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Claude Rawson

Biographic Data

ID1177056
NAMEClaude Rawson
GIVEN NAMESClaude
FAMILY NAMERawson
SIGNATURERAWSON C
AFFILIATIONSYale University
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS0
AUTHOR COUNT18
EDITOR COUNT1
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Gulliver and the Gentle Reader

    Open Access•Claude Rawson•ARTICLE•E-rea•2021

    The satire in Swift’s anatomy of the human animal in Gulliver’s Travels is unusually radical, comprehensive and aggressive. In the first three books it conventionally attacks humans for what they do, but at the end of book III and throughout book IV humans are attacked for what they are. From the beginning, the reader is wrongfooted by an unusually quarrelsome intimacy on the part of the narrative, and a constantly shifting instability in the reg…

  • Mapping Mythologies

    Claude Rawson•ARTICLE•Common Knowledge•2018

  • Claude Rawson in conversation with Marjorie Perloff

    Claude Rawson, Marjorie Perloff•ARTICLE•Textual Practice•2017

    PREFACEClaude Rawson has been called 'perhaps the best living scholar in eighteenth-century satire, and perhaps of British satire itself', and there is frequent reference in the literature to 'Rawson’s unassailable pre-eminence as Swift’s most challenging, exciting, and erudite modern critic'. In the words of Robert Alter, 'What Rawson bracingly demonstrates is that humanistic inquiry still can be, and deserves to be, an empirically grounded acti…

  • Swift and Others

    Claude Rawson•BOOK•Swift and Others•2015

  • Swift's Angers

    Claude Rawson•BOOK•Swift's Angers•2014

  • War and the Epic Mania in England and France

    Claude Rawson•ARTICLE•The Review of English Studies•2012

    The final version of Paradise Lost and the first version of Boileau’s Lutrin appeared within a few days of each other in July 1674, one of the unsung coincidences of literary history. Both mark a turning point in the literary history of grand styles and of anti-war feeling in Europe. The last great classical epic, and the first poem in a high mock-heroic genre, share an avoidance of the central epic theme of military carnage, which Milton disavow…

  • The Cambridge Companion to English Poets

    Open Access•Claude Rawson•BOOK•The Cambridge Companion to…•2011

    This volume provides lively and authoritative introductions to twenty-nine of the most important British and Irish poets from Geoffrey Chaucer to Philip Larkin. The list includes, among others, Shakespeare, Donne, Milton, Wordsworth, Browning, Yeats and T. S. Eliot, and represents the tradition of English poetry at its best. Each contributor offers a new assessment of a single poet's achievement and importance, with readings of the most important…

  • Gulliver's Travels

    Jonathan Swift, Claude Rawson et al.•BOOK•Gullivers Travels Oxford Worlds…•2008

    ‘Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.’ In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver’s Travels purports to be a travel book, a…

  • The Cambridge Companion to English Poets (Cambridge Companions to Literature)

    Claude Rawson•BOOK•The Cambridge Companion to…•2008

  • William Cowper

    Claude Rawson, James King et al.•ARTICLE•Eighteenth-Century Studies•1989

  • English Satire and the Satiric Tradition

    Michael Seidel, Claude Rawson•ARTICLE•Eighteenth-Century Studies•1987

  • The Character of Swift's Satire

    Frederik N Smith, Claude Rawson•ARTICLE•Eighteenth-Century Studies•1986

    The nature, style, and targets of Swift's witty, biting, and sometimes violent satire are critically investigated in this collection of essays. They portray Swift's social criticism in the light of his involvement in the politics of Anglo-Irish relations, and trace his literary roots, describing his connection with the Renaissance and studying his use of cliches and rhetoric

  • Splendors and Miseries of Textual Intercourse

    Claude Rawson•ARTICLE•New Literary History•1982

    rT _HE HONOR being invited to write a commentary on an issue this distinguished journal is one that I cannot resist. I must, however, put a few cards on the table. I am not by inclination or professional training greatly devoted to the theoretical discussion literature, and for me the Problems Literary Theory are as nothing to the one problem why there is so much it about. I am also one those who, as Robert Alter put it in the Preface to Art Bibl…

  • A Provision of Human Nature

    Claude Rawson, C J RAWSON et al.•ARTICLE•Eighteenth-Century Studies•1978

  • Order and Misrule

    Claude Rawson, C J RAWSON•ARTICLE•ELH•1975

    This essay is concerned with some important trends in the study of eighteenth-century literature, as exemplified in a number of recent books.' Some of these books themselves consist in part or in whole of discussions of the trends which are my subject here. Others, especially Martin C. Battestin's The Providence of Wit and Max Byrd's Visits to Bedlam, are distinguished illustrations of tendencies and methods in recent scholarship, rather than com…

  • Joseph Addison's Sociable Animal

    Claude Rawson, C J RAWSON et al.•ARTICLE•The Modern Language Review•1973

  • Poems on Affairs of State

    Claude Rawson, C J RAWSON et al.•ARTICLE•The Yearbook of English Studies•1972

  • Nature's Dance of Death

    Claude Rawson, C J RAWSON•ARTICLE•Eighteenth-Century Studies•1970

  • The Politics of Drama in Augustan England

    Claude Rawson, C J RAWSON et al.•ARTICLE•The Modern Language Review•1964

No prominent works on this page.

