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Ingrid Hoelzl

Biographic Data

ID1178957
NAMEIngrid Hoelzl
GIVEN NAMESIngrid
FAMILY NAMEHoelzl
SIGNATUREHOELZL I
AFFILIATIONSCollegium Helveticum
ORCID0000-0001-7512-7370
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Image-Transaction

    Ingrid Hoelzl•ARTICLE•Parallax•2020•References: 6

  • L'image-transaction

    Ingrid Hoelzl, Christophe Degoutin•ARTICLE•Multitudes•2020

    Cet article mobilise la notion d'« approche transactionnelle », empruntée à John Dewey et Arthur Bentley, pour nous inviter à concevoir les images circulant sur nos réseaux électroniques au-delà des représentations dont elles sont porteuses à la surface des écrans. Comprendre leur dynamique implique de prendre en compte les multiples couches dont elles se composent, depuis la matérialité des flux électriques, à travers les strates de langages-mac…

  • From Softimage to Postimage

    Ingrid Hoelzl, Rémi Marie•ARTICLE•Leonardo•2017•Cited by: 1•References: 3

    With the digital revolution, the photographic paradigm of the image has become supplemented with an algorithmic paradigm. The result is a new kind of image capable to gather, compute, merge and display heterogeneous data in real time; no longer a solid representation of a solid world but a softimage-a program-mable database view. In today's neurosciences and machine vision, the very concept of "image" as a stable visual entity becomes questionabl…

  • Brave New City

    Open Access•Ingrid Hoelzl, Rémi Marie•ARTICLE•Visual Communication•2016•References: 9

    In the last two decades, mobile, locative and wireless media have profoundly reconfigured our experience of the image as well as our experience of the urban space. Based on a critical revision of one of the first accounts of this new experience of the city, Lev Manovich’s ‘Poetics of Augmented Space’ (2006), and on Adrian Mackenzie’s concept of ‘wirelessness’ (2011), the authors define the urban as a data-space where physical and digital data, bo…

  • Google Street View

    Ingrid Hoelzl, Rémi Marie•ARTICLE•Visual Studies•2014

    Via a close navigation of a Google Street View (GSV) scene in Oslo, this article investigates the role the photographic image plays in what has come to be known as ‘locative media’ – an entire range of image software that runs on mobile devices using GPS signals to locate the user, and that emerged after the United States government decided to end the intentional degradation of the public GPS signal in 2001, fostering the development of navigable…

  • Screens - The Place of the Image in Digital Culture

    Ingrid Hoelzl•ARTICLE•Leonardo•2012•References: 3

    This article presents the theoretical framework, conceptual background, hypotheses and aims of ongoing research on the place of the image in digital culture. The author investigates how the new generic mode of display, the screen, affects the conception and the production of images, and how the myriad forms, uses and mobilities of urban screens contribute to the constitution of the shared space through which images and citizens circulate and comm…

  • From Softimage to Postimage

    Ingrid Hoelzl, Rémi Marie•ARTICLE•Leonardo•2017•Cited by: 1•References: 3

    With the digital revolution, the photographic paradigm of the image has become supplemented with an algorithmic paradigm. The result is a new kind of image capable to gather, compute, merge and display heterogeneous data in real time; no longer a solid representation of a solid world but a softimage-a program-mable database view. In today's neurosciences and machine vision, the very concept of "image" as a stable visual entity becomes questionabl…

  • Screens - The Place of the Image in Digital Culture

    Ingrid Hoelzl•ARTICLE•Leonardo•2012•References: 3

    This article presents the theoretical framework, conceptual background, hypotheses and aims of ongoing research on the place of the image in digital culture. The author investigates how the new generic mode of display, the screen, affects the conception and the production of images, and how the myriad forms, uses and mobilities of urban screens contribute to the constitution of the shared space through which images and citizens circulate and comm…

  • Google Street View

    Ingrid Hoelzl, Rémi Marie•ARTICLE•Visual Studies•2014

    Via a close navigation of a Google Street View (GSV) scene in Oslo, this article investigates the role the photographic image plays in what has come to be known as ‘locative media’ – an entire range of image software that runs on mobile devices using GPS signals to locate the user, and that emerged after the United States government decided to end the intentional degradation of the public GPS signal in 2001, fostering the development of navigable…

  • Brave New City

    Open Access•Ingrid Hoelzl, Rémi Marie•ARTICLE•Visual Communication•2016•References: 9

    In the last two decades, mobile, locative and wireless media have profoundly reconfigured our experience of the image as well as our experience of the urban space. Based on a critical revision of one of the first accounts of this new experience of the city, Lev Manovich’s ‘Poetics of Augmented Space’ (2006), and on Adrian Mackenzie’s concept of ‘wirelessness’ (2011), the authors define the urban as a data-space where physical and digital data, bo…

  • From Softimage to Postimage

    Ingrid Hoelzl, Rémi Marie•ARTICLE•Leonardo•2017•Cited by: 1•References: 3

    With the digital revolution, the photographic paradigm of the image has become supplemented with an algorithmic paradigm. The result is a new kind of image capable to gather, compute, merge and display heterogeneous data in real time; no longer a solid representation of a solid world but a softimage-a program-mable database view. In today's neurosciences and machine vision, the very concept of "image" as a stable visual entity becomes questionabl…

  • Image-Transaction

    Ingrid Hoelzl•ARTICLE•Parallax•2020•References: 6

  • L'image-transaction

    Ingrid Hoelzl, Christophe Degoutin•ARTICLE•Multitudes•2020

    Cet article mobilise la notion d'« approche transactionnelle », empruntée à John Dewey et Arthur Bentley, pour nous inviter à concevoir les images circulant sur nos réseaux électroniques au-delà des représentations dont elles sont porteuses à la surface des écrans. Comprendre leur dynamique implique de prendre en compte les multiples couches dont elles se composent, depuis la matérialité des flux électriques, à travers les strates de langages-mac…

Computer Science (4 works) · Art (3 works) · Aesthetics (2 works) · Computer vision (2 works) · Image (mathematics) (2 works) · Media studies (2 works) · Photography and Visual Culture (2 works) · Sociology (2 works) · Visual arts (2 works) · Artificial Intelligence (1 work)

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