Edith F Helman
Biographic Data
| ID | 1184770 |
|---|---|
| NAME | Edith F Helman |
| GIVEN NAMES | Edith F |
| FAMILY NAME | Helman |
| SIGNATURE | HELMAN E F |
| VERIFIED | No |
| TOTAL WORKS | 31 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 31 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1946 |
| LATEST PUBLICATION YEAR | 1977 |
| H-INDEX | 1 |
A Way of Seeing
Jovellanos y Goya
Benito Jeronimo Feijoo [sic]
An Album of Selected Bookbindings
Jose de Cadalso, Cartas marruecas
Narradores de hoy
Goya, Saturn and Melancholy
Los espanoles
Neo-Classic Drama in Spain
The Eighteenth Century Revolution in Spain
The Younger Moratin and Goya
EANDRO Fernandez de Moratin sat for his portrait on July 16, 1799; a crisp entry in his Diary tells us, A casa de Goya: retrato. 1 That same year, on February 6, Goya had announced for sale his Caprichos and withdrawn them shortly afterward. The circumstance that led to the suspension of their sale may be indicated by another telegraphic entry in the Diary for February 22, 1799, namely Caida de the fall of the Minister of Finance and (for a while…
Caprichos and Monstruos of Cadalso and Goya
Valera o la ficcion libre
A Note on an Immediate Source of Cadalso's Noches Lugubres
Pedro Antonio de Alarcon
Padre Isla and Goya
For many years, students in this country learned their Spanish from Padre Isla in one of the school editions or adaptations of Gil Blas de Santillana, that were reprinted again and again from the beginning of this century.' We might ask why we should have read this translation of Lesage's novel rather than any one of the Spanish picaresque novels from Lazarillo to the Busc6n, or some of Cervantes' Novelas ejemplares, or even the true picaresque s…
L'Espagne eclairee de la seconde moitie du xviiie siecle
La novela espanola 1700-1850
The Elder Moratin and Goya
D NICOLAS Fernandez de Moratin is readily dispatched by * most literary historians, after a few cursory remarks about his jejune dramas and dramatic theory, into a kind of neo-classical limbo. His attacks on the Golden Age theatre are, to be sure, absurd, but no more so than the strictures of later critics against his work because it revealed the thinking of a man born in 1737 and not in 1537. Moratin imbibed current notions and theories
Estudio preliminar a los "Diarios" de Jovellanos
"Una novela de "Clarin
Noches lúgubres
La Zapatera Prodigiosa
EL AUTOR. Respetable publico... (Pausa.) No, respetable publico no, publico solamente, y no es que el autor no considere al publico respetable, todo lo contrario, sino que detras de esta palabra hay como un delicado temblor de miedo y una especie de suplica para que el auditorio sea generoso con la mimica de los actores y el artificio del ingenio. El poeta no pide benevolencia, sino atencion, una vez que ha saltado hace mucho tiempo la barra espi…
"Leopoldo Alas and "La Regenta
A Short History of the Romantic Movement in Spain
Early Interest in Spanish in New England (1815-1835)
Cinco estudios de literatura espanola moderna
Estetica de 'Azorin
The First Printing of Cadalso's Noches lugubres
Blasco Ibanez, Unamuno, Valle Inclan, Baroja. Cuatro individualistas de Espana
A Short History of the Romantic Movement in Spain
On Humanizing Education Ortega's Institute of Humanities
Noches lúgubres
La Zapatera Prodigiosa
EL AUTOR. Respetable publico... (Pausa.) No, respetable publico no, publico solamente, y no es que el autor no considere al publico respetable, todo lo contrario, sino que detras de esta palabra hay como un delicado temblor de miedo y una especie de suplica para que el auditorio sea generoso con la mimica de los actores y el artificio del ingenio. El poeta no pide benevolencia, sino atencion, una vez que ha saltado hace mucho tiempo la barra espi…
"Leopoldo Alas and "La Regenta
Estudio preliminar a los "Diarios" de Jovellanos
"Una novela de "Clarin
Padre Isla and Goya
For many years, students in this country learned their Spanish from Padre Isla in one of the school editions or adaptations of Gil Blas de Santillana, that were reprinted again and again from the beginning of this century.' We might ask why we should have read this translation of Lesage's novel rather than any one of the Spanish picaresque novels from Lazarillo to the Busc6n, or some of Cervantes' Novelas ejemplares, or even the true picaresque s…
L'Espagne eclairee de la seconde moitie du xviiie siecle
La novela espanola 1700-1850
The Elder Moratin and Goya
D NICOLAS Fernandez de Moratin is readily dispatched by * most literary historians, after a few cursory remarks about his jejune dramas and dramatic theory, into a kind of neo-classical limbo. His attacks on the Golden Age theatre are, to be sure, absurd, but no more so than the strictures of later critics against his work because it revealed the thinking of a man born in 1737 and not in 1537. Moratin imbibed current notions and theories
A Note on an Immediate Source of Cadalso's Noches Lugubres
Pedro Antonio de Alarcon
Caprichos and Monstruos of Cadalso and Goya
Valera o la ficcion libre
The Younger Moratin and Goya
EANDRO Fernandez de Moratin sat for his portrait on July 16, 1799; a crisp entry in his Diary tells us, A casa de Goya: retrato. 1 That same year, on February 6, Goya had announced for sale his Caprichos and withdrawn them shortly afterward. The circumstance that led to the suspension of their sale may be indicated by another telegraphic entry in the Diary for February 22, 1799, namely Caida de the fall of the Minister of Finance and (for a while…
The Eighteenth Century Revolution in Spain
Neo-Classic Drama in Spain
Los espanoles
Goya, Saturn and Melancholy
Art (27 works) · History (15 works) · History (14 works) · Spanish Literature and Culture Studies (11 works) · Early Modern Spanish Literature (8 works) · Comparative Literary Analysis and Criticism (6 works) · Historical Art and Architecture Studies (6 works) · Philosophy (6 works) · Humanities (5 works) · Literature (5 works)