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Ursula Fanning

Biographic Data

ID1175880
NAMEUrsula Fanning
GIVEN NAMESUrsula
FAMILY NAMEFanning
SIGNATUREFANNING U
AFFILIATIONSUniversity College Dublin
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2017
H-INDEX0
  • Italian Women's Autobiographical Writings in the Twentieth Century

    Ursula Fanning•BOOK•Italian Women's Autobiographical…•2017

    This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and litera…

  • Women's Writing in Italy

    Ursula Fanning•ARTICLE•Italian Studies•2002

    These three texts make an enormous contribution to the ongoing project of mapping, rediscovering, and analysing different forms of women's writing in the Italian context from the earliest works in the volgare, and in Latin, to the end of the 1990s. What is perhaps most surprising, and most interesting, to note is the insistency with which certain themes and stylistic features recur, and are highlighted as significant, from one of these studies to…

  • Sibilla Aleramo's Una donna

    Ursula Fanning•ARTICLE•The Italianist•1999•References: 2

  • Sibilla Aleramo'sUna donna

    Ursula Fanning•ARTICLE•The Italianist•1999

  • Genoa and the Genoese 958–1528

    Julian W Gardner, Julian Gardner et al.•ARTICLE•Italian Studies•1998

  • Mother in the text, mothering the text

    Ursula Fanning•ARTICLE•The Italianist•1994•References: 2

  • Writing Women's Work

    Ursula Fanning•ARTICLE•Italian Studies•1993

    A large proportion of Matilde Serao's fictional characters are women who work outside the home/family structure. The very proliferation of such characters, and the evident interest of their creator in the minute details of their work is, in itself, striking. My interest here centres both on Serao's writing of women's work, and the relationship of her fiction to the reality of working women's lives in Italy in the late nineteenth century. While wi…

  • Serao's Gothic Revisions

    Ursula Fanning•ARTICLE•The Italianist•1992

  • Angel vs. monster

    Ursula Fanning•ARTICLE•The Italianist•1987

  • Angel vs. monster

    Ursula Fanning•ARTICLE•The Italianist•1987

  • An annotated copy of Matilde Serao'sNel sogno

    Ursula Fanning•ARTICLE•The Italianist•1986

  • An annotated copy of Matilde Serao's Nel sogno

    Ursula Fanning•ARTICLE•The Italianist•1986

No prominent works on this page.

  • An annotated copy of Matilde Serao'sNel sogno

    Ursula Fanning•ARTICLE•The Italianist•1986

  • An annotated copy of Matilde Serao's Nel sogno

    Ursula Fanning•ARTICLE•The Italianist•1986

  • Angel vs. monster

    Ursula Fanning•ARTICLE•The Italianist•1987

  • Angel vs. monster

    Ursula Fanning•ARTICLE•The Italianist•1987

  • Serao's Gothic Revisions

    Ursula Fanning•ARTICLE•The Italianist•1992

  • Writing Women's Work

    Ursula Fanning•ARTICLE•Italian Studies•1993

    A large proportion of Matilde Serao's fictional characters are women who work outside the home/family structure. The very proliferation of such characters, and the evident interest of their creator in the minute details of their work is, in itself, striking. My interest here centres both on Serao's writing of women's work, and the relationship of her fiction to the reality of working women's lives in Italy in the late nineteenth century. While wi…

  • Mother in the text, mothering the text

    Ursula Fanning•ARTICLE•The Italianist•1994•References: 2

  • Genoa and the Genoese 958–1528

    Julian W Gardner, Julian Gardner et al.•ARTICLE•Italian Studies•1998

  • Sibilla Aleramo's Una donna

    Ursula Fanning•ARTICLE•The Italianist•1999•References: 2

  • Sibilla Aleramo'sUna donna

    Ursula Fanning•ARTICLE•The Italianist•1999

  • Women's Writing in Italy

    Ursula Fanning•ARTICLE•Italian Studies•2002

    These three texts make an enormous contribution to the ongoing project of mapping, rediscovering, and analysing different forms of women's writing in the Italian context from the earliest works in the volgare, and in Latin, to the end of the 1990s. What is perhaps most surprising, and most interesting, to note is the insistency with which certain themes and stylistic features recur, and are highlighted as significant, from one of these studies to…

  • Italian Women's Autobiographical Writings in the Twentieth Century

    Ursula Fanning•BOOK•Italian Women's Autobiographical…•2017

    This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and litera…

Art (11 works) · Italian Fascism and Post-war Society (8 works) · Philosophy (8 works) · Philosophy (8 works) · Humanities (6 works) · Italian Literature and Culture (5 works) · Literature (4 works) · Psychology (4 works) · Art history (3 works) · History (3 works)

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