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Marie-Therese Mäder

Biographic Data

ID1168122
NAMEMarie-Therese Mäder
GIVEN NAMESMarie-Therese
FAMILY NAMEMäder
SIGNATUREMADER M
AFFILIATIONSLudwig-Maximilians-Universität München
ORCID0000-0002-2152-9128
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1965
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Religions, Norms, and the Mediatisation of Weddings

    Open Access•Marie-Therese Mäder, Natalie Fritz et al.•ARTICLE•Religions•2026•References: 16

    Finally, after more than an hour of impatiently waiting, the wedding couple enters the hall where the reception with 160 guests takes place [...]

  • For Ever and Ever the Perfect Wedding Picture

    Open Access•Marie-Therese Mäder•ARTICLE•Religions•2024•Cited by: 1•References: 28

    The paper examines how stylistic norms of wedding photography express, affirm, adapt, and reshape religious and secular values by combining ethical considerations with qualitative ethnographic observations. The first part offers a critique of the distinction between civil secular and religious weddings in current scholarship. In the second part, the relation between norms and values in an ethics of wedding photos is elaborated. The discussion is …

  • Identifying with a Religious Character

    María T Soto-Sanfiel, Marie-Therese Mäder et al.•ARTICLE•Journal of Religion in Europe•2019

    This study examines the extent to which audience’s identification with a religious character relates to variables of the message, the cultural setting in which it is consumed, and the viewer. Four hundred and eight students from Spanish ( Mean Age = 20.36, SD = 3.24) and Swiss universities ( Mean Age = 22.16, SD = 2.76) were assigned to one of two narratives portraying a religious character (Mormon or Muslim). Before watching the film, they compl…

  • A Sample of Fingerprints From Tongariki in the New Hebrides

    Open Access•Marie-Therese Mäder, M K Mader•ARTICLE•Oceania•1965

  • For Ever and Ever the Perfect Wedding Picture

    Open Access•Marie-Therese Mäder•ARTICLE•Religions•2024•Cited by: 1•References: 28

    The paper examines how stylistic norms of wedding photography express, affirm, adapt, and reshape religious and secular values by combining ethical considerations with qualitative ethnographic observations. The first part offers a critique of the distinction between civil secular and religious weddings in current scholarship. In the second part, the relation between norms and values in an ethics of wedding photos is elaborated. The discussion is …

  • A Sample of Fingerprints From Tongariki in the New Hebrides

    Open Access•Marie-Therese Mäder, M K Mader•ARTICLE•Oceania•1965

  • Identifying with a Religious Character

    María T Soto-Sanfiel, Marie-Therese Mäder et al.•ARTICLE•Journal of Religion in Europe•2019

    This study examines the extent to which audience’s identification with a religious character relates to variables of the message, the cultural setting in which it is consumed, and the viewer. Four hundred and eight students from Spanish ( Mean Age = 20.36, SD = 3.24) and Swiss universities ( Mean Age = 22.16, SD = 2.76) were assigned to one of two narratives portraying a religious character (Mormon or Muslim). Before watching the film, they compl…

  • For Ever and Ever the Perfect Wedding Picture

    Open Access•Marie-Therese Mäder•ARTICLE•Religions•2024•Cited by: 1•References: 28

    The paper examines how stylistic norms of wedding photography express, affirm, adapt, and reshape religious and secular values by combining ethical considerations with qualitative ethnographic observations. The first part offers a critique of the distinction between civil secular and religious weddings in current scholarship. In the second part, the relation between norms and values in an ethics of wedding photos is elaborated. The discussion is …

  • Religions, Norms, and the Mediatisation of Weddings

    Open Access•Marie-Therese Mäder, Natalie Fritz et al.•ARTICLE•Religions•2026•References: 16

    Finally, after more than an hour of impatiently waiting, the wedding couple enters the hall where the reception with 160 guests takes place [...]

Art (2 works) · Media, Religion, Digital Communication (2 works) · Sociology (2 works) · Anthropological Studies and Insights (1 work) · Avian ecology and behavior (1 work) · Citation (1 work) · Computer Science (1 work) · Context (archaeology (1 work) · Gender Studies (1 work) · Geography (1 work)

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