Jane C Sugarman
Biographic Data
| ID | 116612 |
|---|---|
| NAME | Jane C Sugarman |
| GIVEN NAMES | Jane C |
| FAMILY NAME | Sugarman |
| SIGNATURE | SUGARMAN J C |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 48 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 4 |
Building and Teaching Theory in Ethnomusicology
Research Article| July 01 2010 Building and Teaching Theory in Ethnomusicology: A Response to Rice Jane C. Sugarman Jane C. Sugarman City University of New York Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 341–344. https://doi.org/10.5406/ethnomusicology.54.2.0341 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jane C. Sugarman; Building and Teaching Th…
Whose Song Is This? (Chiya e tazi pesen)
Book Review| January 01 2008 Whose Song Is This? (Chiya e tazi pesen?) Whose Song Is This? (Chiya e tazi pesen?), Slobodan Milovanovich, Paul Pauwels and Adela Peeva. Jane C. Sugarman Jane C. Sugarman Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 151–154. https://doi.org/10.2307/20174579 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jane C. Sugarman; W…
Albania
Engendering Song
Engendering Song
Imagining the Homeland
Cet article s'interesse a la formation du nationalisme en Albanie. L'A. montre que l'adhesion des populations rurales et villageoise a la cause nationaliste s'est realisee lorsque les poemes nationalistes, qui etaient jusqu'alors l'expression litteraire de la classe moyenne et de la petite bourgeoisie, ont ete transformes en chants masculins dans le cadre de la tradition orale rurale. L'A. analyse en detail les oeuvres de trois poetes, ecrites et…
Engendering Song
For Prespa Albanians, both at home in Macedonia and in the diaspora, the most significant events of any year are wedding ceremonies. During days and weeks of festivities, wedding celebrants interact largely through singing, defining and renegotiating the structure of their social world and establishing a profound cultural touchstone for Prespa communities around the world. This account of Prespa weddings combines photographs, song texts and recor…
Retuning Culture
Engendering Song. Singing and Subjectivity at Prespa Albanian Weddings
Music, Gender, and Culture
Albania
The Nightingale and the Partridge
The wedding songs of Muslim Albanian women from the Lake Prespa district of Yugoslavia often portray young men and women as birds. The young man as suitor is most often depicted as a nightingale (bilbil), a bird known for its rapturous singing. A young woman, however, is depicted as a partridge (frllenx4) or ringdove (guguqe), birds that are thought of as beautiful, vulnerable, and quiet in demeanor and song. By combining attributes of physical a…
Folklore Instrumental Albanais
Linguistics
Engendering Song. Singing and Subjectivity at Prespa Albanian Weddings
Engendering Song
For Prespa Albanians, both at home in Macedonia and in the diaspora, the most significant events of any year are wedding ceremonies. During days and weeks of festivities, wedding celebrants interact largely through singing, defining and renegotiating the structure of their social world and establishing a profound cultural touchstone for Prespa communities around the world. This account of Prespa weddings combines photographs, song texts and recor…
The Nightingale and the Partridge
The wedding songs of Muslim Albanian women from the Lake Prespa district of Yugoslavia often portray young men and women as birds. The young man as suitor is most often depicted as a nightingale (bilbil), a bird known for its rapturous singing. A young woman, however, is depicted as a partridge (frllenx4) or ringdove (guguqe), birds that are thought of as beautiful, vulnerable, and quiet in demeanor and song. By combining attributes of physical a…
Imagining the Homeland
Cet article s'interesse a la formation du nationalisme en Albanie. L'A. montre que l'adhesion des populations rurales et villageoise a la cause nationaliste s'est realisee lorsque les poemes nationalistes, qui etaient jusqu'alors l'expression litteraire de la classe moyenne et de la petite bourgeoisie, ont ete transformes en chants masculins dans le cadre de la tradition orale rurale. L'A. analyse en detail les oeuvres de trois poetes, ecrites et…
Building and Teaching Theory in Ethnomusicology
Research Article| July 01 2010 Building and Teaching Theory in Ethnomusicology: A Response to Rice Jane C. Sugarman Jane C. Sugarman City University of New York Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 341–344. https://doi.org/10.5406/ethnomusicology.54.2.0341 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jane C. Sugarman; Building and Teaching Th…
Linguistics
Folklore Instrumental Albanais
The Nightingale and the Partridge
The wedding songs of Muslim Albanian women from the Lake Prespa district of Yugoslavia often portray young men and women as birds. The young man as suitor is most often depicted as a nightingale (bilbil), a bird known for its rapturous singing. A young woman, however, is depicted as a partridge (frllenx4) or ringdove (guguqe), birds that are thought of as beautiful, vulnerable, and quiet in demeanor and song. By combining attributes of physical a…
Albania
Music, Gender, and Culture
Retuning Culture
Engendering Song. Singing and Subjectivity at Prespa Albanian Weddings
Engendering Song
Engendering Song
Imagining the Homeland
Cet article s'interesse a la formation du nationalisme en Albanie. L'A. montre que l'adhesion des populations rurales et villageoise a la cause nationaliste s'est realisee lorsque les poemes nationalistes, qui etaient jusqu'alors l'expression litteraire de la classe moyenne et de la petite bourgeoisie, ont ete transformes en chants masculins dans le cadre de la tradition orale rurale. L'A. analyse en detail les oeuvres de trois poetes, ecrites et…
Engendering Song
For Prespa Albanians, both at home in Macedonia and in the diaspora, the most significant events of any year are wedding ceremonies. During days and weeks of festivities, wedding celebrants interact largely through singing, defining and renegotiating the structure of their social world and establishing a profound cultural touchstone for Prespa communities around the world. This account of Prespa weddings combines photographs, song texts and recor…
Albania
Whose Song Is This? (Chiya e tazi pesen)
Book Review| January 01 2008 Whose Song Is This? (Chiya e tazi pesen?) Whose Song Is This? (Chiya e tazi pesen?), Slobodan Milovanovich, Paul Pauwels and Adela Peeva. Jane C. Sugarman Jane C. Sugarman Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 151–154. https://doi.org/10.2307/20174579 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jane C. Sugarman; W…
Building and Teaching Theory in Ethnomusicology
Research Article| July 01 2010 Building and Teaching Theory in Ethnomusicology: A Response to Rice Jane C. Sugarman Jane C. Sugarman City University of New York Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (2): 341–344. https://doi.org/10.5406/ethnomusicology.54.2.0341 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jane C. Sugarman; Building and Teaching Th…
Art (12 works) · Diverse Musicological Studies (8 works) · History (8 works) · Balkans: History, Politics, Society (7 works) · Visual arts (7 works) · Acoustics (5 works) · Philosophy (5 works) · Singing (5 works) · Sociology (5 works) · Epistemology (4 works)