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Grace Seiberling

Biographic Data

ID1180234
NAMEGrace Seiberling
GIVEN NAMESGrace
FAMILY NAMESeiberling
SIGNATURESEIBERLING G
AFFILIATIONSa University of Rochester, UK
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2003
H-INDEX0
  • Impressionism

    Grace Seiberling•CHAPTER•2003

  • Art nouveau in fin-de-siècle France

    Grace Seiberling•ARTICLE•History of European Ideas•1994

    (1994). Art nouveau in fin-de-siecle France: Politics, psychology, and style. History of European Ideas: Vol. 18, No. 5, pp. 799-801

  • Newton's ‘Burnham Beeches’ and early British photographs of trees

    Grace Seiberling•ARTICLE•History of Photography•1989

    Many photographs of trees appeared in British albums and exhibitions of the 1850s. Most often the trees are old and broken, not young and vigorous, and are highly individual, not typical examples of a species (figures 1 – 8). This way of photographing trees was characteristic of the practice followed by an influential group of British photographers in the early 1850s. The photographs discussed in this essay were made by members of the Photographi…

  • The photographs of Joseph James Forrester

    Grace Seiberling•ARTICLE•History of Photography•1983

    Joseph James Forrester was one of the distinguished amateurs of the first generation of photographers in England. He was typical of them in the way that his interests in photography grew out of his other concerns. With many other amateurs he shared an interest in experimentation which extended to the improvement of processes, an enthusiasm for the possibilities of the photograph for recording places and monuments and a taste for landscape. Yet he…

  • Towards Another Picture

    Grace Seiberling, Andrew Brighton et al.•ARTICLE•Leonardo•1982

No prominent works on this page.

  • Towards Another Picture

    Grace Seiberling, Andrew Brighton et al.•ARTICLE•Leonardo•1982

  • The photographs of Joseph James Forrester

    Grace Seiberling•ARTICLE•History of Photography•1983

    Joseph James Forrester was one of the distinguished amateurs of the first generation of photographers in England. He was typical of them in the way that his interests in photography grew out of his other concerns. With many other amateurs he shared an interest in experimentation which extended to the improvement of processes, an enthusiasm for the possibilities of the photograph for recording places and monuments and a taste for landscape. Yet he…

  • Newton's ‘Burnham Beeches’ and early British photographs of trees

    Grace Seiberling•ARTICLE•History of Photography•1989

    Many photographs of trees appeared in British albums and exhibitions of the 1850s. Most often the trees are old and broken, not young and vigorous, and are highly individual, not typical examples of a species (figures 1 – 8). This way of photographing trees was characteristic of the practice followed by an influential group of British photographers in the early 1850s. The photographs discussed in this essay were made by members of the Photographi…

  • Art nouveau in fin-de-siècle France

    Grace Seiberling•ARTICLE•History of European Ideas•1994

    (1994). Art nouveau in fin-de-siecle France: Politics, psychology, and style. History of European Ideas: Vol. 18, No. 5, pp. 799-801

  • Impressionism

    Grace Seiberling•CHAPTER•2003

Art (4 works) · Art history (4 works) · Computer Science (3 works) · Visual arts (3 works) · Photography (2 works) · Art, Politics, and Modernism (1 work) · Artistic and Creative Research (1 work) · Club (1 work) · Documentation (1 work) · Enthusiasm (1 work)

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