Ihor Junyk
Biographic Data
| ID | 1173746 |
|---|---|
| NAME | Ihor Junyk |
| GIVEN NAMES | Ihor |
| FAMILY NAME | Junyk |
| SIGNATURE | JUNYK I |
| AFFILIATIONS | Trent University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
“As Long as There’s Me. As Long as There’s You”
This essay explores David Bowie’s so-called “Berlin Triptych”: Low, “Heroes”, and Lodger. The essay takes issue with previous interpretations that have claimed that the albums do not form a “triptych” of any meaningful kind, and that this pretentious term was only applied ex post facto as a marketing strategy. At the heart of my argument is the concept and experience of migration. In the mid-1970s David Bowie was living in Los Angeles at a highpo…
Spectacles of virtue
This article traces the impact of popular culture and visual technology on eighteenth‐century neoclassicism. It considers the crucial influence of the waxworks on the work of Jacques‐Louis David. David was connected to the waxworks through his friendship with Philippe Curtius, Marie Tussaud’s uncle and the most renowned impresario of wax entertainments in pre‐revolutionary Paris. With its connection to a newly professionalized medicine, the waxen…
The Face of the Nation
April 01 2006 The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 Ihor Junyk Ihor Junyk Search for other works by this author on: This Site Google Scholar Author and Article Information Ihor Junyk Online Issn: 1536-0105 Print Issn: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (23): 96–120. https://doi.org/10.1162/grey.2006.1.23.96 Cite Icon C…
No prominent works on this page.
The Face of the Nation
April 01 2006 The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 Ihor Junyk Ihor Junyk Search for other works by this author on: This Site Google Scholar Author and Article Information Ihor Junyk Online Issn: 1536-0105 Print Issn: 1526-3819 © 2006 by Grey Room, Inc. and the Massachusetts Institute of Technology.2006 Grey Room (2006) (23): 96–120. https://doi.org/10.1162/grey.2006.1.23.96 Cite Icon C…
Spectacles of virtue
This article traces the impact of popular culture and visual technology on eighteenth‐century neoclassicism. It considers the crucial influence of the waxworks on the work of Jacques‐Louis David. David was connected to the waxworks through his friendship with Philippe Curtius, Marie Tussaud’s uncle and the most renowned impresario of wax entertainments in pre‐revolutionary Paris. With its connection to a newly professionalized medicine, the waxen…
“As Long as There’s Me. As Long as There’s You”
This essay explores David Bowie’s so-called “Berlin Triptych”: Low, “Heroes”, and Lodger. The essay takes issue with previous interpretations that have claimed that the albums do not form a “triptych” of any meaningful kind, and that this pretentious term was only applied ex post facto as a marketing strategy. At the heart of my argument is the concept and experience of migration. In the mid-1970s David Bowie was living in Los Angeles at a highpo…
Art (3 works) · Art history (3 works) · Aesthetics (2 works) · History (2 works) · Sociology (2 works) · Algorithm (1 work) · Ancient history (1 work) · Anthropology (1 work) · Citation (1 work) · Classicism (1 work)