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Mario Perniola

Biographic Data

ID1170237
NAMEMario Perniola
GIVEN NAMESMario
FAMILY NAMEPerniola
SIGNATUREPERNIOLA M
AFFILIATIONSUniversity of Rome Tor Vergata
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Les aventures du « sex appeal de l’inorganique

    Mario Perniola, Fabio La Rocca•ARTICLE•Sociétés•2022

    Cet article vise à une réflexion sur les régimes de l’art en centrant l’attention sur le sex appeal de l’inorganique comme manifestation esthétique afin de déterminer un autre type de classification de l’art. À travers le célèbre essai de Walter Benjamin sur « l’œuvre d’art », l’impact théorique mire à montrer l’expérience esthétique fondée sur la perspective de la dimension de l’expérience entre l’humain et les choses et cela devient une modalit…

  • Un désir non différable

    Mario Perniola•ARTICLE•Sociétés•2019

    Ce texte rassemble des extraits de l’ouvrage de Mario Perniola, L’instant éternel. Bataille et la pensée de la marginalité et souligne la contribution théorique de Georges Bataille à l’analyse de l’art et de son image créatrice, à travers les notions d’hétérogénéité et de négatif. L’auteur examine notamment les rapports conflictuels entre Georges Bataille et André Breton afin d’en contextualiser les points de divergence

  • L’esthétique italienne, du Novecento au XXI e siècle

    Mario Perniola, Paolo Quintili•ARTICLE•Rue Descartes•2016

  • Del terrorismo come una delle belle arti

    Mario Perniola•BOOK•Del terrorismo come una delle…•2016

    In questi testi autobiographici, né internamente veri, né interamente falsi, Perniola rivela le radici esistenziali della propria filosofia, mostrando la sua stretta connessione con alcune vicende storiche, politiche, culturali ed umane a lui contemporanee"--Front cover flap

  • El iconoclasma erótico de George Bataille

    Open Access•Mario Perniola•ARTICLE•Andamios•2014

    No Aplica

  • Being-Towards-Death and the Simulacrum of Death

    Mario Perniola•ARTICLE•Cultural Politics an International…•2011

    One of the essential achievements of Being and Time is the setting-aside of the metaphysical conception of death. Within that conception lie not merely the theological idea of death, understood as entry into another life, but also its humanist conception, which regards death as an alien simple-presence, or as being linked in a purely extrinsic way with human life. Heidegger writes, “Death is a way to be, which Dasein takes over as soon as it is.”…

  • The Japanese juxtaposition

    Open Access•Mario Perniola•ARTICLE•European Review•2006

    Taking its starting point from the distinction between axial and non-axial civilization, the article focuses on the peculiar aspects of the Japanese process of modernization, which has its roots in a historical experience in which the notions of hybridity and crossing were unsuitable. In fact, what we see in Japan is not the encounter and mixture of different and heterogeneous aspects, although there is hardly anything original or pure in it. The…

  • Remembering Derrida

    Mario Perniola, Deborah Amberson•ARTICLE•SubStance•2005

  • Sade et la désexualisation médiatique

    Mario Perniola•ARTICLE•Lignes•2004

  • Cultural Turning Points in Art

    Open Access•Mario Perniola•ARTICLE•Res: Anthropology and Aesthetics•2002

  • "An Aesthetic of the "Grand Style

    Mario Perniola, Olga Vasile•ARTICLE•SubStance•1999

    An Aesthetic of the "Grand Style":Guy Debord Mario Perniola (bio) Translated by Olga Vasile (bio) A Distancing from the World It is difficult today to determine what might correspond to that model of aesthetic excellence that Nietzsche defined with the expression "the grand style." Certainly, in the various arts, works keep being produced that correspond to the features of contained power, classical rigor and unbounded certainty; unfortunately th…

  • The Difference of the Italian Philosophical Culture

    Mario Perniola•ARTICLE•Graduate Faculty Philosophy Journal•1984

No prominent works on this page.

