Ewa Klekot
Biographic Data
| ID | 116709 |
|---|---|
| NAME | Ewa Klekot |
| GIVEN NAMES | Ewa |
| FAMILY NAME | Klekot |
| SIGNATURE | KLEKOT E |
| AFFILIATIONS | Uniwersytet SWPS |
| ORCID | 0000-0003-3472-5168 |
| VERIFIED | Yes |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Reprezentacja przez sztukę, czyli wakacyjne muzeum etnograficzne
Tekst wykorzystuje niepublikowane materialy archiwalne Państwowego Muzeum Etnograficznego w Warszawie dotyczące objazdowych wystaw na barkach rzecznych, organizowanych w latach 1952–1967. Wakacyjny charakter działalności wystawienniczej na barkach oraz ograniczenia przestrzenne i techniczne jednostek pływających niewątpliwie wpływały na sposób myślenia o tych objazdowych ekspozycjach i do pewnego stopnia określały zarówno język przekazu, jak i je…
Co-crafting the Meaning of Potter’s Craft
The article is based on ethnography and the autoethnography of making. It presents an anthropological reflection on pottery craft as a way of life in a 21st-century village in Poland. The individual case of a village pottery shop in the region of Masuria is in focus, a place located in the north of the country. The exchange of knowledge and a participatory mode characterised the ethnographic enterprise. The author’s approach combines critical ref…
Proces projektowy” – o podzielaniu doświadczenia społecznego
„Nie możemy doświadczyć świata z perspektywy innych, możemy jednak podzielać ich doświadczenie społeczne” – napisała duńska antropolożka Kirsten Hastrup. Z perspektywy własnej obecności w polu dizajnu, która wiąże się z podzielaniem doświadczenia społecznego projektantów na różne sposoby, chciałabym zaproponować fenomenologiczną refleksję nad „procesem projektowym”. Jako antropolożka i etnografka łączę działalność badawczą z pracą dydaktyczną na …
Przekroczyć Podział Na Dziedzictwo „naturalne” I „kulturalne”
Antologia prezentuje szerokie spektrum problematyki podejmowanej w ramach krytycznych studiów nad dziedzictwem i jest pierwszą tego typu publikacją w Polsce kompleksowo zapoznającą czytelnika z tematem, który dotychczas w artykułach autorów krajowych
Etnodizajn and Folkstar Souvenirs
The present paper offers a critical reflection on folk inspirations in Polish design in the early 21st century. It discusses the question of folk as an artistic form, pointing to conceptualizations of folk style and its formal qualities within the field of modern artistic production to which design and craft practices belong. It also touches on the role of the rural actors involved in the processes of the construction of folklore and their attitu…
Etnodizajn a ludowość w polskim wzornictwie
In the first decade of the 2000s, a new wave of “folk inspirations” became visible in the work of Polish designers, which was celebrated by exhibitions, publications, conferences and a special festival. Interestingly, all the Polish-language coverage of these events almost unanimously avoided Polish vocabulary suggesting any connection with “folk” (n.: lud, adj.: ludowy) and used the English-sounding term “etnodizajn” (or “ethnodesign”), which ac…
The Craft of Factory Labor
Ceramics can be art, craft, and industrial production. Several stages of industrial production processes resulting in a porcelain item we buy in a shop require what can easily be called "craft." Drawing on my ongoing research project in a porcelain factory in Ćmielów, Poland, I focus on the skills and embodied knowledge of the workers. In this article, I ground my interpretation of factory work in Malafouris' Material Engagement Theory and the kn…
Mētis – wiedza asystemowa
Given the intellectual legacy of the Aristotelian distinction and hierarchization between practical and theoretical knowledge and the Cartesian dualism in the Western cognitive tradition, the non-discursive knowledge of the body has not raised much interest in modern science and philosophy. From the perspective of ethnography as research through practice, however, the role that the body’s non-discursive knowledge plays in anthropological understa…
Our Lady of Katyń
Exhibition Review Essays and Exhibition Reviews
Exhibition Review Essays and Exhibition Reviews
Zofia Rydet. Zapis / The Record 1978–1990
Stacja Muranów [Muranów Station]
Today Muranow is a neighborhood in the northern part of central Warsaw, where The Museum of History of Polish Jews “Polin” is located, as well as the majority of the city's memorials dedicated to t
Memory and Oblivion in the Cityscape Commemorations in the Warsaw Districts of Muranów and Mirów
The article discusses memory of the Jewish and the Holocaust past of Warsaw as it has been practiced in two districts of the city of Warsaw comprising the territory of the World War II ghetto. To contextualize the case studies described in the text, a discussion of the politics of the Polish memory of World War II in the context of the city of Warsaw has been provided, together with a brief discussion of research methods, which made use of the au…
Exhibition Reviews
Steampunk (Bradford Industrial Museum, UK) Framing India: Paris-Delhi-Bombay . . . (Centre Pompidou, Paris) E Tū Ake: Māori Standing Strong/Māori: leurs trésors ont une âme (Te Papa, Wellington, and Musée du quai Branly, Paris) The New American Art Galleries, Virginia Museum of Fine Arts, Richmond Scott's Last Expedition (Natural History Museum, London) Left-Wing Art, Right-Wing Art, Pure Art: New National Art (Museum of Modern Art, Warsaw) Focus…