  • The Politics of Drama in Augustan England

    Claude Rawson, C J RAWSON et al.•ARTICLE•The Modern Language Review•1964

  • Nature's Dance of Death

    Claude Rawson, C J RAWSON•ARTICLE•Eighteenth-Century Studies•1970

  • Poems on Affairs of State

    Claude Rawson, C J RAWSON et al.•ARTICLE•The Yearbook of English Studies•1972

  • Joseph Addison's Sociable Animal

    Claude Rawson, C J RAWSON et al.•ARTICLE•The Modern Language Review•1973

  • Order and Misrule

    Claude Rawson, C J RAWSON•ARTICLE•ELH•1975

    This essay is concerned with some important trends in the study of eighteenth-century literature, as exemplified in a number of recent books.' Some of these books themselves consist in part or in whole of discussions of the trends which are my subject here. Others, especially Martin C. Battestin's The Providence of Wit and Max Byrd's Visits to Bedlam, are distinguished illustrations of tendencies and methods in recent scholarship, rather than com…

  • A Provision of Human Nature

    Claude Rawson, C J RAWSON et al.•ARTICLE•Eighteenth-Century Studies•1978

  • Splendors and Miseries of Textual Intercourse

    Claude Rawson•ARTICLE•New Literary History•1982

    rT _HE HONOR being invited to write a commentary on an issue this distinguished journal is one that I cannot resist. I must, however, put a few cards on the table. I am not by inclination or professional training greatly devoted to the theoretical discussion literature, and for me the Problems Literary Theory are as nothing to the one problem why there is so much it about. I am also one those who, as Robert Alter put it in the Preface to Art Bibl…

  • The Character of Swift's Satire

    Frederik N Smith, Claude Rawson•ARTICLE•Eighteenth-Century Studies•1986

    The nature, style, and targets of Swift's witty, biting, and sometimes violent satire are critically investigated in this collection of essays. They portray Swift's social criticism in the light of his involvement in the politics of Anglo-Irish relations, and trace his literary roots, describing his connection with the Renaissance and studying his use of cliches and rhetoric

  • English Satire and the Satiric Tradition

    Michael Seidel, Claude Rawson•ARTICLE•Eighteenth-Century Studies•1987

  • William Cowper

    Claude Rawson, James King et al.•ARTICLE•Eighteenth-Century Studies•1989

  • Gulliver's Travels

    Jonathan Swift, Claude Rawson et al.•BOOK•Gullivers Travels Oxford Worlds…•2008

    ‘Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.’ In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver’s Travels purports to be a travel book, a…

  • The Cambridge Companion to English Poets (Cambridge Companions to Literature)

    Claude Rawson•BOOK•The Cambridge Companion to…•2008

  • The Cambridge Companion to English Poets

    Open Access•Claude Rawson•BOOK•The Cambridge Companion to…•2011

    This volume provides lively and authoritative introductions to twenty-nine of the most important British and Irish poets from Geoffrey Chaucer to Philip Larkin. The list includes, among others, Shakespeare, Donne, Milton, Wordsworth, Browning, Yeats and T. S. Eliot, and represents the tradition of English poetry at its best. Each contributor offers a new assessment of a single poet's achievement and importance, with readings of the most important…

  • War and the Epic Mania in England and France

    Claude Rawson•ARTICLE•The Review of English Studies•2012

    The final version of Paradise Lost and the first version of Boileau’s Lutrin appeared within a few days of each other in July 1674, one of the unsung coincidences of literary history. Both mark a turning point in the literary history of grand styles and of anti-war feeling in Europe. The last great classical epic, and the first poem in a high mock-heroic genre, share an avoidance of the central epic theme of military carnage, which Milton disavow…

  • Swift's Angers

    Claude Rawson•BOOK•Swift's Angers•2014

  • Swift and Others

    Claude Rawson•BOOK•Swift and Others•2015

  • Claude Rawson in conversation with Marjorie Perloff

    Claude Rawson, Marjorie Perloff•ARTICLE•Textual Practice•2017

    PREFACEClaude Rawson has been called 'perhaps the best living scholar in eighteenth-century satire, and perhaps of British satire itself', and there is frequent reference in the literature to 'Rawson’s unassailable pre-eminence as Swift’s most challenging, exciting, and erudite modern critic'. In the words of Robert Alter, 'What Rawson bracingly demonstrates is that humanistic inquiry still can be, and deserves to be, an empirically grounded acti…

  • Mapping Mythologies

    Claude Rawson•ARTICLE•Common Knowledge•2018

  • Gulliver and the Gentle Reader

    Open Access•Claude Rawson•ARTICLE•E-rea•2021

    The satire in Swift’s anatomy of the human animal in Gulliver’s Travels is unusually radical, comprehensive and aggressive. In the first three books it conventionally attacks humans for what they do, but at the end of book III and throughout book IV humans are attacked for what they are. From the beginning, the reader is wrongfooted by an unusually quarrelsome intimacy on the part of the narrative, and a constantly shifting instability in the reg…

Art (17 works) · Literature (14 works) · Philosophy (11 works) · History (10 works) · Computer Science (8 works) · Art history (7 works) · Swift (6 works) · Philosophy (5 works) · Poetry (5 works) · History (4 works)

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