  • The Difference of the Italian Philosophical Culture

    Mario Perniola•ARTICLE•Graduate Faculty Philosophy Journal•1984

  • "An Aesthetic of the "Grand Style

    Mario Perniola, Olga Vasile•ARTICLE•SubStance•1999

    An Aesthetic of the "Grand Style":Guy Debord Mario Perniola (bio) Translated by Olga Vasile (bio) A Distancing from the World It is difficult today to determine what might correspond to that model of aesthetic excellence that Nietzsche defined with the expression "the grand style." Certainly, in the various arts, works keep being produced that correspond to the features of contained power, classical rigor and unbounded certainty; unfortunately th…

  • Cultural Turning Points in Art

    Open Access•Mario Perniola•ARTICLE•Res: Anthropology and Aesthetics•2002

  • Sade et la désexualisation médiatique

    Mario Perniola•ARTICLE•Lignes•2004

  • Remembering Derrida

    Mario Perniola, Deborah Amberson•ARTICLE•SubStance•2005

  • The Japanese juxtaposition

    Open Access•Mario Perniola•ARTICLE•European Review•2006

    Taking its starting point from the distinction between axial and non-axial civilization, the article focuses on the peculiar aspects of the Japanese process of modernization, which has its roots in a historical experience in which the notions of hybridity and crossing were unsuitable. In fact, what we see in Japan is not the encounter and mixture of different and heterogeneous aspects, although there is hardly anything original or pure in it. The…

  • Being-Towards-Death and the Simulacrum of Death

    Mario Perniola•ARTICLE•Cultural Politics an International…•2011

    One of the essential achievements of Being and Time is the setting-aside of the metaphysical conception of death. Within that conception lie not merely the theological idea of death, understood as entry into another life, but also its humanist conception, which regards death as an alien simple-presence, or as being linked in a purely extrinsic way with human life. Heidegger writes, “Death is a way to be, which Dasein takes over as soon as it is.”…

  • El iconoclasma erótico de George Bataille

    Open Access•Mario Perniola•ARTICLE•Andamios•2014

    No Aplica

  • L’esthétique italienne, du Novecento au XXI e siècle

    Mario Perniola, Paolo Quintili•ARTICLE•Rue Descartes•2016

  • Del terrorismo come una delle belle arti

    Mario Perniola•BOOK•Del terrorismo come una delle…•2016

    In questi testi autobiographici, né internamente veri, né interamente falsi, Perniola rivela le radici esistenziali della propria filosofia, mostrando la sua stretta connessione con alcune vicende storiche, politiche, culturali ed umane a lui contemporanee"--Front cover flap

  • Un désir non différable

    Mario Perniola•ARTICLE•Sociétés•2019

    Ce texte rassemble des extraits de l’ouvrage de Mario Perniola, L’instant éternel. Bataille et la pensée de la marginalité et souligne la contribution théorique de Georges Bataille à l’analyse de l’art et de son image créatrice, à travers les notions d’hétérogénéité et de négatif. L’auteur examine notamment les rapports conflictuels entre Georges Bataille et André Breton afin d’en contextualiser les points de divergence

  • Les aventures du « sex appeal de l’inorganique

    Mario Perniola, Fabio La Rocca•ARTICLE•Sociétés•2022

    Cet article vise à une réflexion sur les régimes de l’art en centrant l’attention sur le sex appeal de l’inorganique comme manifestation esthétique afin de déterminer un autre type de classification de l’art. À travers le célèbre essai de Walter Benjamin sur « l’œuvre d’art », l’impact théorique mire à montrer l’expérience esthétique fondée sur la perspective de la dimension de l’expérience entre l’humain et les choses et cela devient une modalit…

Art (8 works) · Philosophy (7 works) · Philosophy (4 works) · Art history (3 works) · Epistemology (3 works) · French Historical and Cultural Studies (3 works) · Aesthetics (2 works) · Art, Politics, and Modernism (2 works) · Historical and Literary Analyses (2 works) · Humanities (2 works)

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