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Theodore Silverstein

Biographic Data

ID1175818
NAMETheodore Silverstein
GIVEN NAMESTheodore
FAMILY NAMESilverstein
SIGNATURESILVERSTEIN T
AFFILIATIONSUniversity of Kansas
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS1
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1938
LATEST PUBLICATION YEAR1998
H-INDEX1
  • Apocalypse of Paul. A New Critical Edition of Three Long Latin Versions

    Johannes Tromp, Theodore Silverstein et al.•ARTICLE•Vigiliae Christianae•1998

  • The Commentary on the First Six Books of the "Aeneid" of Virgil Commonly Attributed to Bernardus Silvestris . Julian Ward Jones , Elizabeth Frances Jones

    Theodore Silverstein•ARTICLE•Speculum•1979

  • Medieval Latin Scientific Writings in the Barberini Collection, A Provisional Catalogue

    J Reginald O''Donnell, J Reginald O'Donnell et al.•ARTICLE•Phoenix•1959

  • Anima Mundi

    Theodore Silverstein•ARTICLE•Speculum•1958

  • Adelard, Aristotle, and the De natura deorum

    Theodore Silverstein•ARTICLE•Classical Philology•1952

  • Dante and the Legend of the Miʿrāj

    Theodore Silverstein•ARTICLE•Journal of Near Eastern Studies•1952•Cited by: 1

    The study with which Cerulli supports his edition of the Libro della scala is a model of historical research, tracing, as it does, by strict lines of literary dependence the spread of the knowledge of Muslim otherworld beliefs among certain Christian writers in the later Middle Ages. With Dante it attempts to follow the same delimited pattern, resisting the temptation to canvass all of Islam for analogues, and centers chiefly on the Libro itself.…

  • Dante's Heavenly Rose

    Open Access•Theodore Silverstein•ARTICLE•Harvard Theological Review•1949

    The figure of the rose with which Dante tops the soaring structure of his Paradiso may seem to have stimulated comment enough by now, and the present note, pointing out yet another possible analogue, serve merely to expand the raw bulk of such materials, which, though interesting in themselves, add little essential to our knowledge of the poem. But no Stoffkritik has yet explained entirely happily to the student of the popular otherworld traditio…

  • The Throne of the Emperor Henry in Dante's Paradise and the Mediaeval Conception of Christian Kingship

    Open Access•Theodore Silverstein•ARTICLE•Harvard Theological Review•1939

    Nowhere has Dante offered more ample evidence of his faith in the Roman imperium and admiration of the Emperor Henry VII than in a brief passage of six lines in the thirtieth canto of the Paradiso. There, beyond the limits of the corporeal spheres in the heaven which is pure light, surrounded by the saintly splendors of the City of God, Beatrice directs the poet's gaze to a vacant seat among the thrones of the blessed: E'n quel gran seggio a che …

  • The Passage of the Souls to Purgatory in the Divina Commedia

    Open Access•Theodore Silverstein•ARTICLE•Harvard Theological Review•1938

    As the second canto of the Purgatorio opens, Dante's attention is attracted by a light which, swiftly approaching, discloses the form of wings. ‘Fa, fa che le ginnochia cali: ecco l' angel di Dio: piega le mani: omai vedrai di si fatti officiali. Vedi che sdegna li argomenti umani, sì che remo non vuol nè altro velo che l' ali sue tra liti sì lontani. Vedi come l' ha dritte verso il cielo, trattando l' aere con l' etterne penne, che non si mutan …

  • On the Genesis of De Monarchia, II, v

    Theodore Silverstein•ARTICLE•Speculum•1938

  • Dante and the Legend of the Miʿrāj

    Theodore Silverstein•ARTICLE•Journal of Near Eastern Studies•1952•Cited by: 1

    The study with which Cerulli supports his edition of the Libro della scala is a model of historical research, tracing, as it does, by strict lines of literary dependence the spread of the knowledge of Muslim otherworld beliefs among certain Christian writers in the later Middle Ages. With Dante it attempts to follow the same delimited pattern, resisting the temptation to canvass all of Islam for analogues, and centers chiefly on the Libro itself.…

  • The Passage of the Souls to Purgatory in the Divina Commedia

    Open Access•Theodore Silverstein•ARTICLE•Harvard Theological Review•1938

    As the second canto of the Purgatorio opens, Dante's attention is attracted by a light which, swiftly approaching, discloses the form of wings. ‘Fa, fa che le ginnochia cali: ecco l' angel di Dio: piega le mani: omai vedrai di si fatti officiali. Vedi che sdegna li argomenti umani, sì che remo non vuol nè altro velo che l' ali sue tra liti sì lontani. Vedi come l' ha dritte verso il cielo, trattando l' aere con l' etterne penne, che non si mutan …

  • On the Genesis of De Monarchia, II, v

    Theodore Silverstein•ARTICLE•Speculum•1938

  • The Throne of the Emperor Henry in Dante's Paradise and the Mediaeval Conception of Christian Kingship

    Open Access•Theodore Silverstein•ARTICLE•Harvard Theological Review•1939

    Nowhere has Dante offered more ample evidence of his faith in the Roman imperium and admiration of the Emperor Henry VII than in a brief passage of six lines in the thirtieth canto of the Paradiso. There, beyond the limits of the corporeal spheres in the heaven which is pure light, surrounded by the saintly splendors of the City of God, Beatrice directs the poet's gaze to a vacant seat among the thrones of the blessed: E'n quel gran seggio a che …

  • Dante's Heavenly Rose

    Open Access•Theodore Silverstein•ARTICLE•Harvard Theological Review•1949

    The figure of the rose with which Dante tops the soaring structure of his Paradiso may seem to have stimulated comment enough by now, and the present note, pointing out yet another possible analogue, serve merely to expand the raw bulk of such materials, which, though interesting in themselves, add little essential to our knowledge of the poem. But no Stoffkritik has yet explained entirely happily to the student of the popular otherworld traditio…

  • Adelard, Aristotle, and the De natura deorum

    Theodore Silverstein•ARTICLE•Classical Philology•1952

  • Dante and the Legend of the Miʿrāj

    Theodore Silverstein•ARTICLE•Journal of Near Eastern Studies•1952•Cited by: 1

    The study with which Cerulli supports his edition of the Libro della scala is a model of historical research, tracing, as it does, by strict lines of literary dependence the spread of the knowledge of Muslim otherworld beliefs among certain Christian writers in the later Middle Ages. With Dante it attempts to follow the same delimited pattern, resisting the temptation to canvass all of Islam for analogues, and centers chiefly on the Libro itself.…

  • Anima Mundi

    Theodore Silverstein•ARTICLE•Speculum•1958

  • Medieval Latin Scientific Writings in the Barberini Collection, A Provisional Catalogue

    J Reginald O''Donnell, J Reginald O'Donnell et al.•ARTICLE•Phoenix•1959

  • The Commentary on the First Six Books of the "Aeneid" of Virgil Commonly Attributed to Bernardus Silvestris . Julian Ward Jones , Elizabeth Frances Jones

    Theodore Silverstein•ARTICLE•Speculum•1979

  • Apocalypse of Paul. A New Critical Edition of Three Long Latin Versions

    Johannes Tromp, Theodore Silverstein et al.•ARTICLE•Vigiliae Christianae•1998

Philosophy (9 works) · Art (8 works) · Classics (7 works) · History (7 works) · Theology (7 works) · Art history (4 works) · Humanities (4 works) · Classics (3 works) · Literature (3 works) · Philosophy (3 works)

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