Allan Kaprow
Biographic Data
| ID | 1186713 |
|---|---|
| NAME | Allan Kaprow |
| GIVEN NAMES | Allan |
| FAMILY NAME | Kaprow |
| SIGNATURE | KAPROW A |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
Performing life
Após uma introdução às preocupações que o levaram à criação dos Happenings e, mais tarde, das Activities, Kaprow se dedica a pensamentos sobre o ato de respirar. Essa "consciência sobre o que fazemos e sentimos a cada dia, sua relação com a experiência alheia e com a natureza à nossa volta" torna-se, justamente, a "performance da vida" a que alude o título do ensaio. No final, o autor apresenta um esboço para uma "possível peça com a respiração"
Just Doing
Ages of the Avant-Garde
Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …
The Sense of an Ending
Take Off
Take off is at once a parody and a series of collusions masked as deceptions (or put-ons). The central issue is trust in the truthfulness and loyalty of a confederate. The confederate is trusted to carry a desired impression to another person. But she or he is also the confederate of that other person and may not be loyal. The possibility of secrecy and intimacy exist on all sides. And betrayal. But since all three parties become at some point go…
Self-Service
Self-Service, a piece without spectators, was performed in the summer of 1967 in Boston, New York, and Los Angeles. It spanned four months, June through September. Thirty-one activities were selected from a much larger number. Their time and locality distribution were determined by chance methods. Participants selected events from those offered for their city; each had to pick at least one, although doing many or all was preferable. Details of ti…
No prominent works on this page.
Self-Service
Self-Service, a piece without spectators, was performed in the summer of 1967 in Boston, New York, and Los Angeles. It spanned four months, June through September. Thirty-one activities were selected from a much larger number. Their time and locality distribution were determined by chance methods. Participants selected events from those offered for their city; each had to pick at least one, although doing many or all was preferable. Details of ti…
Take Off
Take off is at once a parody and a series of collusions masked as deceptions (or put-ons). The central issue is trust in the truthfulness and loyalty of a confederate. The confederate is trusted to carry a desired impression to another person. But she or he is also the confederate of that other person and may not be loyal. The possibility of secrecy and intimacy exist on all sides. And betrayal. But since all three parties become at some point go…
Ages of the Avant-Garde
Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …
The Sense of an Ending
Just Doing
Performing life
Após uma introdução às preocupações que o levaram à criação dos Happenings e, mais tarde, das Activities, Kaprow se dedica a pensamentos sobre o ato de respirar. Essa "consciência sobre o que fazemos e sentimos a cada dia, sua relação com a experiência alheia e com a natureza à nossa volta" torna-se, justamente, a "performance da vida" a que alude o título do ensaio. No final, o autor apresenta um esboço para uma "possível peça com a respiração"
History (3 works) · Psychology (3 works) · Art (2 works) · Art history (2 works) · Business (2 works) · History (2 works) · Sociology (2 works) · Advertising (1 work) · Art, Politics, and Modernism (1 work) · Art, Technology, and Culture (1 work)