093/oxartj/12.2.110 Published: 01 December 1989

  • Distinction. A Social Critique of the Judgement of Taste

    Tom Gretton•REVIEW•Oxford Art Journal•1985•Cited by: 2

    Distinction. A Social Critique of the Judgement of Taste Get access Pierre Bourdieu (trans. Richard Nice ) Routledge and Kegan Paul , London , 1985 , ISBN 0-7100-9609-7 . £30.00 (hardback). TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 2, 1985, Pages 63-67, https://doi.org/10.1093/oxartj/8.2.63 Published: 01 December 1985

  • Posada and the 'Popular

    Tom Gretton•ARTICLE•Oxford Art Journal•1994•Cited by: 2

    Journal Article Posada and the ‘Popular’: Commodities and Social Constructs in Mexico before the Revolution Get access THOMAS GRETTON THOMAS GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 17, Issue 2, 1994, Pages 32–47, https://doi.org/10.1093/oxartj/17.2.32 Published: 01 December 1994

  • Distinction. A Social Critique of the Judgement of Taste

    Tom Gretton•REVIEW•Oxford Art Journal•1985•Cited by: 2

    Distinction. A Social Critique of the Judgement of Taste Get access Pierre Bourdieu (trans. Richard Nice ) Routledge and Kegan Paul , London , 1985 , ISBN 0-7100-9609-7 . £30.00 (hardback). TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 2, 1985, Pages 63-67, https://doi.org/10.1093/oxartj/8.2.63 Published: 01 December 1985

  • Difference and Competition

    Tom Gretton•ARTICLE•Oxford Art Journal•2000•Cited by: 1

    Journal Article Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine Get access Tom Gretton Tom Gretton Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 2, 2000, Pages 143–162, https://doi.org/10.1093/oxartj/23.2.143 Published: 01 December 2000

  • Distinction. A Social Critique of the Judgement of Taste

    Tom Gretton•REVIEW•Oxford Art Journal•1985•Cited by: 2

    Distinction. A Social Critique of the Judgement of Taste Get access Pierre Bourdieu (trans. Richard Nice ) Routledge and Kegan Paul , London , 1985 , ISBN 0-7100-9609-7 . £30.00 (hardback). TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 2, 1985, Pages 63-67, https://doi.org/10.1093/oxartj/8.2.63 Published: 01 December 1985

  • Quamoscas at Work

    Tom Gretton•ARTICLE•Oxford Art Journal•1989

    Journal Article Quamoscas at Work: Upstairs, Downstairs at The Hayward Gallery Get access TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 12, Issue 2, 1989, Pages 110–112, https://doi.org/10.1093/oxartj/12.2.110 Published: 01 December 1989

  • Posada and the 'Popular

    Tom Gretton•ARTICLE•Oxford Art Journal•1994•Cited by: 2

    Journal Article Posada and the ‘Popular’: Commodities and Social Constructs in Mexico before the Revolution Get access THOMAS GRETTON THOMAS GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 17, Issue 2, 1994, Pages 32–47, https://doi.org/10.1093/oxartj/17.2.32 Published: 01 December 1994

  • Difference and Competition

    Tom Gretton•ARTICLE•Oxford Art Journal•2000•Cited by: 1

    Journal Article Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine Get access Tom Gretton Tom Gretton Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 2, 2000, Pages 143–162, https://doi.org/10.1093/oxartj/23.2.143 Published: 01 December 2000

  • The Place of the King in the City

    Open Access•Tom Gretton•ARTICLE•Art History•2000

    Books reviewed in this article: Richard L. Cleary, The place royale and Urban Design in the Ancien Régime Rochelle Ziskin, The Place Vendôme: Architecture and Social Mobility in 18th‐century Paris

  • Adventures in Black and White

    Tom Gretton•ARTICLE•Oxford Art Journal•2003

    Journal Article Adventures in Black and White Get access Darcy Grimaldo Grigsby : Extremities: Painting Empire in Post-Revolutionary France ( Yale University Press : New Haven and London , 2002 ), 139 b&w + 81 colour illns, 408 pp., Cloth ISBN 0-300-08887-6 , $;65.00, £50.00 Stephen Bann : Parallel Lines. Printmakers, Painters, and Photographers in Nineteenth-Century France , ( Yale University Press : New Haven and London , 2001 ). 104 b&w + 8 co…

  • Signs for Labour-Value in Printed Pictures After the Photomechanical Revolution

    Tom Gretton•ARTICLE•Oxford Art Journal•2005

    The paper begins with a survey of the way that signs for labour and skill had been deployed in printed pictures before the advent and triumph of photomechanical printmaking in the generation after 1870. It then surveys the take-up of the two main photomechanical relief techniques (the line-block and the half-tone screen), and the persistence of wood-engraving, in the major illustrated weeklies from London and Paris from 1870 to 1900, relating the…

  • The Pragmatics of Page Design in Nineteenth‐Century General‐Interest Weekly Illustrated News Magazines in London and Paris

    Open Access•Tom Gretton•ARTICLE•Art History•2010

  • Helen Weston ‘in Three Positions’

    Katie Scott, David Bindman et al.•ARTICLE•Oxford Art Journal•2016•References: 3

    Helen Weston’s name is inextricably linked with the Department of History of Art at University College London where, in the course of over thirty-five years, she was a lecturer, professor, and Head of Department. However, her academic career began at Reading University, where she studied French as an undergraduate. From there she went on to study for an MA at the Courtauld Institute of Art in 1965 under Anita Brookner. She was to share with Brook…

Art (9 works) · Art history (7 works) · History (5 works) · Sociology (5 works) · Media studies (4 works) · Photography and Visual Culture (4 works) · Art History and Market Analysis (3 works) · Historical Art and Culture Studies (3 works) · Law (3 works) · Political science (3 works)

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