Constructing a 'monument of national history and culture' in Poland
The substantial destruction of Warsaw during World War II led to important reconstruction works, which from the beginning were involved in an interplay of various political agendas and various conservation ideologies. The architectonic shape of the reconstructed Royal Castle, as well as the design of its interiors, were shaped through power struggles that were informed by two main sets of values: one referred to the legitimising (or questioning) …
La visite du patrimoine national
La visite des monuments historiques est une pratique que la majorité des Polonais situe quelque part entre loisir familial et devoir patriotique. Les deux plus importants monuments, les châteaux royaux de Varsovie et de Cracovie, font partie du patrimoine national depuis le xix e et le xx e siècle et ont subi depuis d'importantes restaurations et rénovations dans le but explicite d'en faire l'incarnation d'un récit sur l'identité nationale. Le tr…
O ujednoliconą analizę płci kulturowej i pokrewieństwa
Observations of a Post‐east European Member European Association of Social Anthropologists (Easa), 9th Biennial Conference, Bristol, 18–21 September 2006
Mourning John Paul II in the streets of Warsaw
La visite du patrimoine national
La visite des monuments historiques est une pratique que la majorité des Polonais situe quelque part entre loisir familial et devoir patriotique. Les deux plus importants monuments, les châteaux royaux de Varsovie et de Cracovie, font partie du patrimoine national depuis le xix e et le xx e siècle et ont subi depuis d'importantes restaurations et rénovations dans le but explicite d'en faire l'incarnation d'un récit sur l'identité nationale. Le tr…
Mourning John Paul II in the streets of Warsaw
The Craft of Factory Labor
Ceramics can be art, craft, and industrial production. Several stages of industrial production processes resulting in a porcelain item we buy in a shop require what can easily be called "craft." Drawing on my ongoing research project in a porcelain factory in Ćmielów, Poland, I focus on the skills and embodied knowledge of the workers. In this article, I ground my interpretation of factory work in Malafouris' Material Engagement Theory and the kn…
Etnodizajn and Folkstar Souvenirs
The present paper offers a critical reflection on folk inspirations in Polish design in the early 21st century. It discusses the question of folk as an artistic form, pointing to conceptualizations of folk style and its formal qualities within the field of modern artistic production to which design and craft practices belong. It also touches on the role of the rural actors involved in the processes of the construction of folklore and their attitu…
Stacja Muranów [Muranów Station]
Today Muranow is a neighborhood in the northern part of central Warsaw, where The Museum of History of Polish Jews “Polin” is located, as well as the majority of the city's memorials dedicated to t
Memory and Oblivion in the Cityscape Commemorations in the Warsaw Districts of Muranów and Mirów
The article discusses memory of the Jewish and the Holocaust past of Warsaw as it has been practiced in two districts of the city of Warsaw comprising the territory of the World War II ghetto. To contextualize the case studies described in the text, a discussion of the politics of the Polish memory of World War II in the context of the city of Warsaw has been provided, together with a brief discussion of research methods, which made use of the au…
Constructing a 'monument of national history and culture' in Poland
The substantial destruction of Warsaw during World War II led to important reconstruction works, which from the beginning were involved in an interplay of various political agendas and various conservation ideologies. The architectonic shape of the reconstructed Royal Castle, as well as the design of its interiors, were shaped through power struggles that were informed by two main sets of values: one referred to the legitimising (or questioning) …
Observations of a Post‐east European Member European Association of Social Anthropologists (Easa), 9th Biennial Conference, Bristol, 18–21 September 2006
O ujednoliconą analizę płci kulturowej i pokrewieństwa
Observations of a Post‐east European Member European Association of Social Anthropologists (Easa), 9th Biennial Conference, Bristol, 18–21 September 2006
Mourning John Paul II in the streets of Warsaw
La visite du patrimoine national
La visite des monuments historiques est une pratique que la majorité des Polonais situe quelque part entre loisir familial et devoir patriotique. Les deux plus importants monuments, les châteaux royaux de Varsovie et de Cracovie, font partie du patrimoine national depuis le xix e et le xx e siècle et ont subi depuis d'importantes restaurations et rénovations dans le but explicite d'en faire l'incarnation d'un récit sur l'identité nationale. Le tr…
Constructing a 'monument of national history and culture' in Poland
The substantial destruction of Warsaw during World War II led to important reconstruction works, which from the beginning were involved in an interplay of various political agendas and various conservation ideologies. The architectonic shape of the reconstructed Royal Castle, as well as the design of its interiors, were shaped through power struggles that were informed by two main sets of values: one referred to the legitimising (or questioning) …
