Bernd Huppauf
Biographic Data
| ID | 1165327 |
|---|---|
| NAME | Bernd Huppauf |
| GIVEN NAMES | Bernd |
| FAMILY NAME | Huppauf |
| SIGNATURE | HUPPAUF B |
| AFFILIATIONS | UNSW Sydney |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 25 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 4 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 3 |
Fotografie im Krieg
Unter dem Einsatz ihres Lebens stellen Fotografen und zunehmend Fotografinnen weiterhin weltweit Bilder von Kriegen her. Digitalisierung und Informationsrevolution verändern deren Bedeutung und Funktion grundlegend. In der dreitausendjährigen Geschichte der Kriegsbilder hat die Fotografie zu einem tiefen Einschnitt geführt. Nach zaghaften Anfängen im 19. Jahrhundert entwickelte sich im Ersten Weltkrieg eine professionelle Fotografie, die mit Prob…
Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible
Marie Jose Mondzain 7 The Gaze in the Image: A Contribution to an Iconology of the Gaze Hans Belting 8 Imagination or Response?: Some Remarks on the Understanding of Images and Pictures in Pre-modern China Mathias Obert 9 The Nature of Face Recognition: A Perspective from the Cognitive Neurosciences David Poeppel and Clare Stroud Part III: Body Images and Body Imaginations Introduction to Part III 10 The Neapolitan Gesture Gunter Gebauer 11 Image…
Science Images and Popular Images of the Sciences
What is a popular image of science and where does it come from? Little is known about the formation of science images and their transformation into popular images of science. In this anthology, contributions from two areas of expertise: image theory and history and the sociology of the sciences, explore techniques of constructing science images and transforming them into highly ambivalent images that represent the sciences. The essays, most of th…
Representing space — Panoramas of World War I battlefields
Vernacular Modernism: Heimat, Globalization, and the Built Environment
Vernacular Modernism challenges the common perception of modern architecture as the example of an internationalism which eradicates local traditions and transforms the globe into a faceless urban sprawl. The essays trace the vernacular in some of modernity's most paradigmatic sites—both real and imagined. They engage in a search for an idiom that mediates between place and space, the vernacular and the abstract in architecture, from its early pha…
Heidegger and the Ideology of War: Community, Death and the West
Losurdo, Domenico. Heidegger and the Ideology of War: Community, Death and the West. Translated by Marella and John Morris. Amherst: Prometheus, 2001. 256 pp. $50.00 hardcover. Losurdo's study can be read as an attempt to write the 20th century Critique of German ideology. Its 19th century model's critique of idealistic German philosophers of capitalism is replaced with a critique of 20th century German philosophers' concept of modernity. The phi…
War, Violence and the Modern Condition
This volume will explore the specific role which war has played in the constitution of a modern mentality. It will be divided into three parts: one dealing with issues of conceptualizing war, violence, and modernity/ modernism, one devoted to issues of the First World War as an exemplary experience in the 20th century; and one concerned with issues of violence and its representation in the aftermath of the first modern war
Emptying the Gaze: Framing Violence through the Viewfinder
Experiences of Modern Warfare and the Crisis of Representation
With constant stream of films about Vietnam War in 1970s and 1980s, films which attracted millions of viewers world over and seemed to give new significance to cinema as a public space for collective memory, it soon became obvious that war film genre had finally exhausted its critical potential. It has been argued in relation to films concerned with history that the sheer mass of historical images transmitted by today's media weakens link between…
Langemarck, Verdun and the Myth of a New Man in Germany after the First World War
(1988). Langemarck, Verdun and the Myth of a New Man in Germany after the First World War. War & Society: Vol. 6, No. 2, pp. 70-103
Ansichten vom Krieg: Vergleichende Studien zum Ersten Weltkrieg in Literatur und Gesellschaft
Expressionismus und Kulturkrise
Critical Reflection upon Society and the Theory of Capitalism Comments on an Uneasy Relationship
"Die Muhen der Ebenen." Kontinuitat und Wandel in der deutschen Literatur und Gesellschaft 1945-1949
Einige Bemerkungen Zu ‘Funktion’ Und ‘Auftrag’ Der Literatur in Der DDR
IN einem wie auch immer gearteten marxistischen Gesellschaftsmodell nimmt die Literatur als ein Ideologie und BewuBtsein produzierendes und verandemdes Medium einen Ort im System sozialer Beziehungen ein. Literatur diene 'nicht nur der Erkenntnis der gesellschaftlichen Wirklichkeit, sondern vermittelt auch Handlungsimpulse, stimuliert Verhaltensweisen und wirkt regulierend im gesellschaftlichen LebensprozeB.'l Diese Definition weist der Lieratur …
Emptying the Gaze: Framing Violence through the Viewfinder
War, Violence and the Modern Condition
This volume will explore the specific role which war has played in the constitution of a modern mentality. It will be divided into three parts: one dealing with issues of conceptualizing war, violence, and modernity/ modernism, one devoted to issues of the First World War as an exemplary experience in the 20th century; and one concerned with issues of violence and its representation in the aftermath of the first modern war
Langemarck, Verdun and the Myth of a New Man in Germany after the First World War
(1988). Langemarck, Verdun and the Myth of a New Man in Germany after the First World War. War & Society: Vol. 6, No. 2, pp. 70-103
Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible
