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David Pantalony

Biographic Data

ID1172822
NAMEDavid Pantalony
GIVEN NAMESDavid
FAMILY NAMEPantalony
SIGNATUREPANTALONY D
AFFILIATIONSMoscow Institute of Thermal Technology
ORCID0009-0007-1786-7187
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS4
WORKS AS AUTHOR7
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Unsound Supplies

    Fanny Gribenski, David Pantalony et al.•EDITOR•BOOK•Unsound Supplies•2025

    Unsound Supplies explores the complex and often hidden provenance of “raw materials” that underpin the rich musical cultures of modernity. The volume comprises ten chapters, each focusing on a specific material used in musical instrument making and the audio-communications industry from the nineteenth to the twenty-first centuries—from East African ivory and transatlantic-traded rubber to manila paper, Brazilian Pernambuco wood, tropical mahogany…

  • Sounding Acoustic Precision

    Fanny Gribenski, David Pantalony•ARTICLE•Isis•2023•References: 6

    A great variety of tuning forks survive in collections around the world, from departments of physics, phonetics, and psychology to medical settings, conservatories, and museum collections. Their ubiquity speaks to their iconic status, while their diversity points to the multifaceted cultures of materiality that shaped and formed around these objects. This essay traces the complex supply chains of nineteenth-century tuning forks, from the gatherin…

  • Scientific Instruments between East and West

    Neil Brown, Silke Ackermann et al.•BOOK•Scientific Instruments between…•2020

    Scientific Instruments between East and West is a collection of essays on aspects of the transmission of knowledge about scientific instruments and the trade in such instruments between the Eastern and Western worlds, particularly from Europe to the Ottoman Empire. The contributors, from a variety of countries, draw on original Arabic and Ottoman Turkish manuscripts and other archival sources and publications dating from the fifteenth to the twen…

  • What Remains

    Open Access•David Pantalony•ARTICLE•HoST - Journal of History of…•2020•Cited by: 2•References: 1

    Why do collections continually surprise? The simple answer for students and researchers is that collections of historic objects contain abundant information not well represented in texts or on the internet. Collections in museums, libraries, campuses and private hands offer a unique source of diversity for research, teaching and broader cultural offerings. In this paper, I look at the wealth of findings resulting from the careful study of objects…

  • The Presence, Provenance and Presentness of a Non Artifact

    Open Access•David Pantalony, David Alexander Pantalony•ARTICLE•Museum and Society•2019

    This article is a biography of a green tile collected from a Canadian hospital. It explores various properties of the tile in order to draw out lessons for research and display in museums. There are immediate sensory qualities of the tile that have inspired an exhibit about the colour green in medicine; there are aspects of the tile's provenance that bring out multiple local and international narratives; there are stories of the tile's present co…

  • Biography of an Artifact

    Open Access•David Pantalony•ARTICLE•Scientia Canadensis Canadian…•2011

    In this article I examine the life of an artifact, the Theratron Junior, a sleek green radiotherapy machine from 1956 displayed in a permanent exhibit at the Canada Science and Technology Museum. It is currently seen through the lens of Canadian innovations, but the Theratron Junior brims with features and history that touch on several other historical narratives—scientific, commercial, labour, aesthetics and patient experience. The striking “sea…

  • Thing knowledge

    Open Access•David Pantalony•REVIEW•Journal of the History of the…•2005

  • Seeing a Voice

    David Pantalony•ARTICLE•The American Journal of Psychology•2004•Cited by: 2•References: 2

    The human voice was one of the more elusive acoustical phenomena to study in the 19th century and therefore a crucial test of Hermann von Helmholtz's new theory of sound. This article describes the origins of instruments used to study vowel sounds: synthesizers for production, resonators for detection, and manometric flames for visual display. Instrument maker Rudolph Koenig played a leading role in transforming Helmholtz's ideas into apparatus. …

  • What Remains

    Open Access•David Pantalony•ARTICLE•HoST - Journal of History of…•2020•Cited by: 2•References: 1

    Why do collections continually surprise? The simple answer for students and researchers is that collections of historic objects contain abundant information not well represented in texts or on the internet. Collections in museums, libraries, campuses and private hands offer a unique source of diversity for research, teaching and broader cultural offerings. In this paper, I look at the wealth of findings resulting from the careful study of objects…

