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James O’sullivan

Biographic Data

ID1178954
NAMEJames O’sullivan
GIVEN NAMESJames
FAMILY NAMEO’sullivan
SIGNATUREO’SULLIVAN J
AFFILIATIONSUniversity College Cork
ORCID0000-0003-1766-0585
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS13
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Stylometric comparisons of human versus AI-generated creative writing

    Open Access•James O’sullivan•ARTICLE•Humanities and Social Sciences…•2025

    This study employs stylometry to investigate whether the creative writing styles of humans and large language models (LLMs) such as GPT-3.5, GPT-4, and Llama 70b can be distinguished through quantitative analysis. A balanced dataset of short stories composed in response to predefined narrative prompts forms the basis of the analysis. Burrows’ Delta, a widely used metric in computational literary studies, is applied to measure stylistic similarity…

  • The born-digital in future digital scholarly editing and publishing

    Open Access•James O’sullivan, Michael Pidd•ARTICLE•Humanities and Social Sciences…•2023

    Editorial scholarship is once again in a state of upheaval. Digital scholarly editing, for all it has achieved, has not accommodated the increasingly digital nature of cultural production and consumption. The theories and practices of digital scholarly editing need to better account for born-digital cultural materials like social media content, digital fiction, and video games. This paper discusses the state-of-the-art in digital scholarly editin…

  • The sociology of style

    Open Access•James O’sullivan, James O''Sullivan et al.•ARTICLE•Poetics•2022•References: 4

  • Modernist Intermediality

    James O’sullivan•ARTICLE•English Studies•2017•Cited by: 2•References: 5

    Throughout this paper I will argue that the “high modernism” of the inter-war era did not seek to distinguish itself from “low” art, and that, as a literary movement, it was very much engaged with mass culture. I will explore this in relation to two of the epoch’s most critically acclaimed authors, James Joyce and T. S. Eliot, giving particular focus to Ulysses and The Waste Land. My argument extends what Andreas Huyssen suggests in the After the…

  • Twenty First Century Global Goal-Setting Addressing Global Inequality

    Open Access•James O’sullivan•ARTICLE•Religions•2017•References: 4

    This paper employs an interdisciplinary ethical analysis to evaluate how global inequality has been addressed by recent so-called "global goal-setting" initiatives. It seeks to contextualize these initiatives within theoretical paradigms of human rights and human development, and to utilize these paradigms in evaluating the successes and shortcomings of the goal-setting initiatives. It concludes that while these initiatives have achieved some suc…

  • Reactions to Imagery Generated Using Computational Aesthetic Measures

    Prasad Gade, Mary Galvin et al.•ARTICLE•Leonardo•2017•Cited by: 1•References: 2

    This article examines whether textural generation system imagery evolved with computational aesthetic support can be judged as having aesthetic attributes, both when knowing and not knowing its true origin. Such a generation, depicting a digital landscape, is offered to two groups of participants to appraise. It is hypothesized that there will be no statistically significant difference between the groups on their appraisal of the image. Results f…

  • Time and Technology in Orlando

    James O’sullivan•ARTICLE•ANQ A Quarterly Journal of Short…•2014

    Technologies of time are central to Virginia Woolf’s Orlando, symbolism that is equally present in Sally Potter’s film adaptation of the novel. Both Woolf and Potter advance narratives that detail a journey through time, achieved through an exploration of external devices, all of which serve to embody the self, and resolve it with the surrounding environment. In this paper, the concept of external devices, specifically in relation to technologies…

  • The New Apparatus of Influence

    Open Access•James O’sullivan, James O'Sullivan•ARTICLE•International Journal of…•2014

    Throughout this paper, I argue for a reapplication of those theories set out by George Bornstein in Material Modernism. More specifically, I suggest that Bornstein's work should be considered in the context of the textual and literary constructs of the digital age. I begin with an account of those elements from Bornstein's argument that I consider to be of most relevance to this particular discourse, giving particular consideration to what he ref…

  • Xenophon of Ephesus

    James O’sullivan, James N O''Sullivan et al.•BOOK•Xenophon of Ephesus•2012

  • A Lexicon to Achilles Tatius

    James O’sullivan, James N O'Sullivan•BOOK•Lexicon to Achilles Tatius•1980•Cited by: 9

  • On Heliodorus Aethiopica 7.12.6

    Open Access•James O’sullivan, James N O'Sullivan•ARTICLE•The Classical Quarterly•1977

    Mr. Reeve has shown beyond question that the vulgate is corrupt: ‘ marks exaggerations, is not an exaggeration (or sense in the context), and there is therefore something wrong with the text.’

