Lucienne Frappier-Mazur
Datos Biográficos
| ID | 1178488 |
|---|---|
| NOMBRE | Lucienne Frappier-Mazur |
| NOMBRES | Lucienne |
| APELLIDO | Frappier-Mazur |
| FIRMA | FRAPPIER-MAZUR L |
| VERIFICADO | No |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1978 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2004 |
| ÍNDICE H | 0 |
Théâtre et roman, burlesque et idéal
Lucienne Frappier-Mazur Theatre and Novel, Burlesque and Ideal: Sand's Workshop in "Pierre qui roule" and "Le Beau Laurence" Sand wrote her own "Roman comique" - one more knowledgeable about theatre than either Scarron's or Gautier' s, and more generous about it and its practitioners than Goethe's "Wilhelm Meister", showing how important theatre was as a locus for her own lucid idealism
Sadean Libertinage and the Esthetics of Violence
Have I succeeded, Constance? Will a tear from thy eye determine my triumph? After having read Justine, wilt say: how these renderings of crime make me proud of my love for virtue! How sublime does it appear through tears! How 'tis embellished by misfortunes! Oh, Constance! May these words but escape thy lips, and my labors shall be crowned. -From the Dedication to Justine ou les malheurs de la vertu
Le Banquet de Rimbaud. Recherches sur l'oralite
"Sade et l'ecriture de l'orgie. Pouvoir et parodie dans "L'Histoire de Juliette
Sade et l'ecriture de l'orgie
Sade My Neighbor
Marginal Canons
Metalanguage and the Book as Model in Romantic Parody
Any study of the relations between metalanguage and parody requires an examination of two groups of phenomena, which are distinct yet constantly overlap (Fr. interfrrent) in the text. For them, I shall use two very general terms: the isotopy of communication and the isotopy of models. Metalanguage creates a form of communication between a narrator and a reader; parody involves an interplay of models. Parody is here defined as the imitation of one…
Lecture d'un texte illisible
A la premiere page d'Autre etude defemme, texte assemble par Balzac en 1842,1 un narrateur anonyme jette un coup d'oeil retrospectif sur l'art disparu de la conversation et sur la transformation des soirees parisiennes depuis l'Ancien Regime, puis introduit la scene, environ deux ans apres la revolution de Juillet, dans le salon de Melle des Touches, alias le grand ecrivain Camille Maupin. La conversation s'engage, sans que disparaisse definitive…
La description mnémonique dans le roman romantique
Fortune et filiation dans quatre nouvelles de Balzac
Sin obras prominentes en esta página.
Fortune et filiation dans quatre nouvelles de Balzac
La description mnémonique dans le roman romantique
Lecture d'un texte illisible
A la premiere page d'Autre etude defemme, texte assemble par Balzac en 1842,1 un narrateur anonyme jette un coup d'oeil retrospectif sur l'art disparu de la conversation et sur la transformation des soirees parisiennes depuis l'Ancien Regime, puis introduit la scene, environ deux ans apres la revolution de Juillet, dans le salon de Melle des Touches, alias le grand ecrivain Camille Maupin. La conversation s'engage, sans que disparaisse definitive…
Metalanguage and the Book as Model in Romantic Parody
Any study of the relations between metalanguage and parody requires an examination of two groups of phenomena, which are distinct yet constantly overlap (Fr. interfrrent) in the text. For them, I shall use two very general terms: the isotopy of communication and the isotopy of models. Metalanguage creates a form of communication between a narrator and a reader; parody involves an interplay of models. Parody is here defined as the imitation of one…
Marginal Canons
Sade My Neighbor
"Sade et l'ecriture de l'orgie. Pouvoir et parodie dans "L'Histoire de Juliette
Sade et l'ecriture de l'orgie
Le Banquet de Rimbaud. Recherches sur l'oralite
Sadean Libertinage and the Esthetics of Violence
Have I succeeded, Constance? Will a tear from thy eye determine my triumph? After having read Justine, wilt say: how these renderings of crime make me proud of my love for virtue! How sublime does it appear through tears! How 'tis embellished by misfortunes! Oh, Constance! May these words but escape thy lips, and my labors shall be crowned. -From the Dedication to Justine ou les malheurs de la vertu
Théâtre et roman, burlesque et idéal
Lucienne Frappier-Mazur Theatre and Novel, Burlesque and Ideal: Sand's Workshop in "Pierre qui roule" and "Le Beau Laurence" Sand wrote her own "Roman comique" - one more knowledgeable about theatre than either Scarron's or Gautier' s, and more generous about it and its practitioners than Goethe's "Wilhelm Meister", showing how important theatre was as a locus for her own lucid idealism
Art (10 obras) · Historical and Literary Studies (5 obras) · Humanities (5 obras) · Philosophy (4 obras) · Art history (2 obras) · Computer Science (2 obras) · French Literature and Criticism (2 obras) · French Literature and Poetry (2 obras) · Historical and Literary Analyses (2 obras) · Historical Studies and Socio-cultural Analysis (2 obras)