  • Seeing a Voice

    David Pantalony•ARTICLE•The American Journal of Psychology•2004•Cited by: 2•References: 2

    The human voice was one of the more elusive acoustical phenomena to study in the 19th century and therefore a crucial test of Hermann von Helmholtz's new theory of sound. This article describes the origins of instruments used to study vowel sounds: synthesizers for production, resonators for detection, and manometric flames for visual display. Instrument maker Rudolph Koenig played a leading role in transforming Helmholtz's ideas into apparatus. …

  • Seeing a Voice

    David Pantalony•ARTICLE•The American Journal of Psychology•2004•Cited by: 2•References: 2

    The human voice was one of the more elusive acoustical phenomena to study in the 19th century and therefore a crucial test of Hermann von Helmholtz's new theory of sound. This article describes the origins of instruments used to study vowel sounds: synthesizers for production, resonators for detection, and manometric flames for visual display. Instrument maker Rudolph Koenig played a leading role in transforming Helmholtz's ideas into apparatus. …

  • Thing knowledge

    Open Access•David Pantalony•REVIEW•Journal of the History of the…•2005

  • Biography of an Artifact

    Open Access•David Pantalony•ARTICLE•Scientia Canadensis Canadian…•2011

    In this article I examine the life of an artifact, the Theratron Junior, a sleek green radiotherapy machine from 1956 displayed in a permanent exhibit at the Canada Science and Technology Museum. It is currently seen through the lens of Canadian innovations, but the Theratron Junior brims with features and history that touch on several other historical narratives—scientific, commercial, labour, aesthetics and patient experience. The striking “sea…

  • The Presence, Provenance and Presentness of a Non Artifact

    Open Access•David Pantalony, David Alexander Pantalony•ARTICLE•Museum and Society•2019

    This article is a biography of a green tile collected from a Canadian hospital. It explores various properties of the tile in order to draw out lessons for research and display in museums. There are immediate sensory qualities of the tile that have inspired an exhibit about the colour green in medicine; there are aspects of the tile's provenance that bring out multiple local and international narratives; there are stories of the tile's present co…

  • Scientific Instruments between East and West

    Neil Brown, Silke Ackermann et al.•BOOK•Scientific Instruments between…•2020

    Scientific Instruments between East and West is a collection of essays on aspects of the transmission of knowledge about scientific instruments and the trade in such instruments between the Eastern and Western worlds, particularly from Europe to the Ottoman Empire. The contributors, from a variety of countries, draw on original Arabic and Ottoman Turkish manuscripts and other archival sources and publications dating from the fifteenth to the twen…

  • What Remains

    Open Access•David Pantalony•ARTICLE•HoST - Journal of History of…•2020•Cited by: 2•References: 1

    Why do collections continually surprise? The simple answer for students and researchers is that collections of historic objects contain abundant information not well represented in texts or on the internet. Collections in museums, libraries, campuses and private hands offer a unique source of diversity for research, teaching and broader cultural offerings. In this paper, I look at the wealth of findings resulting from the careful study of objects…

  • Sounding Acoustic Precision

    Fanny Gribenski, David Pantalony•ARTICLE•Isis•2023•References: 6

    A great variety of tuning forks survive in collections around the world, from departments of physics, phonetics, and psychology to medical settings, conservatories, and museum collections. Their ubiquity speaks to their iconic status, while their diversity points to the multifaceted cultures of materiality that shaped and formed around these objects. This essay traces the complex supply chains of nineteenth-century tuning forks, from the gatherin…

  • Unsound Supplies

    Fanny Gribenski, David Pantalony et al.•EDITOR•BOOK•Unsound Supplies•2025

    Unsound Supplies explores the complex and often hidden provenance of “raw materials” that underpin the rich musical cultures of modernity. The volume comprises ten chapters, each focusing on a specific material used in musical instrument making and the audio-communications industry from the nineteenth to the twenty-first centuries—from East African ivory and transatlantic-traded rubber to manila paper, Brazilian Pernambuco wood, tropical mahogany…

History (6 works) · Art (5 works) · Computer Science (5 works) · Narrative (4 works) · Sociology (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Artificial Intelligence (3 works) · History (3 works) · Library science (3 works)

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