  • On Achilles Tatius 6.6.3

    Open Access•James O’sullivan, James N O'Sullivan•ARTICLE•The Classical Quarterly•1977

    There are three things to be noticed with regard to ἤκoυoευ ⋯ Λευκíφφη άυoιλoμέυωυ τωυ (a) the hiatus; (b) the fact that in every other place where Achilles Tatius uses άκoὐω with the genitive of the source of the sound and an appended participle the participle always belongs to a verb of speaking used literally (λέγoυτoς 1.8.2.16; 2.36.3.8; ειφόυτoς 3.21.6.13; λαλoὐνς 3.18.1.12 (sc. ταὐτης); ςιαλεγoμέυωυ 2.26.1.15; φoτυιωμέυης 6.15.4.28; ὐφoκπρω…

  • On Herodotus 7.183

    Open Access•James O’sullivan, James N O'Sullivan•ARTICLE•The Classical Quarterly•1977•Cited by: 1

    Of the ten ships of the barbarians three the reef that is between Sciathus and Magnesia and is called the Ant. When the barbarians had brought to the reef and set up there a pillar of stone, they themselves set out from Therma, as the way ahead had now been made clear for them, and sailed on with all their ships, having let eleven days pass since the king's departure from Therma. The reef, which was right in their course, had been pointed out to …

  • A Lexicon to Achilles Tatius

    James O’sullivan, James N O'Sullivan•BOOK•Lexicon to Achilles Tatius•1980•Cited by: 9

  • Modernist Intermediality

    James O’sullivan•ARTICLE•English Studies•2017•Cited by: 2•References: 5

    Throughout this paper I will argue that the “high modernism” of the inter-war era did not seek to distinguish itself from “low” art, and that, as a literary movement, it was very much engaged with mass culture. I will explore this in relation to two of the epoch’s most critically acclaimed authors, James Joyce and T. S. Eliot, giving particular focus to Ulysses and The Waste Land. My argument extends what Andreas Huyssen suggests in the After the…

  • Reactions to Imagery Generated Using Computational Aesthetic Measures

    Prasad Gade, Mary Galvin et al.•ARTICLE•Leonardo•2017•Cited by: 1•References: 2

    This article examines whether textural generation system imagery evolved with computational aesthetic support can be judged as having aesthetic attributes, both when knowing and not knowing its true origin. Such a generation, depicting a digital landscape, is offered to two groups of participants to appraise. It is hypothesized that there will be no statistically significant difference between the groups on their appraisal of the image. Results f…

  • On Herodotus 7.183

    Open Access•James O’sullivan, James N O'Sullivan•ARTICLE•The Classical Quarterly•1977•Cited by: 1

    Of the ten ships of the barbarians three the reef that is between Sciathus and Magnesia and is called the Ant. When the barbarians had brought to the reef and set up there a pillar of stone, they themselves set out from Therma, as the way ahead had now been made clear for them, and sailed on with all their ships, having let eleven days pass since the king's departure from Therma. The reef, which was right in their course, had been pointed out to …

  • On Heliodorus Aethiopica 7.12.6

    Open Access•James O’sullivan, James N O'Sullivan•ARTICLE•The Classical Quarterly•1977

    Mr. Reeve has shown beyond question that the vulgate is corrupt: ‘ marks exaggerations, is not an exaggeration (or sense in the context), and there is therefore something wrong with the text.’

  • On Achilles Tatius 6.6.3

    Open Access•James O’sullivan, James N O'Sullivan•ARTICLE•The Classical Quarterly•1977

    There are three things to be noticed with regard to ἤκoυoευ ⋯ Λευκíφφη άυoιλoμέυωυ τωυ (a) the hiatus; (b) the fact that in every other place where Achilles Tatius uses άκoὐω with the genitive of the source of the sound and an appended participle the participle always belongs to a verb of speaking used literally (λέγoυτoς 1.8.2.16; 2.36.3.8; ειφόυτoς 3.21.6.13; λαλoὐνς 3.18.1.12 (sc. ταὐτης); ςιαλεγoμέυωυ 2.26.1.15; φoτυιωμέυης 6.15.4.28; ὐφoκπρω…

  • On Herodotus 7.183

    Open Access•James O’sullivan, James N O'Sullivan•ARTICLE•The Classical Quarterly•1977•Cited by: 1

