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Nadya L Peterson

Biographic Data

ID1169488
NAMENadya L Peterson
GIVEN NAMESNadya L
FAMILY NAMEPeterson
SIGNATUREPETERSON N L
AFFILIATIONSAssociate Professor of Russian at Hunter College of the City University of New York and the Head of the Russian and Slavic Studies Program who is also on the faculty in the doctoral program of the Department of Comparative Literature at the CUNY Graduate Center.
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS1
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2014
H-INDEX1
  • The Child in Chekhov

    Open Access•Nadya L Peterson•ARTICLE•The Russian Review•2014

    The focus of my research is on representation of childhood in Chekhov's stories. In this article I look at two stories (“Grisha” and “At Home”) published at the height of Chekhov's interest in children in the mid‐1880s. I have chosen this material because one of the stories appears on Leo Tolstoy's list of known favorites, both stories are written in the form of a dramatic sketch, and both narratives address two crucial stages in the development …

  • Gender Violence in Russia

    Nadya L Peterson•ARTICLE•Russian Journal of Communication•2011

  • Modernization and Its Discontents

    Nadya L Peterson•ARTICLE•The Slavic and East European…•2006

    Nadya L. Peterson, Modernization and Its Discontents: Teaching Literature in the New Russian School, The Slavic and East European Journal, Vol. 50, No. 1, Special Anniversary Issue (Spring, 2006), pp. 187-196

  • The Private "I" in the Works of Nina Berberova

    Open Access•Nadya L Peterson•ARTICLE•Slavic Review•2001•References: 3

    This article aims to identify prevalent concerns and anxieties informing Berberova's works, whether designated as fiction, biography, fictionalized history, or autobiography; to observe what is hidden behind the public facade of the autobiographical self; and to determine how the fictional and the autobiographical are connected in the writer's narratives. Berberova's autobiography, as well as her fictional and biographical writings, provide a fer…

  • Subversive Imaginations

    Konstantin Kustanovich, Nadya L Peterson•ARTICLE•The Slavic and East European…•1998

  • Sophia Parnok

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1995•Cited by: 1

  • Russian Village Prose

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1994

  • The Cambridge History of Russian Literature

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Slavic and East European…•1991

    Preface 1. The literature of old Russia, 988-1730 Jostein Bortnes 2. The eighteenth century: neoclassicism and the Enlightenment 1730-90 Ilya Serman 3. The transition to the modern age: sentimentalism and preromanticism, 1790-1820 Mark Altshuller 4. The nineteenth century: romanticism, 1820-40 John Mersereau Jr 5. The nineteenth century: the natural school and its aftermath, 1840-55 Richard Peace 6. The nineteenth century: the age of realism, 185…

  • Aspects of Modern Russian and Czech Literature

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1991

  • The Languages of "Darling"

    Nadya L Peterson, Nadya Peterson•ARTICLE•Canadian-American Slavic Studies•1990

  • Istoriia russkoi literatury XX veka

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1990

  • Science Fiction and Fantasy

    Open Access•Nadya L Peterson, Nadya Peterson•ARTICLE•Slavic Review•1989

    When Chingiz Aitmatov's Plakha first appeared in Novyi mir in 1986 many readers here were astounded at the uncanny ability of this established author to ride the wave of the future. This sensational novel, with its stark portrayal of the drug trade, exploitation of the environment, and social alienation in the Soviet Union, was seen by many as the ultimate expression of newfound creative freedoms under Mikhail Gorbachev. For all its seeming novel…

  • Sophia Parnok

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1995•Cited by: 1

  • Science Fiction and Fantasy

    Open Access•Nadya L Peterson, Nadya Peterson•ARTICLE•Slavic Review•1989

    When Chingiz Aitmatov's Plakha first appeared in Novyi mir in 1986 many readers here were astounded at the uncanny ability of this established author to ride the wave of the future. This sensational novel, with its stark portrayal of the drug trade, exploitation of the environment, and social alienation in the Soviet Union, was seen by many as the ultimate expression of newfound creative freedoms under Mikhail Gorbachev. For all its seeming novel…

  • The Languages of "Darling"

    Nadya L Peterson, Nadya Peterson•ARTICLE•Canadian-American Slavic Studies•1990

  • Istoriia russkoi literatury XX veka

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1990

  • The Cambridge History of Russian Literature

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Slavic and East European…•1991

    Preface 1. The literature of old Russia, 988-1730 Jostein Bortnes 2. The eighteenth century: neoclassicism and the Enlightenment 1730-90 Ilya Serman 3. The transition to the modern age: sentimentalism and preromanticism, 1790-1820 Mark Altshuller 4. The nineteenth century: romanticism, 1820-40 John Mersereau Jr 5. The nineteenth century: the natural school and its aftermath, 1840-55 Richard Peace 6. The nineteenth century: the age of realism, 185…

  • Aspects of Modern Russian and Czech Literature

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1991

  • Russian Village Prose

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1994

  • Sophia Parnok

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1995•Cited by: 1

  • Subversive Imaginations

    Konstantin Kustanovich, Nadya L Peterson•ARTICLE•The Slavic and East European…•1998

  • The Private "I" in the Works of Nina Berberova

    Open Access•Nadya L Peterson•ARTICLE•Slavic Review•2001•References: 3

    This article aims to identify prevalent concerns and anxieties informing Berberova's works, whether designated as fiction, biography, fictionalized history, or autobiography; to observe what is hidden behind the public facade of the autobiographical self; and to determine how the fictional and the autobiographical are connected in the writer's narratives. Berberova's autobiography, as well as her fictional and biographical writings, provide a fer…

  • Modernization and Its Discontents

    Nadya L Peterson•ARTICLE•The Slavic and East European…•2006

    Nadya L. Peterson, Modernization and Its Discontents: Teaching Literature in the New Russian School, The Slavic and East European Journal, Vol. 50, No. 1, Special Anniversary Issue (Spring, 2006), pp. 187-196

  • Gender Violence in Russia

    Nadya L Peterson•ARTICLE•Russian Journal of Communication•2011

  • The Child in Chekhov

    Open Access•Nadya L Peterson•ARTICLE•The Russian Review•2014

    The focus of my research is on representation of childhood in Chekhov's stories. In this article I look at two stories (“Grisha” and “At Home”) published at the height of Chekhov's interest in children in the mid‐1880s. I have chosen this material because one of the stories appears on Leo Tolstoy's list of known favorites, both stories are written in the form of a dramatic sketch, and both narratives address two crucial stages in the development …

Art (7 works) · History (6 works) · Literature (6 works) · Political science (6 works) · Eastern European Communism and Reforms (4 works) · History (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Law (3 works) · Linguistics (3 works)

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