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Lynn Pocock-Williams

Biographic Data

ID1174952
NAMELynn Pocock-Williams
GIVEN NAMESLynn
FAMILY NAMEPocock-Williams
SIGNATUREPOCOCK-WILLIAMS L
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS4
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR1993
H-INDEX1
  • A Certain Uncertainty

    Lynn Pocock-Williams•ARTICLE•Leonardo•1993

  • Toward the Automatic Generation of Visual Music

    Lynn Pocock-Williams•ARTICLE•Leonardo•1992•Cited by: 4

    In this article, the author presents her research, involving the integration of sound and image, which resulted in the design of a computer-software system and the creation of five computer-animated works. She discusses her three ‘predetermined’ computer-graphic animations that were created by the use of traditional computer-graphic techniques. She also details her two ‘automatically generated’ animations resulting from the creation of a computer…

  • A Rule System for Analysis in the Visual Arts

    Raymond Guido Lauzzana, Raymond Lauzzana et al.•ARTICLE•Leonardo•1988

    This paper traces a brief history of the evolution of formal rule systems and their use in the visual arts. In particular, it focuses on the use of shape grammars to describe compositional rules in the context of a design rule system. A LISP implementation of a design rule system based on shape grammars is presented in detail. Examples are drawn from various design disciplines with a particular focus on an analysis of Kandinsky’s Bauhaus painting…

  • Toward the Automatic Generation of Visual Music

    Lynn Pocock-Williams•ARTICLE•Leonardo•1992•Cited by: 4

    In this article, the author presents her research, involving the integration of sound and image, which resulted in the design of a computer-software system and the creation of five computer-animated works. She discusses her three ‘predetermined’ computer-graphic animations that were created by the use of traditional computer-graphic techniques. She also details her two ‘automatically generated’ animations resulting from the creation of a computer…

  • A Rule System for Analysis in the Visual Arts

    Raymond Guido Lauzzana, Raymond Lauzzana et al.•ARTICLE•Leonardo•1988

    This paper traces a brief history of the evolution of formal rule systems and their use in the visual arts. In particular, it focuses on the use of shape grammars to describe compositional rules in the context of a design rule system. A LISP implementation of a design rule system based on shape grammars is presented in detail. Examples are drawn from various design disciplines with a particular focus on an analysis of Kandinsky’s Bauhaus painting…

  • Toward the Automatic Generation of Visual Music

    Lynn Pocock-Williams•ARTICLE•Leonardo•1992•Cited by: 4

    In this article, the author presents her research, involving the integration of sound and image, which resulted in the design of a computer-software system and the creation of five computer-animated works. She discusses her three ‘predetermined’ computer-graphic animations that were created by the use of traditional computer-graphic techniques. She also details her two ‘automatically generated’ animations resulting from the creation of a computer…

  • A Certain Uncertainty

    Lynn Pocock-Williams•ARTICLE•Leonardo•1993

Art (3 works) · Computer Science (3 works) · Visual arts (2 works) · Architecture and Computational Design (1 work) · Art, Technology, and Culture (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Cognitive science (1 work) · Communication (1 work) · Context (archaeology) (1 work)

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