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Ira Konigsberg

Biographic Data

ID1180882
NAMEIra Konigsberg
GIVEN NAMESIra
FAMILY NAMEKonigsberg
SIGNATUREKONIGSBERG I
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR1997
H-INDEX1
  • The Only 'I' in the World

    Ira Konigsberg•ARTICLE•Cinema Journal•1997•Cited by: 1

    The restoration of the Polish-Yiddish film The Dybbuk (Der Dibek, 1938) was a ritual of discovery and exposure, not only of bringing the dead back to life, but of bringing into light a world that had become obscured and lost. Most films tell us something about the society and time that produce them; but sometimes a film can also be a window onto a culture and its beliefs, can be as much an ethnographic recreation as an artistic creation. I wish t…

  • From Fiction to the Novel

    Jerry C Beasley, Geoffrey Day et al.•ARTICLE•Eighteenth-Century Studies•1989

  • Narrative Technique in the English Novel, Defoe to Austen

    Open Access•Thomas M West, Ira Konigsberg•ARTICLE•South Central Review•1987

  • American Criticism in the Poststructuralist Age

    Ira Konigsberg•ARTICLE•Poetics Today•1982

  • Laurence Sterne

    Ira Konigsberg, Arthur H Cash•ARTICLE•Eighteenth-Century Studies•1977

  • Henry Fielding and the Language of Irony

    Arthur Sherbo, Glenn W Hatfield et al.•ARTICLE•Eighteenth-Century Studies•1970

  • The Only 'I' in the World

    Ira Konigsberg•ARTICLE•Cinema Journal•1997•Cited by: 1

    The restoration of the Polish-Yiddish film The Dybbuk (Der Dibek, 1938) was a ritual of discovery and exposure, not only of bringing the dead back to life, but of bringing into light a world that had become obscured and lost. Most films tell us something about the society and time that produce them; but sometimes a film can also be a window onto a culture and its beliefs, can be as much an ethnographic recreation as an artistic creation. I wish t…

  • Henry Fielding and the Language of Irony

    Arthur Sherbo, Glenn W Hatfield et al.•ARTICLE•Eighteenth-Century Studies•1970

  • Laurence Sterne

    Ira Konigsberg, Arthur H Cash•ARTICLE•Eighteenth-Century Studies•1977

  • American Criticism in the Poststructuralist Age

    Ira Konigsberg•ARTICLE•Poetics Today•1982

  • Narrative Technique in the English Novel, Defoe to Austen

    Open Access•Thomas M West, Ira Konigsberg•ARTICLE•South Central Review•1987

  • From Fiction to the Novel

    Jerry C Beasley, Geoffrey Day et al.•ARTICLE•Eighteenth-Century Studies•1989

  • The Only 'I' in the World

    Ira Konigsberg•ARTICLE•Cinema Journal•1997•Cited by: 1

    The restoration of the Polish-Yiddish film The Dybbuk (Der Dibek, 1938) was a ritual of discovery and exposure, not only of bringing the dead back to life, but of bringing into light a world that had become obscured and lost. Most films tell us something about the society and time that produce them; but sometimes a film can also be a window onto a culture and its beliefs, can be as much an ethnographic recreation as an artistic creation. I wish t…

Art (4 works) · History (4 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Themes in Literature Analysis (2 works) · Cognitive science (1 works) · Comics and Graphic Narratives (1 works)

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