Michael Podro

Biographic Data

ID1172997
NAMEMichael Podro
GIVEN NAMESMichael
FAMILY NAMEPodro
SIGNATUREPODRO M
AFFILIATIONSUniversity of Essex
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS2
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1966
LATEST PUBLICATION YEAR2008
H-INDEX1

  • Drawing Distinctions. The Varieties of Graphic Expression

    Michael PodroARTICLEThe British Journal of Aesthetics2008

    IN THE mid-eighteenth century it was thought, by Diderot, Lessing, and Herder, that there was an inherent limitation to the art of painting because it presented its subject matter only for visual scrutiny; it was external—it confronted the mind as opposed to offering, like poetry, something in which the mind could participate, respond to suggestions and analogies caught up in the unfolding of episodes. This is a rough and abbreviated outline of t…

  • Wölfflin, Heinrich

    Michael PodroCHAPTER2003

  • Panofsky, Erwin

    Michael Podro, Margaret BarlowCHAPTER2003

  • Riegl, Alois

    Michael PodroCHAPTER2003

  • Les limites de la peinture

    Open AccessMichael PodroARTICLERevue germanique internationale2000Cited by: 2

    Le xviiie siècle s’est particulièrement intéressé au code propre à chaque art et aux différences qui les séparent. Pour Diderot, le problème général était celui du contraste entre un langage rationnellement ordonné et les structures dont la beauté spécifiquement artistique dépend. Comment la peinture, qui montre l’apparence externe de l’objet, peut-elle posséder des structures internes comparables à celles de la littérature et de la musique ? Un …

  • The Critical Echo Chamber

    Open AccessMichael PodroARTICLEArt History2000

    Books reviewed in this article: James Elkins Our Beautiful, Dry and Distant Texts. Art History as Writing Charles Harrison and Paul Wood with Jason Gaiger Art in Theory 1815–1900. An Anthology of Changing Ideas

  • Derrida on Kant and Heidegger

    Open AccessMichael PodroARTICLEArt History1988

    The Truth in Painting by Jacques Derrida , translated by Geoff Bennington and Ian McLeod, Chicago and London: University of Chicago Press, 1987, 382 pp., 63 b. and w. ills., £39.95 hardback, £15.95 paper

  • The Values of Our Discontent

    Open AccessMichael PodroARTICLEArt History1986

    Tributes. Interpreters of our Cultural Tradition by E.H. Gombrich , Oxford: Phaidon, 1984, 277 pp., 75 ills, £17.50

  • Wormald's Benchmark

    Open AccessMichael Podro, Eric FernieARTICLEArt History1985

    Collected Writings. I. Studies in Medieval Art from the Sixth to the Twelfth Centuries by Francis Wormald , ed. by J.J.G. Alexander, T.J. Brown and J. Gibbs , Harvey Miller and Oxford University Press, 1984, 185 pp., 192 ills, £34

  • From Plato to Warburg

    Open AccessMichael PodroARTICLEArt History1985

    The Eloquence of Symbols. Studies in Humanist Art by Edgar Wind , ed. by Jaynie Anderson with a biographical memoir by Hugh Lloyd‐Jones , Oxford: Clarendon Press, 1983, 192 pp., 59 ills, £25 The History of Art as the History of Ideas by Max Dvořák , trans, by John Hardy, London: Routledge & Kegan Paul, 1984, 114 pp., 41 ills, £14.95

  • The Critical Historians of Art

    Marion F Deshmukh, Michael PodroARTICLEGerman Studies Review1984

  • Misconceived Alternatives

    Open AccessMichael PodroARTICLEArt History1984

    Vision and Painting by Norman Bryson , London: Macmillan, 1983, 185 pp., 39 ills, £20

  • The Critical Historians of Art

    David Carrier, Michael PodroARTICLEJournal of Aesthetics and Art…1983

  • The Manifold in Perception

    Francis X J Coleman, Michael PodroARTICLEThe Philosophical Review1974

  • The Manifold in Perception

    M R HAIGHT, Marjorie Haight et al.ARTICLEThe Philosophical Quarterly1973

    Journal Article Book Reviews Get access The Manifold in Perception : Theories of Art from Kant to Hildebrand. BY Michael Podro. ( Oxford University Press. 1972. Pp. xv + 129. Price £3.25) M. R. Haight M. R. Haight Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 23, Issue 93, October 1973, Pages 380–381, https://doi.org/10.2307/2218079 Published: 01 October 1973

  • Formal Elements and Theories of Modern Art

    Michael PodroARTICLEThe British Journal of Aesthetics1966

    FORMAL ELEMENTS AND THEORIES OF MODERN ART Get access Michael Podro Michael Podro Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 6, Issue 4, October 1966, Pages 329–338, https://doi.org/10.1093/bjaesthetics/6.4.329 Published: 01 October 1966