    Of the ten ships of the barbarians three the reef that is between Sciathus and Magnesia and is called the Ant. When the barbarians had brought to the reef and set up there a pillar of stone, they themselves set out from Therma, as the way ahead had now been made clear for them, and sailed on with all their ships, having let eleven days pass since the king's departure from Therma. The reef, which was right in their course, had been pointed out to …

  • A Lexicon to Achilles Tatius

    James O’sullivan, James N O'Sullivan•BOOK•Lexicon to Achilles Tatius•1980•Cited by: 9

  • Xenophon of Ephesus

    James O’sullivan, James N O''Sullivan et al.•BOOK•Xenophon of Ephesus•2012

  • Time and Technology in Orlando

    James O’sullivan•ARTICLE•ANQ A Quarterly Journal of Short…•2014

    Technologies of time are central to Virginia Woolf’s Orlando, symbolism that is equally present in Sally Potter’s film adaptation of the novel. Both Woolf and Potter advance narratives that detail a journey through time, achieved through an exploration of external devices, all of which serve to embody the self, and resolve it with the surrounding environment. In this paper, the concept of external devices, specifically in relation to technologies…

  • The New Apparatus of Influence

    Open Access•James O’sullivan, James O'Sullivan•ARTICLE•International Journal of…•2014

    Throughout this paper, I argue for a reapplication of those theories set out by George Bornstein in Material Modernism. More specifically, I suggest that Bornstein's work should be considered in the context of the textual and literary constructs of the digital age. I begin with an account of those elements from Bornstein's argument that I consider to be of most relevance to this particular discourse, giving particular consideration to what he ref…

  • Modernist Intermediality

    James O’sullivan•ARTICLE•English Studies•2017•Cited by: 2•References: 5

    Throughout this paper I will argue that the “high modernism” of the inter-war era did not seek to distinguish itself from “low” art, and that, as a literary movement, it was very much engaged with mass culture. I will explore this in relation to two of the epoch’s most critically acclaimed authors, James Joyce and T. S. Eliot, giving particular focus to Ulysses and The Waste Land. My argument extends what Andreas Huyssen suggests in the After the…

  • Twenty First Century Global Goal-Setting Addressing Global Inequality

    Open Access•James O’sullivan•ARTICLE•Religions•2017•References: 4

    This paper employs an interdisciplinary ethical analysis to evaluate how global inequality has been addressed by recent so-called "global goal-setting" initiatives. It seeks to contextualize these initiatives within theoretical paradigms of human rights and human development, and to utilize these paradigms in evaluating the successes and shortcomings of the goal-setting initiatives. It concludes that while these initiatives have achieved some suc…

  • Reactions to Imagery Generated Using Computational Aesthetic Measures

    Prasad Gade, Mary Galvin et al.•ARTICLE•Leonardo•2017•Cited by: 1•References: 2

    This article examines whether textural generation system imagery evolved with computational aesthetic support can be judged as having aesthetic attributes, both when knowing and not knowing its true origin. Such a generation, depicting a digital landscape, is offered to two groups of participants to appraise. It is hypothesized that there will be no statistically significant difference between the groups on their appraisal of the image. Results f…

  • The sociology of style

    Open Access•James O’sullivan, James O''Sullivan et al.•ARTICLE•Poetics•2022•References: 4

  • The born-digital in future digital scholarly editing and publishing

    Open Access•James O’sullivan, Michael Pidd•ARTICLE•Humanities and Social Sciences…•2023

    Editorial scholarship is once again in a state of upheaval. Digital scholarly editing, for all it has achieved, has not accommodated the increasingly digital nature of cultural production and consumption. The theories and practices of digital scholarly editing need to better account for born-digital cultural materials like social media content, digital fiction, and video games. This paper discusses the state-of-the-art in digital scholarly editin…

  • Stylometric comparisons of human versus AI-generated creative writing

    Open Access•James O’sullivan•ARTICLE•Humanities and Social Sciences…•2025

    This study employs stylometry to investigate whether the creative writing styles of humans and large language models (LLMs) such as GPT-3.5, GPT-4, and Llama 70b can be distinguished through quantitative analysis. A balanced dataset of short stories composed in response to predefined narrative prompts forms the basis of the analysis. Burrows’ Delta, a widely used metric in computational literary studies, is applied to measure stylistic similarity…

Art (7 works) · History (7 works) · History (6 works) · Philosophy (6 works) · Classical Antiquity Studies (5 works) · Computer Science (5 works) · Philosophy (5 works) · Sociology (5 works) · Aesthetics (4 works) · Context (archaeology (4 works)

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