Verica Grmuša
Biographic Data
| ID | 1177260 |
|---|---|
| NAME | Verica Grmuša |
| GIVEN NAMES | Verica |
| FAMILY NAME | Grmuša |
| SIGNATURE | GRMUŠA V |
| AFFILIATIONS | Independent, Belgrade |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Music and Change in the Eastern Baltics before and after 1989 . Rūta Stanevičiūtė
German Song Onstage
German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries originated from the conference German Song Onstage 1789–1914, which took place at the Royal College of Music and Wigmore Hall in February 2016. With this exceptional volume, Natasha Loges and Laura Tunbridge continue to lead art song research, moving beyond earlier lied scholars’ words-to-music hermeneutics to embrace the interpretative significance of lieder …
The South Slav 'Golden Age' and Gender Representation in Music
This paper explores the gender representation of the Kosovo Myth by South Slav composers at the turn of the twentieth century in the context of the creation of Serbian and pan-Yugoslav identities. The Kosovo Myth emerged not long after the Battle of Kosovo in 1389, waged between predominantly Serbian forces and the Ottoman Turkish army. However, the event assumed major significance only in the nineteenth century, during which the medieval period …
No prominent works on this page.
German Song Onstage
German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries originated from the conference German Song Onstage 1789–1914, which took place at the Royal College of Music and Wigmore Hall in February 2016. With this exceptional volume, Natasha Loges and Laura Tunbridge continue to lead art song research, moving beyond earlier lied scholars’ words-to-music hermeneutics to embrace the interpretative significance of lieder …
The South Slav 'Golden Age' and Gender Representation in Music
This paper explores the gender representation of the Kosovo Myth by South Slav composers at the turn of the twentieth century in the context of the creation of Serbian and pan-Yugoslav identities. The Kosovo Myth emerged not long after the Battle of Kosovo in 1389, waged between predominantly Serbian forces and the Ottoman Turkish army. However, the event assumed major significance only in the nineteenth century, during which the medieval period …
Music and Change in the Eastern Baltics before and after 1989 . Rūta Stanevičiūtė
Art (3 works) · History (3 works) · Law (2 works) · Literature (2 works) · Mythology (2 works) · Ancient history (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art history (1 work) · Balkans: History, Politics, Society (1 work)