Marie Jose Mondzain 7 The Gaze in the Image: A Contribution to an Iconology of the Gaze Hans Belting 8 Imagination or Response?: Some Remarks on the Understanding of Images and Pictures in Pre-modern China Mathias Obert 9 The Nature of Face Recognition: A Perspective from the Cognitive Neurosciences David Poeppel and Clare Stroud Part III: Body Images and Body Imaginations Introduction to Part III 10 The Neapolitan Gesture Gunter Gebauer 11 Image…
Experiences of Modern Warfare and the Crisis of Representation
With constant stream of films about Vietnam War in 1970s and 1980s, films which attracted millions of viewers world over and seemed to give new significance to cinema as a public space for collective memory, it soon became obvious that war film genre had finally exhausted its critical potential. It has been argued in relation to films concerned with history that the sheer mass of historical images transmitted by today's media weakens link between…
Einige Bemerkungen Zu ‘Funktion’ Und ‘Auftrag’ Der Literatur in Der DDR
IN einem wie auch immer gearteten marxistischen Gesellschaftsmodell nimmt die Literatur als ein Ideologie und BewuBtsein produzierendes und verandemdes Medium einen Ort im System sozialer Beziehungen ein. Literatur diene 'nicht nur der Erkenntnis der gesellschaftlichen Wirklichkeit, sondern vermittelt auch Handlungsimpulse, stimuliert Verhaltensweisen und wirkt regulierend im gesellschaftlichen LebensprozeB.'l Diese Definition weist der Lieratur …
"Die Muhen der Ebenen." Kontinuitat und Wandel in der deutschen Literatur und Gesellschaft 1945-1949
Ansichten vom Krieg: Vergleichende Studien zum Ersten Weltkrieg in Literatur und Gesellschaft
Expressionismus und Kulturkrise
Critical Reflection upon Society and the Theory of Capitalism Comments on an Uneasy Relationship
Langemarck, Verdun and the Myth of a New Man in Germany after the First World War
(1988). Langemarck, Verdun and the Myth of a New Man in Germany after the First World War. War & Society: Vol. 6, No. 2, pp. 70-103
Experiences of Modern Warfare and the Crisis of Representation
With constant stream of films about Vietnam War in 1970s and 1980s, films which attracted millions of viewers world over and seemed to give new significance to cinema as a public space for collective memory, it soon became obvious that war film genre had finally exhausted its critical potential. It has been argued in relation to films concerned with history that the sheer mass of historical images transmitted by today's media weakens link between…
War, Violence and the Modern Condition
This volume will explore the specific role which war has played in the constitution of a modern mentality. It will be divided into three parts: one dealing with issues of conceptualizing war, violence, and modernity/ modernism, one devoted to issues of the First World War as an exemplary experience in the 20th century; and one concerned with issues of violence and its representation in the aftermath of the first modern war
Emptying the Gaze: Framing Violence through the Viewfinder
Heidegger and the Ideology of War: Community, Death and the West
Losurdo, Domenico. Heidegger and the Ideology of War: Community, Death and the West. Translated by Marella and John Morris. Amherst: Prometheus, 2001. 256 pp. $50.00 hardcover. Losurdo's study can be read as an attempt to write the 20th century Critique of German ideology. Its 19th century model's critique of idealistic German philosophers of capitalism is replaced with a critique of 20th century German philosophers' concept of modernity. The phi…
Vernacular Modernism: Heimat, Globalization, and the Built Environment
Vernacular Modernism challenges the common perception of modern architecture as the example of an internationalism which eradicates local traditions and transforms the globe into a faceless urban sprawl. The essays trace the vernacular in some of modernity's most paradigmatic sites—both real and imagined. They engage in a search for an idiom that mediates between place and space, the vernacular and the abstract in architecture, from its early pha…
Representing space — Panoramas of World War I battlefields
Science Images and Popular Images of the Sciences
What is a popular image of science and where does it come from? Little is known about the formation of science images and their transformation into popular images of science. In this anthology, contributions from two areas of expertise: image theory and history and the sociology of the sciences, explore techniques of constructing science images and transforming them into highly ambivalent images that represent the sciences. The essays, most of th…
Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible
Marie Jose Mondzain 7 The Gaze in the Image: A Contribution to an Iconology of the Gaze Hans Belting 8 Imagination or Response?: Some Remarks on the Understanding of Images and Pictures in Pre-modern China Mathias Obert 9 The Nature of Face Recognition: A Perspective from the Cognitive Neurosciences David Poeppel and Clare Stroud Part III: Body Images and Body Imaginations Introduction to Part III 10 The Neapolitan Gesture Gunter Gebauer 11 Image…
Fotografie im Krieg
Unter dem Einsatz ihres Lebens stellen Fotografen und zunehmend Fotografinnen weiterhin weltweit Bilder von Kriegen her. Digitalisierung und Informationsrevolution verändern deren Bedeutung und Funktion grundlegend. In der dreitausendjährigen Geschichte der Kriegsbilder hat die Fotografie zu einem tiefen Einschnitt geführt. Nach zaghaften Anfängen im 19. Jahrhundert entwickelte sich im Ersten Weltkrieg eine professionelle Fotografie, die mit Prob…
Political science (8 works) · Art (5 works) · Geography (3 works) · History (3 works) · Law (3 works) · Literature and Cultural Memory (3 works) · Philosophy (3 works) · Politics (3 works) · Archaeology (2 works) · Computer Science (2 works)