Exhibition Reviews
Steampunk (Bradford Industrial Museum, UK) Framing India: Paris-Delhi-Bombay . . . (Centre Pompidou, Paris) E Tū Ake: Māori Standing Strong/Māori: leurs trésors ont une âme (Te Papa, Wellington, and Musée du quai Branly, Paris) The New American Art Galleries, Virginia Museum of Fine Arts, Richmond Scott's Last Expedition (Natural History Museum, London) Left-Wing Art, Right-Wing Art, Pure Art: New National Art (Museum of Modern Art, Warsaw) Focus…
Stacja Muranów [Muranów Station]
Today Muranow is a neighborhood in the northern part of central Warsaw, where The Museum of History of Polish Jews “Polin” is located, as well as the majority of the city's memorials dedicated to t
Memory and Oblivion in the Cityscape Commemorations in the Warsaw Districts of Muranów and Mirów
The article discusses memory of the Jewish and the Holocaust past of Warsaw as it has been practiced in two districts of the city of Warsaw comprising the territory of the World War II ghetto. To contextualize the case studies described in the text, a discussion of the politics of the Polish memory of World War II in the context of the city of Warsaw has been provided, together with a brief discussion of research methods, which made use of the au…
Our Lady of Katyń
Exhibition Review Essays and Exhibition Reviews
Exhibition Review Essays and Exhibition Reviews
Zofia Rydet. Zapis / The Record 1978–1990
Mētis – wiedza asystemowa
Given the intellectual legacy of the Aristotelian distinction and hierarchization between practical and theoretical knowledge and the Cartesian dualism in the Western cognitive tradition, the non-discursive knowledge of the body has not raised much interest in modern science and philosophy. From the perspective of ethnography as research through practice, however, the role that the body’s non-discursive knowledge plays in anthropological understa…
The Craft of Factory Labor
Ceramics can be art, craft, and industrial production. Several stages of industrial production processes resulting in a porcelain item we buy in a shop require what can easily be called "craft." Drawing on my ongoing research project in a porcelain factory in Ćmielów, Poland, I focus on the skills and embodied knowledge of the workers. In this article, I ground my interpretation of factory work in Malafouris' Material Engagement Theory and the kn…
Etnodizajn a ludowość w polskim wzornictwie
In the first decade of the 2000s, a new wave of “folk inspirations” became visible in the work of Polish designers, which was celebrated by exhibitions, publications, conferences and a special festival. Interestingly, all the Polish-language coverage of these events almost unanimously avoided Polish vocabulary suggesting any connection with “folk” (n.: lud, adj.: ludowy) and used the English-sounding term “etnodizajn” (or “ethnodesign”), which ac…
Proces projektowy” – o podzielaniu doświadczenia społecznego
„Nie możemy doświadczyć świata z perspektywy innych, możemy jednak podzielać ich doświadczenie społeczne” – napisała duńska antropolożka Kirsten Hastrup. Z perspektywy własnej obecności w polu dizajnu, która wiąże się z podzielaniem doświadczenia społecznego projektantów na różne sposoby, chciałabym zaproponować fenomenologiczną refleksję nad „procesem projektowym”. Jako antropolożka i etnografka łączę działalność badawczą z pracą dydaktyczną na …
Przekroczyć Podział Na Dziedzictwo „naturalne” I „kulturalne”
Antologia prezentuje szerokie spektrum problematyki podejmowanej w ramach krytycznych studiów nad dziedzictwem i jest pierwszą tego typu publikacją w Polsce kompleksowo zapoznającą czytelnika z tematem, który dotychczas w artykułach autorów krajowych
Etnodizajn and Folkstar Souvenirs
The present paper offers a critical reflection on folk inspirations in Polish design in the early 21st century. It discusses the question of folk as an artistic form, pointing to conceptualizations of folk style and its formal qualities within the field of modern artistic production to which design and craft practices belong. It also touches on the role of the rural actors involved in the processes of the construction of folklore and their attitu…
Reprezentacja przez sztukę, czyli wakacyjne muzeum etnograficzne
Tekst wykorzystuje niepublikowane materialy archiwalne Państwowego Muzeum Etnograficznego w Warszawie dotyczące objazdowych wystaw na barkach rzecznych, organizowanych w latach 1952–1967. Wakacyjny charakter działalności wystawienniczej na barkach oraz ograniczenia przestrzenne i techniczne jednostek pływających niewątpliwie wpływały na sposób myślenia o tych objazdowych ekspozycjach i do pewnego stopnia określały zarówno język przekazu, jak i je…
Co-crafting the Meaning of Potter’s Craft
The article is based on ethnography and the autoethnography of making. It presents an anthropological reflection on pottery craft as a way of life in a 21st-century village in Poland. The individual case of a village pottery shop in the region of Masuria is in focus, a place located in the north of the country. The exchange of knowledge and a participatory mode characterised the ethnographic enterprise. The author’s approach combines critical ref…
Art (11 works) · History (9 works) · Sociology (8 works) · Visual arts (8 works) · Philosophy (7 works) · Central European Literary Studies (6 works) · Polish-Jewish Holocaust Memory Studies (6 works) · Political science (5 works) · Archaeology (4 works) · Art history (4 works)