Tom Gretton
Biographic Data
| ID | 1162998 |
|---|---|
| NAME | Tom Gretton |
| GIVEN NAMES | Tom |
| FAMILY NAME | Gretton |
| SIGNATURE | GRETTON T |
| AFFILIATIONS | UCL Australia |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Helen Weston ‘in Three Positions’
Helen Weston’s name is inextricably linked with the Department of History of Art at University College London where, in the course of over thirty-five years, she was a lecturer, professor, and Head of Department. However, her academic career began at Reading University, where she studied French as an undergraduate. From there she went on to study for an MA at the Courtauld Institute of Art in 1965 under Anita Brookner. She was to share with Brook…
The Pragmatics of Page Design in Nineteenth‐Century General‐Interest Weekly Illustrated News Magazines in London and Paris
Signs for Labour-Value in Printed Pictures After the Photomechanical Revolution
The paper begins with a survey of the way that signs for labour and skill had been deployed in printed pictures before the advent and triumph of photomechanical printmaking in the generation after 1870. It then surveys the take-up of the two main photomechanical relief techniques (the line-block and the half-tone screen), and the persistence of wood-engraving, in the major illustrated weeklies from London and Paris from 1870 to 1900, relating the…
Adventures in Black and White
Journal Article Adventures in Black and White Get access Darcy Grimaldo Grigsby : Extremities: Painting Empire in Post-Revolutionary France ( Yale University Press : New Haven and London , 2002 ), 139 b&w + 81 colour illns, 408 pp., Cloth ISBN 0-300-08887-6 , $;65.00, £50.00 Stephen Bann : Parallel Lines. Printmakers, Painters, and Photographers in Nineteenth-Century France , ( Yale University Press : New Haven and London , 2001 ). 104 b&w + 8 co…
Difference and Competition
Journal Article Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine Get access Tom Gretton Tom Gretton Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 2, 2000, Pages 143–162, https://doi.org/10.1093/oxartj/23.2.143 Published: 01 December 2000
The Place of the King in the City
Books reviewed in this article: Richard L. Cleary, The place royale and Urban Design in the Ancien Régime Rochelle Ziskin, The Place Vendôme: Architecture and Social Mobility in 18th‐century Paris
Posada and the 'Popular
Journal Article Posada and the ‘Popular’: Commodities and Social Constructs in Mexico before the Revolution Get access THOMAS GRETTON THOMAS GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 17, Issue 2, 1994, Pages 32–47, https://doi.org/10.1093/oxartj/17.2.32 Published: 01 December 1994
Quamoscas at Work
Journal Article Quamoscas at Work: Upstairs, Downstairs at The Hayward Gallery Get access TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 12, Issue 2, 1989, Pages 110–112, https://doi.org/10.1093/oxartj/12.2.110 Published: 01 December 1989
Distinction. A Social Critique of the Judgement of Taste
Distinction. A Social Critique of the Judgement of Taste Get access Pierre Bourdieu (trans. Richard Nice ) Routledge and Kegan Paul , London , 1985 , ISBN 0-7100-9609-7 . £30.00 (hardback). TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 2, 1985, Pages 63-67, https://doi.org/10.1093/oxartj/8.2.63 Published: 01 December 1985
Posada and the 'Popular
Journal Article Posada and the ‘Popular’: Commodities and Social Constructs in Mexico before the Revolution Get access THOMAS GRETTON THOMAS GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 17, Issue 2, 1994, Pages 32–47, https://doi.org/10.1093/oxartj/17.2.32 Published: 01 December 1994
Distinction. A Social Critique of the Judgement of Taste
Distinction. A Social Critique of the Judgement of Taste Get access Pierre Bourdieu (trans. Richard Nice ) Routledge and Kegan Paul , London , 1985 , ISBN 0-7100-9609-7 . £30.00 (hardback). TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 2, 1985, Pages 63-67, https://doi.org/10.1093/oxartj/8.2.63 Published: 01 December 1985
Difference and Competition
Journal Article Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine Get access Tom Gretton Tom Gretton Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 2, 2000, Pages 143–162, https://doi.org/10.1093/oxartj/23.2.143 Published: 01 December 2000
Distinction. A Social Critique of the Judgement of Taste
Distinction. A Social Critique of the Judgement of Taste Get access Pierre Bourdieu (trans. Richard Nice ) Routledge and Kegan Paul , London , 1985 , ISBN 0-7100-9609-7 . £30.00 (hardback). TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 8, Issue 2, 1985, Pages 63-67, https://doi.org/10.1093/oxartj/8.2.63 Published: 01 December 1985
Quamoscas at Work
Journal Article Quamoscas at Work: Upstairs, Downstairs at The Hayward Gallery Get access TOM GRETTON TOM GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 12, Issue 2, 1989, Pages 110–112, https://doi.org/10.1093/oxartj/12.2.110 Published: 01 December 1989
Posada and the 'Popular
Journal Article Posada and the ‘Popular’: Commodities and Social Constructs in Mexico before the Revolution Get access THOMAS GRETTON THOMAS GRETTON Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 17, Issue 2, 1994, Pages 32–47, https://doi.org/10.1093/oxartj/17.2.32 Published: 01 December 1994
Difference and Competition
Journal Article Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine Get access Tom Gretton Tom Gretton Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 23, Issue 2, 2000, Pages 143–162, https://doi.org/10.1093/oxartj/23.2.143 Published: 01 December 2000
The Place of the King in the City
Books reviewed in this article: Richard L. Cleary, The place royale and Urban Design in the Ancien Régime Rochelle Ziskin, The Place Vendôme: Architecture and Social Mobility in 18th‐century Paris
Adventures in Black and White
Journal Article Adventures in Black and White Get access Darcy Grimaldo Grigsby : Extremities: Painting Empire in Post-Revolutionary France ( Yale University Press : New Haven and London , 2002 ), 139 b&w + 81 colour illns, 408 pp., Cloth ISBN 0-300-08887-6 , $;65.00, £50.00 Stephen Bann : Parallel Lines. Printmakers, Painters, and Photographers in Nineteenth-Century France , ( Yale University Press : New Haven and London , 2001 ). 104 b&w + 8 co…
Signs for Labour-Value in Printed Pictures After the Photomechanical Revolution
The paper begins with a survey of the way that signs for labour and skill had been deployed in printed pictures before the advent and triumph of photomechanical printmaking in the generation after 1870. It then surveys the take-up of the two main photomechanical relief techniques (the line-block and the half-tone screen), and the persistence of wood-engraving, in the major illustrated weeklies from London and Paris from 1870 to 1900, relating the…
The Pragmatics of Page Design in Nineteenth‐Century General‐Interest Weekly Illustrated News Magazines in London and Paris
Helen Weston ‘in Three Positions’
Helen Weston’s name is inextricably linked with the Department of History of Art at University College London where, in the course of over thirty-five years, she was a lecturer, professor, and Head of Department. However, her academic career began at Reading University, where she studied French as an undergraduate. From there she went on to study for an MA at the Courtauld Institute of Art in 1965 under Anita Brookner. She was to share with Brook…
Art (9 works) · Art history (7 works) · History (5 works) · Sociology (5 works) · Media studies (4 works) · Photography and Visual Culture (4 works) · Art History and Market Analysis (3 works) · Historical Art and Culture Studies (3 works) · Law (3 works) · Political science (3 works)